J.P.E. HARTMANN TEMA MED VARIATIONER FOR KLAVER, VIOLIN OG VIOLONCELLO THEME AND VARIATIONS FOR PIANO, VIOLIN AND VIOLONCELLO UDGIVET AF EDITED BY

Transkript

1 J.P.E. HARTMANN TEMA MED VARIATIONER FOR KLAVER, VIOLIN OG VIOLONCELLO THEME AND VARIATIONS FOR PIANO, VIOLIN AND VIOLONCELLO København 2013 UDGIVET AF EDITED BY NIELS KRABBE

2 Cover design DCM ISMN 2013 Willeru & Dansk Center or Musikudgivelse (DCM) Det Kongelige Bibliotek, København Danish Centre or Music Publication (DCM) The Royal Library, Coenhagen The edition is made available on htt:// December 2013

3 INDHOLD CONTENTS Indledning v Introduction vii Tema med variationer or klaver, violin og violoncello 1 Abbreviations 14 Critical Commentary 15

4

5 INDLEDNING Hartmanns kammermusik (se den asluttende oversigt over disse værker) indtager en orholdsvis beskeden lads i hans i øvrigt store roduktion, der er domineret a vokalmusikken (ikke mindst kantater, dramatisk musik og sange). Som det ses a oversigten, er det kun værkerne or violin og klaver, som blev trykt i Hartmanns levetid; de øvrige værker (hvora et er tvivlsomt og to er uuldendte) oreligger i manuskrit i Det Kongelige Bibliotek i København. Nærværende Tema med Variationer or klaver, violin og cello er overleveret i Hartmanns blækrenskrit med uldt udskrevne stemmer or de to strygere; klaverartituret er slutdateret 30/ Værket er således skrevet i det eterår, hvor arbejdet med udgivelsen a Emma Hartmanns romancer under seudonymet Frederik Palmer otog ægtearret og husvennen Ernst Weis. Manuskritet er uden titelangivelse, og der oreligger ikke yderligere olysninger omkring tilblivelsen, anledningen eller anvendelsen a dette materiale. Generelt gælder det om Hartmanns kammermusik og klavermusik, at kilderne er yderst sarsomme med hensyn til olysninger om oørelser. Det må ormodes, at hovedarten a disse værker har været anvendt i rivate kredse inden or eller uden or komonistens egen amilie. 2 Trioen består a en kort adagio-indledning å 4 takter, eterulgt a temaet å to gange 8 takter og 8 variationer. Ottende og sidste variation er betydeligt udvidet i orhold til temaet og de oregående syv variationer. Værket stiller orholdsvis begrænsede krav til de udøvendes tekniske ærdigheder, hvilket kunne tyde å, at det er skrevet til amatørbrug. Revisionsarbejdet har alene bestået a en række interne analogi-komletteringer samt en kollationering a strygerstemmerne med klaverartituret. Oversigt over Hartmanns kammermusik 3 Adagio et Rondeau brillante our Alto et Piano Forte ms. (måske ikke a Hartmann at dømme eter håndskriten) Andante or orgel og messingblæsere i B dur ms. Sonate or løjte og klaver, ous 1 ms. (1825) (trykt osthumt) Kvartet F dur, o. 2, or klaver, violin, viola og kontrabas ms. (1825 el. 1823) Violinsonate nr. 1 i g moll, ous 8 (1827), tryk (1837) Præludium or løjte og orgel, g mol ms. (1844) Violinsonate nr. 2 i C dur ous 39 (1844), tryk (1846) Strygekvartet g mol (uuldendt) ms. (1848?) Tema med variationer or klaver, violin og cello ms. (1849) Strygekvartet i A dur (uuldendt) ms. (1850erne) Suite or klaver og violin ous 66 ms. (1864), tryk (1866) Violinsonate nr. 3 i g mol, ous 83 ms. (1886), tryk (1888) Quasi Andante or bassethorn, hare og harmonium, ms. (1866) Fantasi-Allegro. violin og klaver ms. ( ), tryk (1900) erne er Hartmanns mest roduktive årti, når det gælder musik or soloklaver: ikke ærre end 20 a Hartmanns i alt 56 værker or soloklaver blev skrevet i 1840erne (se Hartmann Udgaven bd. III/1 og III/2). 2 Sørgsmålet om udbredelsen a Hartmanns klavermusik er nærmere diskuteret i Niels Krabbe, Udbredelsen a J.P.E. Hartmanns klavermusik, Fund og Forskning (51), 2012, Dateringerne a de utrykte værker bygger å Inger Sørensens Hartmannkatalog (under udarbejdelse). DCM 020 v

6 vi DCM 020

7 INTRODUCTION Hartmann s chamber music (see the survey below) holds a comaratively modest osition in his otherwise large outut, which is dominated by vocal music (including cantatas, dramatic music and songs). As can be seen rom the survey, only the works or violin and iano were rinted in Hartmann s lie time; the other works, o which one is doubtul and two are uninished, are only available in manuscrit in The Royal Library in Coenhagen. The resent Theme and Variations or Piano, Violin and Violoncello is handed down in Hartmann s ink autograh including searate string arts; the iano score is end dated 30/ The work was comosed in the autumn o 1849 when Hartmann, his wie Emma, and a riend o the amily, Ernst Weis, were engaged in the ublication o Emma Hartmann s songs under the seudonym Frederik Palmer. The manuscrit carries no title, and we have no urther inormation about either history, occasion, or the intended use o the score. In general, the sources or Hartmann s chamber music and iano music are scanty when it comes to inormation about actual erormances, and resumably most o these works were erormed in rivate circles, within or outside the comoser s own amily. 2 The trio consists o a short Adagio introduction o our bars, ollowed by the theme in two 8-bar hrases and eight variations; the eighth and inal variation is much longer than its redecessors. The work makes restricted demands on the technical abilities o the musicians, which might indicate that Hartmann had amateurs in mind on this occasion. The revision or the resent edition has only consisted o a ew emendations based on internal analogy and the collation o the string arts with the autograh iano score. Survey o Hartmann s chamber music 3 Adagio et Rondeau brillante our Alto et Piano Forte ms. (doubtul?) Andante or Organ and Brass, B lat major ms. Sonata or Flute and Piano, o. 1 ms. (1825), rinted osthumously Quartet F major, o. 2, or Piano, Violin, viola and Double Bass ms. (1825 or 1823) Violin Sonata no. 1 in g minor, o 8 (1827), rinted (1837) Prelude or Flute and Organ, g minor ms. (1844) Violin Sonata no. 2 in C major, o. 39 (1844), rinted (1846) String Quartet, g minor (uninished) ms. (1848?) Theme and Variations or Piano, Violin and Violoncello ms. (1849) String Quartet in A major (uninished) ms. (1850s) Suite or Piano and Violin, o. 66 ms. (1864), rinted (1866) Violin sonata no. 3 in g minor, o. 83 ms. (1886), rinted (1888) Quasi Andante or Basset Horn, Har and Reed Organ ms. (1866) Fantasy-Allegro or Violin and Piano ms. ( ), rinted (1900) 1 The 1840s were Hartmann s most roliic years or solo iano music: no ewer than 20 o his 56 works or solo iano were written during the decade (see J.P.E. Hartmann, Collected Works, vol. III/1 and III/2, Coenhagen 2012). 2 For a discussion o Hartmann s iano music, see Niels Krabbe, Udbredelsen a J.P.E.Hartmanns klavermusik, Fund og Forskning (51), Coenhagen 2012, The dating o the unublished works is built on Inger Sørensen s orthcoming thematic catalogue o Hartmann s works. DCM 020 vii

8

9 TEMA MED VARIATIONER or klaver, violin og violoncello THEME AND VARIATIONS or Piano, Violin, and Violoncello Violin Violoncello Adagio smorz. Piano 5 13 Andantino DCM 020 1

10 21 VAR DCM 020

11 35 dim. dim. VAR. 2 dim DCM 020 3

12 VAR. 3 iù moderato 49 dolce sost dim. smorz. dim. dim. 4 DCM 020

13 VAR. 4 Temo rimo con moto 3 66 sostenuto smorz. dolce smorz. con anima DCM 020 5

14 VAR. 5 Temo rimo cresc. cresc. 101 cresc. dim. cresc. dim. izz. smorz. 6 DCM 020

15 VAR.6 con moto 108 arco 115 dim. dim. z z z 123 esante DCM 020 smorz. smorz. z z dim. smorz izz. arco risol. izz. 7

16 VAR e staccato izz. dim. 137 izz. arco arco smorz. smorz. stacc. 145 oco VAR. 8 Allegro 8 DCM 020

17 dolce leggiero rz s s smorz. DCM 020 9

18 semre cresc. 182 cresc. cresc. con uoco 10 DCM 020

19 188 z cresc. m z cresc. m m 193 cresc. cresc. cresc. cresc. 198 dim. dim. dim. DCM

20 202 dim. dim. 208 dolce DCM 020

21

22 ABBREVIATIONS b. bar DK-Kk Det Kongelige Bibliotek, København The Royal Library, Coenhagen marc. marcato. age.1 iano, uer art.2 iano, lower art stacc. staccato var. variation vc. violoncello vl. violin 14 DCM 020

23 CRITICAL COMMENTARY DESCRIPTION OF SOURCES A Score and arts, autograh and coy. DK-Kk, CII,7 Hartmanns Samling 251, kasel Anskariusesten-Undine. No title. End date: 30/ Score, autograh: Three olios and three biolios, aginated 1-16 (in encil), the irst age being blank. 24.5x34.5 cm. Fair coy in ink with a ew corrections in ink and encil. Between. 5 and 6 (in the middle o var. 4) two ages glued together, one containing an alternative version o the beginning o bb.1-17 o Var.5, the other consisting o one age o unidentiied sketches in encil. On. 6 an alternative version o the iano art o bb is added in encil at the bottom system o the age. On.. 8 (var. 5) a number o corrections in encil, mainly related to octave osition. Violin and cello arts, coy: Vl.: one biolio. Few corrections in encil in var. 4 (alternative version o the inal our bars in encil at the bottom o. 3) and var. 8. Vc.: one biolio. The act that the two string arts have been roessionally coied indicates that the source was intended or erormance. No such erormance is known, and the material has no traces o having been used. EDITORIAL EMENDATIONS AND ALTERNATIVE READINGS Bar Part Comment 4.1 slur added by analogy with vl. 8 vc. notes 3-4: redundant slur omitted 10.2 slur added by analogy with b.9 15 vl. notes 1-2: slur added by analogy with b vc. and added by analogy with vl. 20 vl.1 slur added by analogy with b as ink correction in A; A: C, c corrected as in ink to c 21 added by analogy with vc. 21 vc. end o slur emended rom note 6 to note 5 by analogy with vl. (b.27); notes 6-7: stacc. added by analogy with vl. (b.27) 21.1,2 slurs added by analogy with b vl. slur rom notes 5-6 emended to slur rom notes 4-5 by analogy with b.27; notes 6-7: stacc. added by analogy with vl. b vl.1 added by analogy with vc. (b.21) 22.1 slur added by analogy with.2 23 vc. note2: e emended to x by analogy with vl.; notes 1-2: slur added by analogy with vl.; and added by analogy with vl. 24 vl. note 3: stacc. added by analogy with vc., note 5: stacc. added by analogy with slur added by analogy with notes 6-7: stacc. added by analogy with b uer art: stacc. added by analogy with.1 29 vl.,. added by analogy with vc. 31 vc.,. added by analogy with vl. 31. added by analogy with vl., vc. 32 vc. added by analogy with vl.,. 34 vl. notes 1-2: slur added by analogy with b slurs added by analogy with.1 38 vc. added by analogy with vl. (b.37); slur added by analogy with vl.1 40 vl. missing added 42 vc. slur added by analogy with b vl. slur added by analogy with. (bb.37-38) 43 vc. missing - added 44 vl. note 5: stacc. added by analogy with note 2 44 vc. notes 2, 4 : stacc. added by analogy with vl.; added by analogy with vl. 46 vc. added by analogy with vl.; notes 4-6: stacc. added by analogy with vl chords 2-6: stacc. added by analogy with b vl., vc. notes 4-7: stacc. added by analogy with b vl. note 2: stacc. added by analogy with note 1 48 vc. stacc. added by analogy with vl note 4: stacc. added by analogy with.1 51 vc. notes 1-2: redundant slur omitted 52 vl. missing - added 54 vl. notes 1-2: redundant slur omitted 57.2 uer art notes 3-4: slur added by analogy with notes 1-2 and uer art: missing added 58 vl. notes 1-3: slur added by analogy with notes 4-6 and vc., uer art: slurs added by analogy with b. 57 notes A: alternative version written in encil at the bottom o the age: & b b b b 2 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ smorz. œ œ œ? b b 4 2 b b œ œ œ œ bœ œ œ œ bœ 64.2 b n chord 3: c emended to c by analogy with ,2 A: chord 4: accidental o d and d added in encil 65 ii vc. slur and dim. added by analogy with b.65 i 66 A: Piu animato corrected in ink to Temo rimo con moto. 70 vc. added by analogy with vl. (b.68) stacc. added by analogy with chords 1-5: stacc. added by analogy with vl., vc.,.2 76 vc. note 3: marc. added by analogy with note notes 5-8: stacc. added by analogy with notes vl. A: violin art: is notated as i it were a marc stacc. added by analogy with b vc. A: violin art: alternative version at the bottom o.3 added in encil; in b.80 a cross added in encil reers to the encil assage: b œ œ œ œ œ U & 4 2 œ n œ œ œ œ œ œ œ R 82.1 notes 3-4: slur added by analogy with notes slur added by analogy with vl. DCM

24 83.2 uer art: added to it the meter 86.2 slur added by analogy with slur added by analogy with A: a number o encil corrections in all arts added 91 vl. slur added by analogy with b vc. A: irst quaver: corrected in encil to 93.1,2 areggio added by analogy with b vc. and added by analogy with vl slur added by analogy with b stacc. added by analogy with A: animato crossed out in ink 108 vc. arco added because o izz. in b stacc. added by analogy with bb.109, chord 2: stacc. added by analogy with bb vl. notes 1-2; slur added by analogy with vc. 112 vc. notes 3-5: stacc. added by analogy with vl stacc. added by analogy with bb vc. notes 3-5: stacc. added by analogy with b chord 2: c Ω # emended to c Ω by analogy with b chord 1: stacc. added by analogy with bb , ,2 last chord: stacc. added by analogy with b stacc. added by analogy with b chord 2: stacc. added by analogy with chord ii vc. stacc. added by analogy with b. 129 i 130, chords 1-2: slur added by analogy with b end o slur emended rom note 3 to note 2 by analogy with bb (vl., vc.) missing added 138, chord 1: marc. added by analogy with stacc. added by analogy with ,.1,2 chord 1: stacc. added by analogy with vl., vc vl., vc.,. stacc. added by analogy with b note 5: stacc. added by analogy with chord 2: stacc. added by analogy with chord stacc. added by analogy with i vc. note 7: stacc. added by analogy with vl ,2 stacc. added by analogy with b vl.1,. added by analogy with b lower note: ambiguous notation (G or C) interreted as C 173 vc. notes 5-8: stacc. added by analogy with notes vc. stacc. added by analogy with bb vl. added by analogy with vc.,. 220 vl.,.1,2 stacc. added by analogy with vc. and b DCM 020