Copenhagen. International. organ festival programme book. october

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1 october Copenhagen International organ festival 2013 programme book

2 FORORD Velkommen til storslået orgelfestival i København og nærliggende større byer. Det er nu anden gang, at konservatoriet i et godt samarbejde med en række store kirker afholder Copenhagen International Organ Festival, som derved begynder at ligne en tradition. Der er tale om et sandt overflødighedshorn af koncerter, seminarer, foredrag, masterclasses og ekskursioner, som med fokus på Anton Heiller, Paul Hindemith og György Ligeti over fem tætte dage gør festivalen til et tvingende must for alle med den mindste hang til orgel og orgelmusik. Åbningen finder sted i konservatoriets koncertsal, hvor festivalens hovedarrangører, DKDMprofessorerne Bine Bryndorf og Hans Davidsson, er solister i en koncert, der rummer spændende tværkunstneriske perspektiver gennem mødet mellem orgelmusik og dans. Copenhagen International Organ Festival så dagens lys for fire år siden og må karakteriseres som en af de meget positive følgevirkninger af konservatoriets indflytning i det tidligere Radiohus på Rosenørns Allé, idet orgelafdelingen nu kom indenhus og derigennem fik tættere kontakt med konservatoriets øvrige afdelinger og aktiviteter. Også dengang var festivalen tilrettelagt i et velfungerende samarbejde mellem konservatoriet og en række store kirker og således et godt eksempel på betydningen af nærkontakt mellem uddannelsesmiljø, kunstneriskpædagogisk udviklingsmiljø og de kirkelige miljøer. Som rektor glæder jeg mig meget over, at denne kontakt i år er yderligere udbygget, ligesom jeg glæder mig over Odense Symfoniorkesters medvirken, der tilfører festivalen og dens tema en ekstra dimension. En stor tak til arrangører og samarbejdspartnere og rigtig god fornøjelse til alle. Bertel Krarup Rektor Garnisonskirken i København Orglet er bygget i 1724 af Lambert Daniel Kastens Rekonstruktion udført af Orgelbyggeri Carsten Lund A/S Solbakkevej 67, 2820 Gentofte. Tlf.: carsten@carstenlund.dk Samarbejdspartner: Th. Frobenius & Sønner Orgelbyggeri A/S Lyngby Hovedgade 102, 2800 Kgs. Lyngby Tlf.: orgel@carstenlund.dk

3 Christiansborg Slotskirke. Bygget 1829 Restaureret 2009 FOREWORD Welcome to a magnificent organ festival in Copenhagen and neighbouring cities. It is the second time that the academy in cooperation with a number of large churches holds Copenhagen International Organ Festival, now beginning to look like a tradition. There is a true cornucopia of concerts, seminars, lectures, master classes and excursions with focus on Anton Heiller, Paul Hindemith and György Ligeti during five close days making the festival a compelling must for everybody with the least proclivity to organ and organ music. The opening takes place in the concert hall of the academy, where the main organizers, RDAM professors Bine Bryndorf and Hans Davidsson, are soloists in a concert containing exciting cross-artistic perspectives through the meeting between organ music and dance. Musikkonservatoriets Koncertsal Bygget 1949 Spillebord restaureret 2009 Copenhagen International Organ Festival saw the light of day four years ago and is characterized as one of the consequences of the academy s move to the former Radio House on Rosenørns Allé, as the organ department now moved in-house and thus had a closer contact with the other departments and activities at the academy. Then the festival was also organized in a well-functioning cooperation between the academy and a number of large churches - and thus setting a good example of the importance of close contact between educational environment, artistic pedagogical development environment and church environments. As president I am very pleased that this contact has been further extended this year, just as I am pleased that the Odense Symphony Orchestra is taking part and thus adding an extra dimension to the festival and its theme. A large thank you to organizers and collaborators and do have a splendid festival, all of you. Bertel Krarup President Vejleå Kirke Ishøj Bygget 2009 MARCUSSEN & SØN STOREGADE 24 DK 6200 AABENRAA Telefon info@marcussen-son.dk

4 Velkommen til Copenhagen International Organ Festival 2013! Hjertelig velkommen til den anden Copenhagen International Organ Festival, arrangeret af Det Kongelige Danske Musikkonservatorium (DKDM)! Foran os venter seks dage med spændende koncerter, forelæsninger, orgelekskursioner, demonstrationer, præsentationer og gudstjenester. Festivalens formål er at skabe at dynamisk mødested for såvel organister, orgelentusiaster og orgelstuderende som orgelbyggere med berigende musikalske oplevelser, præsentation af ny information og mulighed for diskussion og udveksling af synspunkter. Festivalprogrammet indeholder et væld af forskellig orgelmusik i mange forskellige konstellationer; med sang, kor, kammermusik og fuldt symfoniorkester. Festivalen præsenterer ledende internationale solister, kendte danske organister, orgellærere og studerende fra DKDM og et udvalg af de fineste instrumenter i København og omegn. I 2009 fejrede den første Copenhagen International Organ Festival DK- DMs flytning til nye lokaler i det gamle Radiohus på Rosenørns Allé og restaureringen af det historiske Marcussen & Reuter-orgel i Christiansborg Slotskirke fra 1829, konservatoriets vigtigste orgel gennem årtier. CIOF 2013 fejrer tre komponister, som har jubilæum i 2013: Paul Hindemith, Anton Heiller og György Ligeti. Festivalen fokuserer samtidig på en vigtig periode for orgelbygningen i midten af det 20. århundrede: den danske orgelbevægelse. Hindemiths orgelværker var væsentlige nye værker i orgelrepertoiret før og under 2. verdenskrig. Samtidig udviklede danske orgelbyggere en ny stil og standard for orgelbygning og eksporterede instrumenter vidt omkring. Internationale gæster spillede på de nye instrumenter i Danmark, heriblandt Anton Heiller, som ofte besøgte Danmark og hvis orgelspil, improvisation og undervisning var højt værdsat. Han inspirerede mange danske organister til at drage til Wien for at studere, hvor han var professor fra I starten af 1960 erne udforskede og udvidede György Ligeti orglets udtryksmuligheder gennem skabelsen af et lille antal radikalt nytænkende orgelværker. Værkerne udfordrede organister, orgelbyggere og publikum verden over, og de bidrog til en genopdagelse af orglet som instrument blandt avantgardens komponister. Åbningskoncerten og koncerten for orgel & symfoniorkester, solistklassestuderende Philip Schmidt- Madsens debut, sætter fokus på DKDMs store koncertsalsorgel bygget af Marcussen & Søn i Det gamle Radiohus blev indviet lige efter 2. verdenskrig, og det nye orgel blev planlagt og udviklet af lederen af Marcussen & Søn, den visionære Sybrand Zachariassen, og den kendte arkitekt Wilhelm Lauritzen over en tiårs periode. Det er et monumentalt orgel, en materialiseret fremtidsvision i midten af det 20. århundrede, og salens naturlige midtpunkt og vægtigste udsmykning. Vi er meget stolte over at have dette orgel på DKDM! På festivalens orgelekskursioner vil man kunne opleve og lære mere om andre betydningsfulde orgler, deriblandt det første mekaniske orgel i det 20. århundrede: Kunsthallen Nikolajs Marcussen-orgel fra 1930, og Jægersborg Kirkes Marcussen-orgel fra En stor og varm tak til vore sponsorer for at gøre denne festival mulig: Augustinus Fonden, Beckett Fonden, DOKS Gramex midler, Frobenius Fonden og Oticon Fonden. Og en stor tak til alle samarbejdspartnere, både på DKDM og uden for huset for at gøre et så alsidigt og spændende program muligt! Vi ser frem til seks dage med mere end ti orgelpræsentationer, talrige muligheder for at høre nogle af Københavns skønneste orgler, frugtbare diskussioner og fortsat venskab. Vi håber, at mange kommer til at begejstres over Copenhagen International Organ Festival og mødet med instrumenternes dronning! Bine Bryndorf og Hans Davidsson professorer i orgel Det Kongelige Danske Musikkonservatorium

5 Welcome to Copenhagen International Organ Festival 2013! It is with great joy and distinct pleasure that we welcome you to the second Copenhagen International Organ Festival (CIOF) hosted by the Royal Danish Academy of Music (RDAM). We offer you six days of exciting concerts, lectures, organ tours, demonstrations, presentations, and services. The festival aims to be a dynamic meeting place for organists, scholars, and builders alike with enriching musical experiences, presentations of the most recent research, and opportunities for discussion and exchange of perspectives. The Festival will present organ music of great variety and in a multitude of combinations, including performances with voice, choir, chamber ensembles, and full symphony orchestra. The Festival program features leading international soloists, renowned Danish organists, faculty and students of RDAM, and a selection of the finest instruments of the Copenhagen region. In 2009, the first Copenhagen International Organ Festival celebrated the move of the academy and its organs to the new building (the former Radio house), and the restoration of the significant 1829 Marcussen & Reuter organ at Christiansborg Castle Church, the main instrument of the academy throughout many decades. CIOF 2013 celebrates the anniversaries of three composers Paul Hindemith, Anton Heiller, and György Ligeti and focuses on a significant period of organ building in the middle of the twentieth century, often referred to as the Danish organ reform movement. Hindemith s organ works were substantial additions to the organ repertory before and during World War II. During the same period, Danish organ builders were developing a new style and standard of organ building, and exported instruments to many countries abroad. The new instruments in Denmark were played by international guests, including Anton Heiller, who frequently visited our country and whose performances, compositions, and art of improvisation were widely admired. He inspired several generations of Danish organists to study in Vienna, Austria, where he taught from 1947 to In the early 1960s, György Ligeti explored and expanded the range of expressivity of the instrument through his groundbreaking organ compositions. His works challenged organists, organ builders and audiences alike, and contributed to a renewal of interest in the organ among avant-garde composers. The Festival will feature the 1949 Marcussen organ in the RDAM concert hall, which will be used in our opening concert and in the organ and orchestra concert, the debut for our soloist diploma student, Philip Schmidt-Madsen. The old Radiohouse was inaugurated shortly after World War II, and the new organ was planned and developed over almost a decade by the leader of Marcussen and the visionary of Danish organ building during this period, Sybrand Zachariassen, working with the renowned architect Wilhelm Lauritzen. It is a monumental instrument, an organ dream of the mid-twentieth century materialized, and the focal architectural point of the concert hall. We are very proud to have this organ at the RDAM. During the festival organ tour, you will experience and learn about other significant organs, including the first mechanical-action organ of the twentieth century, the 1930 Marcussen at Nikolaj Kunsthal, and the remarkable 1944 Marcussen organ at Jaegersborg church. Many thanks to our sponsors: Augustinus Fonden, Beckett Fonden, DOKS Gramex midler, Frobenius Fonden and Oticon Fonden. Your generous support makes the festival possible. We would also like to thank our partners in Copenhagen, in our region, and at RDAM for helping us to present such a varied and exciting program. We look forward to six festival days together, with more than ten organ presentations, many opportunities to hear Copenhagen s fine organs, fruitful discussions, and continuing friendships. We hope that many people will enjoy the Copenhagen International Organ Festival and experience the King of Instruments in all of its glory! Bine Bryndorf and Hans Davidsson Organ Professors The Royal Danish Academy of Music

6 Copenhagen International Organ Festival 2013 program Saturday October 5 19:30 The Academy Concert Hall Opening Concert: Organ movement Professors Bine Bryndorf and Hans Davidsson, and dancers Organ works by Hindemith, Martin, Heiller and Alain Sunday October 6 10:00 Holmens Church Morning Service Organ and vocal works by Heiller performed by the choir of Holmens Church conducted by organist and cantor Jakob Lorentzen, and assisting organist Erik Kolind 13:00 Sankt Johannes Church Organ and chamber music Yuzuru Hiranaka a.o. 15:00 RDAM Keynote lecture Roman Summereder: Hindemith seen from a 20 th century perspective Monday October 7 Project day - Hindemith and Heiller All events until 16:00 take place at RDAM 9:00 Keynote lecture Peter Planyavsky: Anton Heiller - life and work 10:30 Lecture William Porter: An American Revolution: changing concepts of the organ during Hindemith s years in the United States. 13:00 Chamber concert Works for woodwind quintet and harpsichord solo by Ligeti and Hindemith, performed by RDAM students 14:30 Lecture Hans Fagius: Danish organ building in the post-war years 15:15 Lecture Lasse Ewerlöf: Anton Heiller in Denmark 17:00 Sankt Markus Church Children s choir and organ RDAM Children s Choir performing Heiller s Passion Music 19:30 Copenhagen Cathedral concert Professor Peter Planyavsky performing works by Heiller and improvisation 16:30 RDAM Instrument presentation Organs, clavichord, reed organ, regal organ, harpsichord, and pedal piano 19:30 Helligaands Church concert Prof. Roman Summereder in works by Ligeti and Heiller

7 Tuesday October 8 Excursion day - Frederiksborg Castle and Roskilde Cathedral The excursion is aimed at organ professionals and requires registration. The concerts are open to the public. 9:00 Departure from RDAM for Frederiksborg Castle Presentation of the Compenius Organ by Sven-Ingvart Mikkelsen Lecture by Prof. Harald Vogel: Finn Videroe and the Compenius organ - a milestone in 20 th century organ interpretation 13:00 Lunch Concert with Prof. Harald Vogel 14:00 Departure for Roskilde Cathedral Presentation of the Raphaëlis organ by Kristian Olesen Lecture by Prof. Harald Vogel 19:30 Concert Prof. William Porter: Congregational singing and organ-improvisations Wednesday October 9 Excursion day - Copenhagen 20 th century Danish organ art - Northern European perspectives on Hindemith and Heiller The excursion is aimed at organ professionals and requires registration. The concerts are open to the public. 9:00 Kunsthallen Nikolaj Presentation of the organ by Inga Lindmark and Svend Prip 11:30 Jægersborg Church Demonstration of the organ by Mads Damlund Lecture by Gwyn Hodgsons: The Jægersborg Organ with special reference to Finn Viderø and Karl Richter 14:30 Grundtvig s Church Presentation of the choir organ by Mads Høck Lecture by Kristian Lumholt 17:00 Vor Frelsers Church New Works for organ Works by RDAM composition students performed by organ students 19:30 The Academy Concert Hall Debut Concert with orchestra Odense Symphony Orchestra Conductor: Ola Rudner Soloist: Philip Schmidt-Madsen, organ Beethoven: Coriolan Ouverture Hindemith: Concerto for organ and orchestra R. Strauss: Also sprach Zarathustra Thursday 10 th October 9:00- Kastels Church 11:30 Masterclass Peter Planyavsky teaches RDAM students 13:00 Garnisons Church Lunch concert William Porter 14:30-16:30 Masterclass William Porter teaches RDAM students 17:00 Sankt Petri Church Vesper RDAM Vocal Ensemble conducted by Fredrik Malmberg, and soprano Berit Barfred perform Heiller s Vesper and songs by Distler 19:30 Trinitatis Church Closing concert Hans Fagius and RDAM Brass Ensemble conducted by Henrik Vagn Christensen

8 Copenhagen International Organ Festival 2013 Saturday October Academy Concert Hall, 19:30 Opening Concert organ movement Bine Bryndorf, organ Hans Davidsson, organ Henrik Jandorf, recitation Stayce Camparo and Gabriel Davidsson, dancers (Choreography by Stayce Camparo, Jonathan Davidsson and Gabriel Davidsson) Light engineer: Martin Jensen Organ works by Anton Heiller, Olivier Messiaen, Arvo Pärt, Frank Martin, Georg Böhm put into perspective by dance and excerpts from Shakespeare s Hamlet Detailed program available at the concert. Opening reception in the foyer after the concert. Gabriel Davidsson began dancing at the National Ballet School in Gothenburg in After moving to the United States, he studied primarily with Jamey Leverett at the Timothy Draper Center for Dance Education in N. Y. He finished his training at the Kirov Academy of Ballet in Washington D. C. From Davidsson was engaged at the Kansas City Ballet. Since 2012 Gabriel Davidsson is a soloist with the Estonian National Ballet. His repertoire includes Benvolio (Prokofiev s Romeo and Juliet ), Tchaikovsky s Snow King ( The Nutcracker ) and pas de deux ( Swan Lake ), Pas d esclave (Adam s Le Corsaire ), as well as leading roles in ballets by Robert Hill, Jessica Lang, Bruce Marks, Toni Pimble, George Balanchine, William Whitener, and Twyla Tharp. Gabriel Davidsson has performed in Festivals and workshops all over the United States. In 2011, he collaborated with his brother Jonathan Davidsson and danced original choreography in South Korea.

9 Stayce Camparo is trained in Santa Monica while participating in prestigious dance programs in New York, Philadelphia, and Seattle where she spent two years on full scholarship in the professional division program. She joined the Kansas City Ballet in 2003 as a dancer in various soloist and principal roles. Some of her favorites include Calliope in Balanchine s Apollo, Amelia in José Limon s The Moore s Pavane, leads in Balanchine s Who Cares? Jessica Lang s Splendid Isolation III, and Bruce Mark s Lark Ascending. She has choreographed pieces for Kansas City Ballet s In the Wings, Matthew Powell s Crossroads Dance Festival in Kansas City, and Kansas City s Quixotic Fusion, collaborating with local artists on fashion, media, music, and dance. Since 2012, Stayce Camparo dances with Theater Augsburg where she has been featured in divertimento4amadeus, Heroes and above all in the part of Marquise de Merteuil in Gefährliche Liebschaften. Bine Bryndorf began playing the organ at an early age with among others Kristian Olesen (organ) and Bjørn Hjelmborg (theory). Studies in organ and church music with Michael Radulescu, Daniel Roth and William Porter (improvisation) formed her as an organist she taught at the University of Music in Vienna she started teaching at the RDAM, being appointed professor in 2001, and from 2011 Head of Organ and Church Music department. Hans Davidsson is professor of organ at the Royal Academy of Music in Copenhagen , he served as professor of organ at the Eastman School of Music and Project Director of the Eastman- Rochester Organ Initiative in Rochester, NY, USA , he served as professor of organ at the School of Music at Göteborg University, Bine Bryndorf is organist at Trinity Church and has a wide carreer as a soloist and is much asked for as a teacher of masterclasses and juror at organ competitions. She has a deep interest of performance practice on period instruments and her recordings concentrate mainly on baroque music, all of Buxtehude (dacapo) and main works of Bach (Hänssler and Classico). Soon coming up are recordings of Bruhns and Scheidemann, of Niels la Cour (contemporary Danish) and of Carl Nielsen as the Artistic Director of the Göteborg International Organ Academy (GIOA), and he was the founder of Göteborg Organ Art Center (GOArt). In 2007, he was appointed professor of organ at the Hochschule für Künste Bremen in Germany where he currently also serves as the director of the Arp Schnitger Institute of Organ and Organ Building. He performs and teaches at major festivals and academies throughout the world. He has made many recordings, including most recently the complete works of Dietrich Buxtehude on the Loft label.

10 Sunday October HOLMENS CHURCH, 10:00 MORNING SERVICE Holmens Church Choir Erik Kolind, organist Jakob Lorentzen, organist & cantor Ejgil Bank Olesen, rural dean of Holmens Church Introitus: Paul Hindemith: Kyrie fra Messe (1963) Choir verses: Jakob Lorentzen Motet: Anton Heiller: O Jesu, all mein Leben (1951) Exitus: Paul Hindemith: Agnus Dei fra Messe Postludium: Anton Heiller: Tanz Toccata (1970) Jakob Lorentzen is educated church musician from the RDAM in 1994 and took a soloist degree from Conservatoire Supérieur in Paris in Since 1997 he is organist and cantor at Holmen s Church and castle organist at Christiansborg Castle. He has studied choir conducting with Prof. Dan-Olof Stenlund and Gary Graden. Jakob Lorentzen works regularly with choirs such as Ars Nova Copenhagen and Mogens Dahl Kammerkor, and he is teacher of organ improvisation at the RDAM. He is a sought after instructor and lecturer at choir rallies, courses and seminars. Jakob Lorentzen has composed a large number of choral works and he is conductor and organist on innumerable recordings of choir and organ music. SANKT JOHANNES CHURCH, 13:00 ORGAN AND CHAMBER MUSIC Anders Ljungar-Chapelon, flute Jes Gram, oboe Yuzuru Hiranaka, organ and harpsichord Anton Heiller: ( ) Paul Hindemith: ( ) Tanz Toccata Abendkonzert for flute and harpsichord Gordon Jacob: Sonatina for Oboe and Harpsichord ( ) I Adagio II Allegro giocoso III Lento alla Sarabanda IV Allegro molto vivace Michael Radulescu: (b. 1943) Sonate für Blockflöte (Querflöte) und cembalo Dietrich Buxtehude: Toccata F major, BuxWV 156 ( ) Jan Koetsier: Partita per Corno Inglese e Organo (1954) ( ) Adagio-allegro Larghetto Vivace Largo Andante e sostenuto Anders Danman: Sub Communione Under nadveren ( ) (b. 1958) Toshi Ichiyanagi: (b. 1933) Fantasy for Organ solo (Arr. Yuzuru Hiranaka)

11 Yuzuru Hiranaka (born in Sapporo, Japan) studied organ, harpsichord and church music in Tokyo, Amsterdam, Arnhem, Den Haag, Freiburg and Copenhagen with Ton Koopman, Bert Matter, Piet Kee, Theo Jellema, Tini Mathot, Xavier Darasse, Zsigmond Szathmáry Lasse Ewerlöf and Hans Fagius. Yuzuru Hiranaka is a prize winner in the 3rd international organ competition in Odense, Denmark, in 1990, and in several other international competitions. Since 1994 he has been working as an organist in the Danish State Church, and in august 2007 he was appointed Organist at Sankt Johannes Church in Copenhagen. Yuzuru Hiranaka teaches organ at the Royal Danish Academy of Music in Copenhagen and at Sjællands Kirkemusikskole in Roskilde, and gives courses in Japan. His concerts can regularly be enjoyed in Europe, Japan, USA, Mexico, Uruguay, and Brazil. Prof. Dr. ANDERS LJUNGAR- CHAPELON is professor in flute and researcher at the Malmö Academy of Music/Lund University, Sweden, and International Tutor in Flute and researcher at the Royal Northern College of Music in Manchester (RNCM), England. As a soloist and orchestra player he gives numerous concerts and recitals throughout Europe, Asia, Australia, the Americas and the Pacific, he appears on radio and television, and performs regularly as a soloist at international music and flute festivals. He is a sought-after professor and lecturer at universities and music academies in Europe, the Americas, Asia, Australia, New Zeeland and Greenland. Jes Gram has studied at The Royal Danish Academy of Music with prof. Jørgen Hammergaard and Bjørn Carl Nielsen as teachers. Later studies in London with Michael Winnfield and Gordon Hunt. His is active in several of the orchestras in Copenhagen and in chamber music groups.

12 Sunday October ACADEMY STUDIO HALL, 15:00 KEYNOTE LECTURE Roman Summereder: Hindemith seen from a 20 th century perspective ACADEMY ORGAN HALLS AND FOYER, 16:30-18:00 INSTRUMENT PRESENTATION The academy s collection of organ related instruments: organs, reed organ, harpsichords, and pedal piano, presented by Academy organ students HELLIGAANDS CHURCH, 19:30 ROMAN SUMMEREDER IN CONCERT Anton Heiller: 1. Sonate (1944/45) ( ) I Allegro non troppo II Lento Più mosso Tempo primo (manualiter) III Con brio (Tempo di Toccata) Paul Hindemith: Sonate für Orgel nach alten Volksliedern, 1940 (Sonate III) ( ) I Ach Gott, wem soll ich s klagen Mäßig bewegt Langsam II Wach auf, mein Hort Sehr langsame Achtel III So wünsch ich ihr Ruhig bewegte Viertel Girolamo Frescobaldi: Recercar chromatico post il Credo (From Fiori musicali 1635) ( ) György Ligeti: Ricercare Omaggio a Frescobaldi (1953) ( ) Etude No. 1 Harmonies (1967) Born 1954 in Upper Austria Roman Summereder has been a church musician from childhood onwards. He completed his musical studies in Vienna (Church music, organ, composition) and Brussels (harpsichord). He was Anton Heiller s last student. After working as accompanist at the Brucknerkonservatorium in Linz he taught score playing and basso continuo at the Musikhochschule in Vienna (today University of Music and Performing Arts). Finally he was entrusted with an organ class in 1999 there and was appointed full professor in His pedagogical activities are rounded off by lectures and master classes, for example at the International Summer Academy in Haarlem (The Netherlands). Roman Summereder s artistic career has led him to important historical and modern intruments throughout Europe. One focal point of his repertoire is the organ literature of the 20th and 21st centuries, with world and Austrian premieres. His recordings of key works of the 20th century (Reger, Schoenberg, Jarnach, David, Krenek, Messiaen, Reda, Schiske, Heiller, Ligeti) are highly esteemed (Pasticcio-Price of the Austrian Radio 2008, award by Klassik heute, 2012). Currently Roman Summereder is working on the recording of Anton Heiller s complete organ works (Bruckner- Organ of the Monastery Basilica in St. Florian/Upper Austria): Vol. I has been issued in March, Vol. II in September 2013, Vol. III is to be expected in He is the author of Aufbruch der Klaenge (1995) and Als gingen uns jetzt erst die Ohren auf (2010). Both works are considered standard works in the field of church music research. Anton Heiller: Fantasia super Salve Regina (1963)

13 Monday October PROJECT DAY HINDEMITH AND HEILLER ACADEMY STUDIO HALL, 9:00 KEYNOTE LECTURE Peter Planyavsky: Anton Heiller Life and work LECTURE Paul Hindemith: Kleine Kammermusik for wind quintet, op. 24 no. 2 ( ) Lustig: Mässig schnelle Viertel Walzer: Durchweg sehr leise Ruhig und einfach: Achtel Schnelle Viertel Sehr lebhaft György Ligeti: Sechs Bagatelle for wind quintet (1953) Allegro con spirito Rubato. Lamentoso Allegro grazioso (attaca) Presto ruvido Adagio. Mesto (in memoriam Béla Bartók) Molto vivace. Capriccioso William Porter: An American Revolution: changing concepts of the organ during Hindemith s years in the United States ACADEMY STUDIO HALL, 13:00 CHAMBER CONCERT Babett Hartmann, harpsichord Hafnia Woodwind Quintet: Joachim Becerra Thomsen, flute, Lene Hesselbjerg, oboe, Frederik von Würden, clarinet, Niklas Mouritzen, French horn, Nikolaj Henriques, bassoon György Ligeti: Continuum (1968) ( ) Anton Heiller: Ein wenig über B-A-C-H: ( ) I. Vorspiel II. Tanz III. Nachspiel György Ligeti: Hungarian Rock (Chaconne) (1978) Babett Hartmann is educated organist from Hochschule für Musik und Theater Felix Mendelssohn Bartholdy and The Royal Danish Academy of Music. She took her Advanced Postgraduate Diploma in organ in 2013 and is currently doing a Master in early music specializing in harpsichord. She has extensive concert activities throughout Europe, and is also experienced in conducting children s choir. Since 2011 she is organist in Grundtvig s Church in Copenhagen.

14 Monday October Monday October ACADEMY STUDIO HALL, 14:30 Lecture COPENHAGEN CATHEDRAL, 19:30 PETER PLANYAVSKY IN CONCERT Hans Fagius: Danish organ building in the post-war year Georg Muffat: ( ) Toccata VI ACADEMY STUDIO HALL, 15:15 Lecture Lasse Ewerlöf: Anton Heiller in Denmark SANKT MARKUS CHURCH, 17:00 CHILDREN S CHOIR AND ORGAN Aeji Choi, organ Children s Choir of The Royal Danish Academy of Music Bente Colding-Jørgensen, conductor Anton Heiller: ( ) Passionsmusik for children s choir and organ Paul Hindemith: Sonate II ( ) Lebhaft Ruhig bewegt Fuge: Mäßig bewegt, heiter Franz Schmidt: From Vier kleine Choralvorspiele : ( ) O wie selig seid ihr doch, ihr Frommen Was mein gott will Anton Heiller: ( ) Partita Vater unser im Himmelreich Nachspiel from Vesper (1977) From Dänischen Choralvorspielen (1978): Det hellige kors Freu dich sehr, o meine Seele (2 Verse) Min sjæl, du Herren love Robert Fuchs Fantasie Des-Dur (1909) ( ) Improvisation The Children s Choir of The Royal Danish Academy of Music was established by Margrete Enevold Her successor is Bente-Colding- Jørgensen, who also is a part of the teaching staff of the Academy as instructor of childrens choir. The choir, divided in one choir with younger and one with older children, is wellknown through transmissions on radio and television and has visited many countries all over the world on yearly tours.

15 PETER PLANYAVSKY was born in 1947 in Vienna where he studied Organ and Church Music with Anton Heiller. He then worked for one year in the workshop of a major Austrian organ builder, and for another year he served as Abbey Organist at Schlägl, Austria. From 1969 until 2004, he worked at St. Stephan s Cathedral, Vienna in the position of Music Director, otherwise as Cathedral Organist. From 1980 until 2012, Planyavsky was Professor for Organ and Improvisation at the University for Music and Drama in Vienna, with the additional function as Head of the Church Music department from 1996 to Peter Planyavsky also undertakes a full schedule as a recitalist, coach in workshops and masterclasses and as a member of juries. He has toured North America, Japan, Australia, South Africa and most european countries; and he has recorded a small stack of CDs and records. As a conductor, Peter Planyavsky has peformed the great works of sacred music. He is now putting an emphasis on concertos for organ and orchestra, having conducted several premier performances in Austria like concertos by Horatio Parker, Jean Guillou, Jean Langlais, Howard Hanson and Leo Sowerby. In recognition of his work as an artist, Planyavsky has won several prizes and awards. Among his books, Katholische Kirchenmusik (380 p., Innsbruck 2010) and a biography of Anton Heiller (2009) have gained special attention. Tuesday October EXCURSION DAY FREDERIKSBORG CASTLE AND ROSKILDE CATHEDRAL The excursion is for organ professionals only. The concerts are open to the public DEPARTURE FROM RDAM FOR FREDERIKSBORG CASTLE, 9:00 Presentation of the Compenius Organ by Sven-Ingvart Mikkelsen Lecture by Harald Vogel: Finn Videroe and the Compenius organ - a milestone in 20th century organ interpretation FREDERIKSBORG CASTLE CHURCH, 13:00 LUNCH CONCERT WITH HARALD VOGEL - Portrait einer fürstlichen Orgel Mio cor, se vera sei salamandra A) Madrigal a 5 Felice Anerio ( ) b) Intavolierung Heinrich Scheidemann (ca ) Soll es sein (Poolsche Dans) Jan Pieterszoon Sweelinck 8 Variationen ( ) Pavane danvers aus dem Klavierbuch der Psalm 36 Susanne van Soldt (nach 1570) Elslein, liebes Elslein mein aus der Musica Teusch von Hans Gerle (1532) Fuggerin Tanz aus dem Teutsch Lautenbuch von Melchior Neusiedler (1574) Improvisation mit der Sackpfeiffe Verbum caro factum est Hans Leo Hassler Motette à 6 ( )

16 Tuesday October Tuesday October Magnificat IV. Toni Samuel Scheidt 6 Verse ( ) Herzlich lieb hab ich dich, o Herr Improvisation mit dem Jungfrawen Regal Praeambulum ex d Heinrich Scheidemann Heinrich Scheidemann DEPARTURE FOR ROSKILDE CATHEDRAL, 14:00 Presentation of the Raphaëlis Organ by Kristian Olesen. Lecture by Harald Vogel ROSKILDE CATHEDRAL, 19:30 WILLIAM PORTER IN CONCERT CongregationAL singing and organ improvisations Dietrich Buxtehude: Praeludium in D Major, BuxWV 139 ( ) Congregational singing and organ improvisations based on selected hymns from the Danish Hymnal Johann Sebastian Bach: Prelude and Fugue in C Major, BWV 547 ( ) Detailed program will be available at the concert HARALD VOGEL is recognized as a leading authority on the interpretation of North German organ music. As the director of the North German Organ Academy, which he founded in 1972, he teaches historical performance practice on original instruments. Since 1994, he has held a professorship at the Hochschule für Künste in Bremen. Harald Vogel has led many masterclasses at conservatories and universities throughout the world, whereby he has influenced many organists and organbuilders. As Superintendent of Church Music and organ advisor for the Reformed Church (until 2006) he has been responsible for a large number of historical organs in Northwest Germany. As an expert in organ building, he has been a consultant for many organ building projects, including restorations and new organs. Among Harald Vogel s many recordings are those on historical instruments made for Radio Bremen between 1961 and These recordings today have particular value as historical documentations. Harald Vogel s publications include Orgeln in Niedersachsen (Organs in Lower Saxony) and Orgellandschaft Ostfriesland (The Organ Region of East Frisia). He has edited the Tabulatura nova by S. Scheidt, the keyboard works by J.P. Sweelinck, the organ works by N. Bruhns and V. Luebeck (Breitkopf). He received an honorary doctorate in 2008 from Luleå University of Technology (Sweden). William Porter is recently retired Professor of Organ and Harpsichord at the Eastman School of Music in Rochester, New York, and he also teaches in the organ department at McGill University in Montreal, where he lives. From 1985 to 2002 he taught organ, music history, and music theory at the New England Conservatory in Boston, and from 2001 until 2005 he taught improvisation at Yale University. He holds degrees from Oberlin College, where he also taught organ and harpsichord from 1974 to 1986, and from Yale University, where he was director of music at Yale Divinity School from 1971 to Widely known as a performer in the United States and in Europe, he has also achieved international recognition for his skill in improvisation in a wide variety of styles, ancient and modern. He has performed at major international festivals and academies, including the North German Organ Academy, the Italian Academy of Music for the Organ, the Smarano Organ and Clavichord Academy, Organfestival Holland, the Göteborg International Organ Academy, the Dollart Festival, the Lausanne Improvisation Festival, the Festival Toulouse les Orgues, the Boston Early Music Festival, the Oregon Bach Festival, the McGill International Organ Academy, Eastman s Improvfest, and the National Convention of the American Guild of Organists. He is organ consultant for the ConstellationCenter, a new performing arts center to be built in the Boston area, which will house several organs in different styles. He has recorded on historic instruments, old and new, for the Gasparo, Proprius, BMG, and Loft labels.

17 Wednesday October EXCURSION DAY COPENHAGEN 20 th century organ art Northern European perspectives on Hindemith and Heiller The excursion is for organ professionals only. The concerts are open to the public TAN Tuan Hao: (b. 1986) Yu Ji: (b. 1987) Adrift LüTu KUNSTHALLEN NIKOLAJ, 9:00 Presentation of the organ by Inga Lindmark and Sven Prip JÆGERSBORG CHURCH, 11:30 Demonstration of the organ by Mads Damlund Lecture by Gwyn Hodgson: The Jægersborg Organ with special reference to Finn Viderø and Karl Richter GRUNDTVIG S CHURCH, 14:30 Presentation of the organ by Mads Høck Lecture by Kristian Lumholdt VOR FRELSERS CHURCH, NEW WORKS FOR ORGAN Works by RDAM composition students performed by organ students ACADEMY CONCERT HALL, 19:30 DEBUT CONCERT WITH ORCHESTRA Philip Schmidt-Madsen, organ Ola Rudner, conductor Odense Symphony Orchestra Ludwig van Beethoven: Coriolan Ouverture op. 62 ( ) Paul Hindemith: Concerto for organ and orchestra ( ) Crescendo Allegro assai Canzonetta and two Ritornelli Phantasy on Veni Creator Spiritus Richard Strauss: Also sprach Zarathustra op. 30 ( ) Einleitung Von den Hinterweltlern Von der großen Sehnsucht Von den Freuden und Leidenschaften Das Grablied Von der Wissenschaft Der Genesende Das Tanzlied Nachtwandlerlied Mette Nielsen: (b. 1985) Jeppe Ernst: (b og imens politik-sundhed-økonomi Martin Stauning: Sphäre 2 (b. 1982) for organ and mezzo soprano

18 Philip Schmidt-Madsen (born 1982) is organist at St. Matthew Church in Vesterbro in Copenhagen. He studied church music and organ with Professor Bine Bryndorf at the Royal Academy of Music, where his graduation examen in 2007 had the highest mark. After that followed two years of further studies with Professor Hans Davidsson at Hochschule für Künste in Bremen, where he in 2009 finished with the German Kirchenmusik A Examination with the honours, cum Laude. Philip has taken part in several master classes with among others Olivier Latry, Michael Radulescu, Jon Laukvik and Hans-Ola Ericsson. Tonight s concert is the final concert after his studies in the Advanced Postgraduate Programme at the Royal Danish Academy of Music as student of Hans Fagius and Hans Davidsson. I June 2011 Philip won first Prize at the International Carl Nielsen Organ Competition and was further awarded the Commotio Prize for best interpretation of Carl Nielsen s works. Philip has extensive concert activities in both Denmark and Europe and he often cooperates with many different choirs and orchestras in Denmark and abroad. He has on numerous occasions been soloist with orchestra and has performed in both television and radio transmitted concerts and church services. He often tours with the sister and brother Hetna and Steffen Bruun. The Swedish conductor Ola Rudner began his career as a high-profile violinist. Among others his achievements are winning the Paganini Competition and being the assistant of legendary Sandor Vegh. He has been the principal violinist in various orchestras such as Camerata Salzburg, Vienna Volksoper and Vienna Symphony Orchestra. In the 1990 s he became known as a charismatic conductor for i.e. all the Swedish and Australian orchestras, Vienna Chamber Orchestra, Iceland Symphony Orchestra and as the artistic leader of Philharmonia Wien from From Rudner was conductor at Vienna Volksoper. From he was chief conductor for the Tasmanian Symphony Orchestra and he made his debut as an opera conductor in Australia in Since 2009 he is chief conductor for Württembergische Philharmonie Reutlingen. In 2012 he received a scholarship from Leónie Sonning Music Foundation to continual artistic development and in 2012 his first CD, Outer Darkness with works by Carl Nielsen and Langgaard was released on the label Naxos. He has been employed as choir producer, accompanist and guest conductor for Sankt Annæ Girl Choir and as co founder and artistic manager of the concert firm Pro Musica Copenhagen, he has planned and performed grand works within the choir literature.

19 Thursday October KASTELS CHURCH, 9:00-11:30 Masterclass: Peter Planyavsky teaches RDAM students GARNISONS CHURCH, 13:00 LUNCH CONCERT WITH WILLIAM PORTER Heinrich Scheidemann: Præambulum in G, WV 73 (ca ) Jesu wollst uns weisen, WV 78 O Gott, wir danken deiner Güt, WV 22 Christ lag in Todesbanden (3 verses), WV 3 (Magnificat) Fantasia VIII. Toni, WV 66 Observing the 50th Anniversary of the Death of Paul Hindemith Paul Hindemith: Sonata II ( ) Lebhaft Ruhig bewegt Fuge: Mässig bewegt, heiter Early Works of J. S. Bach SANKT PETRI CHURCH, 17:00 VESPER RDAM Vocal Ensemble Berit Barfred Jensen, soprano Dmitri Egholm, organ (Distler) Philip Aggesen, organ (Heiller) Fredrik Malmberg, conductor Hugo Distler: Geistliche Konzerte für hohe Singstemme und Orgel op. 17 ( ) Es ist ein köstlich Ding, dem Herren danken Freuet Euch in dem Herrn allerwege Lieben Brüder, schicket Euch in die Zeit Anton Heiller: Vesper for choir, soprano, and organ ( ) Hymnus Canticum Responsorium Magnificat 1. Psalm 2. Psalm Johann Sebastian Bach: Prelude and Fugue in C Major, BWV 531 ( ) Fantasia in C Minor, BWV 1121 Was Gott tut, dass ist wohlgetan, BWV 1116 Prelude (Toccata) and Fugue in E Major, BWV 566 CHRISTIANSBORG CASTLE CHURCH, 14:30-16:30 Masterclass: William Porter teaches RDAM students Berit Barfred Jensen is educated at Universität für Musik in Vienna with professor Franz Lukasovsky and court singer Marjana Lipovsek and is now studying in the Advanced Postgraduate class at RDAM with prof. Kirsten Buhl Møller. From 2006 to 2011 Berit Barfred Jensen was in the ensemble at Badisches Staatstheater in Karlsruhe, singing central parts of Mozart, Beethoven, Bizet, Telemann, Händel and R. Strauss. Her large concert repertoire includes the solo parties in a number of oratorios and cantatas by Bach, Mozart, Fauré, Brahms, Pergolesi and Haydn. Berit Barfred Jensen has received the Inga Nielsen Scholarship, the Leonie Sonning Scholarship, as well as scholarships from Den Bøhmske Fond.

20 Thursday October Philip Aggesen is educated church musician from The Royal Academy of Music in Århus in 2011, and is now studying in the Advanced Postgraduate Programme at The Royal Danish Academy of Music in Copenhagen with prof. Hans Davidsson. Furthermore he has taken part in masterclasses with James David Christie, Roger Fischer, Leo van Doeselaar, Marie-Louise Langlais, Nigel Allcoat, Paolo Crivellaro, and private studies with Dame Gillian Weir. Philip Aggesen performs regularly as a soloist in Denmark and Germany, and until recently he has held a temporary position as assisting organist in Copenhagen Cathedral. He was the founder and artistic leader of the festival NEWDANISHCHURCHMUSICFESTIVAL2011. Fredrik Malmberg A passion for unusual repertoire, combined with an expertise and instinctive understanding of a variety of periods and styles have become the hallmark of the Swedish conductor Fredrik Malmberg. Active both as a choral and an orchestral conductor, he has worked with among others, DR VokalEnsemblet, Swedish Radio Choir, Concerto Copenhagen, Swedish Radio Symphony Orchestra and the Mariinsky Theatre orchestra. Fredrik Malmberg is also in demand as a pianist and organist, working together with Mahler Chamber Orchestra and conductors such as Daniel Harding and Claudio Abbado. TRINITATIS CHURCH, 19:30 CLOSING CONCERT Hans Fagius, organ RDAM Brass Ensemble Henrik Vagn Christensen, conductor Louis Vierne: Marche Triomphale du Centenaire de Napolén I ( ) for 3 trumpets, 3 trombones, timpani and organ Paul Hindemith: Orgelsonate I (1937) ( ) Mässig schnell. Lebhaft Sehr langsam Phantasie, frei. Ruhig bewegt Johann Ludwig Krebs: ( ) Fantasia C-dur for trumpet and organ Es ist gewisslich an der Zeit, koral for horn and organ Peter Planyavsky: From mass.brass.org. (2007) (b. 1947) for 3 trumpets, 3 trombones and organ L.A.Sun Glory Hall! Out Johann Sebastian Bach: Toccata, Adagio and Fugue C major, BWV 564 ( ) Johann Nepomuk David: Introitus, Choral und Fuge ( ) on a theme by A. Bruckner Werk 25 for organ, 4 horns, 2 trumpets and 3 trombones (1939) Closing reception in the parish hall after the concert. In 2012 Fredrik Malmberg was appointed to two of the most prestigious choral positions in Sweden; principal conductor of Eric Ericsson s Chamber Choir and professor of Choral Conducting at the Royal College of Music in Stockholm. Fredrik Malmberg has already been awarded a number of prestigious prizes and awards for his contribution to music; in 2012 the Swedish music magazine Opus listed him among those who have contributed most to revitalizing classical music in Sweden.

21 HANS FAGIUS (born 1951 in Norrköping, Sweden), has for many years been one of the most active organ recitalists in Sweden. He received his basic education with Bengt Berg, and at the Stockholm College of Music with Professor Alf Linder. In he continued his studies in Paris with the famous organist and composer Maurice Duruflé. His concert career began after getting prices at international competitions in Leipzig (1972) and Stockholm (1973). Besides the many recitals he regularly plays in Europe, he has toured North America, Australia, South Korea and Japan. Although he mainly focuses on early music and music from the romantic period, his repertoire spans music of all epochs. Something of a specialty has been the presentation of series of concerts that feature the complete organ works of a single composer. Such series have included the complete works of J.S.Bach (three times - the latest took place in 2007), Buxtehude, Franck, Alain, Mendelssohn, Brahms, Duruflé and the complete symphonies by Vierne. Hans Fagius is wellknown for numerous successful recordings, especially on the Swedish label BIS. There is, above all, a recording of the complete organ works of J.S.Bach, but also a broad spectrum of music from the romantic period like Liszt, Widor, Saint-Saëns, Karg-Elert or Duruflé. He is also represented by the Danish firms DaCapo (Hartmann and Gade) and CDKlassisk.DK (German romantic music), and also by Musica Rediviva (Bach at Leufsta Bruk) and Daphne (Mendelssohn). The latest production is a CD with organ symphonies by Widor and Vierne played on the Cavaillé-Coll-inspired Paaschen-organ in Pori, Finnland. He has also written a handbook about the organ works of Johann Sebastian Bach that was published in Henrik Vagn Christensen is a many-sided conductor with a repertoire that covers symphonies, contemporary music, opera, musicals and ballet. Henrik Vagn Christensen is generally known to be his generation s leading conductor of ballet, and he has been connected with The Royal Danish Theatre since 1996, and conducted productions at The Finnish National Ballet, The Royal Swedish Ballet and recently New York City Ballet, to which he will return in February He has made a number of recordings of film and TV music with the orchestras of The Danish National Radio (DR). The close cooperation with the DR orchestras culminated in April 2013 with the first performance of the Danish composer John Frandsen s Requiem. Henrik Vagn Christensen has a special focus on professional wind music, and he has been chief conductor for orchestras of the Prince s Life Regiment ( ) and The Royal Guard ( ). He has often been invited to the Danish province orchestras. With Odense Symphony Orchestra alone he has conducted more than 50 symphonic concerts and recorded a number of cd s. Hans Fagius was appointed organ professor at Royal Danish Academy of Music in 1989 after several years as organ teacher at the Colleges of Music in Stockholm and Gothenburg. He is a sought after teacher for masterclasses, and is frequently a jury member at international organ competitions all over the world. He was elected a member of The Royal Swedish Academy of Music 1998.

22 ORGLER Kvalitet, håndværk og kærlighed til instrumentet Kvalitet og omhu Viden og ekspertise Løsninger som skaber helhed Orgelbyggeriet blev grundlagt i 1966 og har siden da bygget ca. 590 orgler, hvoraf det største er på 4 manualer og 55 stemmer. Hos os er kærligheden til musikken og orgelbyggeri som klassisk håndværk en selvfølge Orglet i Nølev Kirke Bruno Christensen & sønner orgelbyggeri Aps Bruno Christensen & Sønner Orgelbyggeri ApS Terkelsbøl Bygade 59 DK 6360 Tinglev Tlf.: info@bruno-christensen.dk

23 Specifications to all organs Organs in the Academy Koncertsalen Marcussen & Søn Arkitekt Vilhelm Lauridsen. Setzeranlæg og styresystem ombygget En ny renovering påbegyndt Manual I Manual III (svelle) Pedal Principal 16 Quintatøn 16 Untersatz 32 Gedaktpommer 16 Hornprincipal 8 Principal 16 Principal 8 Nathorn 8 Gemshorn 16 Hulfløjte 8 Gedakt 8 Subbas 16 Bordun 8 Salicet 8 Gedakt 16 Gamba 8 Unda maris 8 Quint 10 2/3 Oktav 4 Octav 4 Oktav 8 Rørfløjte 4 Gemshorn 4 Gedakt 8 Quint 2 2/3 Spidsquint 2 2/3 Octav 4 Oktav 2 Blokfløjte 2 Quintatøn 4 Tertz 1 3/5 (2009) Gemshorntertz 1 3/5 Nathorn 2 Rauschquint III Quint 1 1/3 Flûte octaviante 1 Mixtur IV-VI Septima 1 1/7 Cornet IV Trompet 16 Sivfløjte 1 Mixtur VI Trompet 8 Mixtur IV Basun 32 Cymbel III Bombarde 16 Manual II Dulcian 16 Basun 16 (vakant) Træprincipal 8 Trompet 8 Dulcian 16 Gedakt 8 Vox humana 8 Trompette 8 Quintatøn 8 Skalmeje 4 Trompet 8 (vakant) Oktav 4 Tremulant Zink 4 Gedaktfløjte 4 Cornet 2 Gemshorn 2 Manual IV (svelle) Nasat 1 1/3 Bordun 16 Oktav 1 Rørfløjte 8 Sesquialtera II Flûte harmonique 8 Scharf III Viola di Gamba 8 Ranket 16 Voix céleste 8 Krumhorn 8 Gedaktquint 5 1/3 Regal 4 Violinprincipal 4 Tremulant Flûte octaviante 4 Gambetta 4 Piccolo 2 Cornet IV Mixtur V Fagot 16 Trompette harmonique 8 Oboe 8 Clairon 4 Omfang: Man.: C a. Ped.: C g Koplinger: II/I, III/I, IV/I, III/II, IV/II, IV/III, I/P, II/P, III/P, IV/P, Generalkoppel, Tutti Nye 16 -koblinger (2009): I 16 /I, III 16 /I, IV 16 /I, III 16 /II, III 16 /III, IV 16 /II, IV 16 /III, IV 16 /IV Setzterkombinationer, Generalcrescendo. Elektropneumatisk traktur, elektrisk registratur, sløjfevindlader Orgelsalen - S11 Marcussen & Søn 1958, P.G.Andersen & Bruhn 2009 Rygpositiv (I): Hovedværk (II): Svelleværk (III): Pedal: Rørgedakt 8 Principal 8 Spidsgambe 8 Subbas 16 Principal 4 Rørfløjte 8 Kobbelfløjte 8 Oktav 8 Gedaktfløjte 4 Oktav 4 Traversfløjte 4 Gedakt 8 (2009) Fløjte 2 (2009) Oktav 2 (fra Princ. 2 i III) Fladfløjte 2 (fra II) Oktav 4 (2009) Nasat 1 1/3 Mixtur IV Sesquialtera II (2009) Rauschq. III Sesquialtera II Trompet 8 Sivfløjte 1 Fagot 16 Scharff III Oboe 8 Trompet 8 (2009) Krumhorn 8 Vox Humana 8 Skalmeje 4 Tremulant Tremulant Facade: Hovedorglet ca 1906 (orgelbygger ukendt), RP 1958 Omfang: Man: C - g, Ped: C f Koblinger: HV/SV, HV/RP, Ped/HV, Ped/RP 4, Ped/SV Mekanisk traktur og registratur

24 Bishop & Son 1877, udvidet til tre manualer 1884 Great (C-g3) Swell (C-g3) Choir (C-g3) Pedal (C-f1) Open Diapason 8 Double Diapason 16 Dulciana 8 Open Diapason 16 Clarabella 8 Vox Angelica 8 Viol di Gamba 8 Bourdon 16 Principal 4 Voix Celestes 8 Lieblich Gedact 8 Principal 8 Fifteenth 2 Violin Diapason 8 Flauto Traverso 4 Trombone 16 Mixture III Rohrflute 8 Harmonic Piccolo 2 Trumpet 8 Violin Principal 4 Clarinet 8 Clarion 4 Flautina 2 Tremulant for swell Cornopean 8 Oboe & Bassoon 8 Facade: Orgelhus fra Forster & Andrews orgel fra 1865, bygget til Castle Gate Chapel i Nottingham. Omfang: Man: C-g, Ped. C-f Koblinger: III/II, III/I, Great/Ped, Ped/Sw, Mekanisk traktur og registratur Lille Orgelsal - S13 Carsten Lund 1990 Manual I: Manual II: Pedal: Principal 8 Gedakt 8 Subbas 16 Rørfløjte 8 Gemshorn 4 Octav Bas 8 (C H transm. fra Man I) Octav 4 Fløjte 2 Quint 3 Nasat 1 1/2 Octav 2 Dulcian 8 Terts 1 3/5 Tremulant Sedecima 1 Omfang: Man: C-g, Ped: C-f Koblinger: II/I, I/Ped, II/Ped Temperering: Werckmeister III Mekanisk traktur og registratur. En kilebælg. Kanaltremulant. Italiensk Positiv Francesco Zanin 1996 Continuopositiv Henk Klop 2000 Flauto 4 Ottava 2 Decima Quinta 1 Omfang: Ped (anhang): Temperering: Man. : C, D, E, F, G, A c (45 toner, kort oktav), C, D, E, F, G, A, B, H (8 toner) Middeltone Gedakt 8 (B/D) Principal 8 (fr. f) Principal 4 (B/D) Rørfløjte 4 (B/D) Quint 2 2/3 (B/D) Octav 2 (B/D) Tertz 1 3/5 (D) Regal 8 (B/D) Omfang: C f - B/D fra c (440 Hz) Transponerbar klaviatur A 415/440 Hz

25 Rum S09 P.-G.Andersen & Bruhn 1997 efter konservatoriets første orgel ca 1880 af A.H.Busch. Manual I: Manual II (svelle): Pedal: Gedakt 8 Rørfløjte 8 Subbas 16 Principal 4 Gedaktfløjte 4 Gedakt 8 Oktav 2 Nasat 2 2/3 Fløjte 2 Terts 1 3/5 Oboe 8 Tremulant Svelle Omfang: Man: C g, Ped: C f Koblinger: II/I, I/Ped, II/Ped. Mekanisk traktur og registratur. En kilebælg. Kanaltremulant. Rum S07 C.A.Bruhn Manual I: Manual II (svelle): Pedal: Gedakt 8 Bordun 8 Subbas 16 Principal 4 Spidsfløjte 4 Alle registre delte h/c Koblinger: II/I (skydekobling), I/Ped, II/Ped Mekanisk traktur og registratur Rum S05 C.A.Bruhn Manual I: Manual II (svelle): Pedal: Gedakt 8 Bordun 8 Subbas 16 Principal 4 Blokfløjte 4 Alle registre delte h/c Koblinger: II/I (skydekobling), I/Ped, II/Ped Mekanisk traktur og registratur Christiansborg Slotskirke Marcussen & Reuter 1829, restaureret og genopstillet af Marcussen & Søn I. Manual, Unterclavier: II. Manual, Hauptwerk III Manual, Oberclavier: Viola da Gamba 8 Quintatön 16 Principal 8 Gedackt 8 Principal 8 Bourdun 16 Fugara 4 Gedakt 8 Rohrflöte 4 Flöte 4 Quintatön 8 Oktave 4 Cornet V, Discant Octave 4 Rohrflöte 4 Waldflöte 2 Spitzflöte 4 Quinte 2 2/3 Fagott & Clarinette 8 Superoktave 2 Superoktave 2 Quint 5 1/3 Terz 1 3/5 Sifflöte 1 Dolcian 8 Sesquialtera II Trompete 8 Pedal: Untersatz 32 Principal 16 Subbas 16 Quinte 10 2/3 Octave 8 Quintatön 8 Superoctave 4 Nachthorn 2 Posaune 16 Fagott 16 Trompete 8

26 Omfang: Man: C f, Ped: C d Koblinger: II+III og II+I. Ingen pedalkoblinger Mekanisk traktur og registratur Bælgsystem med 14 Kassebælge (rekonstrueret 2009) Tremulant Mixtur IV Tuba 32 Bombarde 16 Fagot 16 Trompet 8 Trompet 4 Domkirken, Vor Frue Kirke Hovedorgel Marcussen & Søn Omintonation ved Carstens Lunds Orgelbyggeri 2001, elektrificering af traktur og ændring af nogle registre af samme Hovedværk (I) Positv (II) Svelleværk (III) Principal 16 Quintatøn 16 Bordun 16 Violon 16 Fløjteprincipal 8 Principal 8 Octav 8 Gedakt 8 Flûte harmonique 8 Gamba 8 Salicional 8 Rørfløjte 8 Fløjte 8 Unda maris 8 Gamba 8 Gedakt 8 Octav 4 Vox celeste 8 Octav 4 Rørfløjte 4 Octav 4 Salicet 4 Nasat 2 2/3 Flûte octaviante 4 Fløjte 4 Gemshorn 2 Quint 2 2/3 Quint 2 2/3 Terts 1 3/5 Piccolo 2 Octav 2 Quint 1 1/3 Cornet V Cornet V Piccolo 1 Rauschquint III Rauschquint II-III Mixtur IV Mixtur II Mixtur IV Engelskt horn 16 Bombarde 16 Cymbel III-IV Trompet 8 Trompette harmonique 8 Trompet 8 Cromorne 8 Obo 8 Vox humana 8 Chamade I 8 Clairon 4 Chamade II 8 Tremulant Tremulant Solo (IV) Ekkoværk (V) Pedal Bordun 16 Viola 8 Bordun 32 Tibia 8 Aeoline 8 Principal 16 Quinta 5 1/3 Flûte travers 8 Fløjtebas 16 Fløjte 4 Bordun 8 Subbas 16 Terts 3 1/5 Fugara 4 Quint 10 2/3 Cornet V Blokfløjte 4 Octav 8 Bombarde 16 Fløjte 2 Fløjte 8 Trompet I 8 Cornet III Gedakt 8 Trompet II 8 Clarinet 8 Quinte 5 1/3 Clairon 4 Vox humana 8 Octav 4 Omfang: Man.: C a, Ped.: C f Koblinger: II/I, III/I, IV/I, V/I, III/II, IV/II, V/II, IV/III, V/III, V/IV/I/P, II/P, III/P, IV/P, V/P Setzerkombinationer, generalcrescendo Elektrisk traktur og registratur Kororgel Carsten Lunds Orgelbyggeri 2002 Hovedværk (I) Svelleværk (II) Pedal Principal 8 Bordun 16 Untersatz 32 Rørflöjte 8 Spidsfløjte 8 Subbas 16 Octav 4 Salicional 8 Principal 8 Gedakt 4 Vox celeste 8 Gedaktbas 8 (tranm.) Nasat 3 Gedakt 8 Octavbas 4 (transm.) Octav 2 Principal 4 Basun 16 Fløjte 2 Tværfløjte 4 Trompet 8 (transm.) Terts 1 3/5 Gemshorn 2 Mixtur IV Trompet 8 Cromorne 8 Dulcian 8 Tremulant Omfang: Man.: C a. Ped.: C g Kopler: II/I, I 16 /I, I 4 /I, II 16 /I, II 4 /I, II 16 /II, II 4 /II, I -8, II -8, I/P, II/P, II 4 /P, II 4 /P Orglet kan spilles fra hovedorglet (Man. I på III, Man II på IV) og dele af hovedorglet kan spilles fra kororglet. Setzerkombinationer Elektrisk traktur og registratur

27 Garnisons Kirke Carsten Lund Facade fra L.D.Kastens orgel fra Rygpositiv rekonstrueret. Orglets disposition og opbygning baseret på Kastens originalorgel Rückpositif (I): Werck (II): Brustwerck (III): Principal 8 Fuss Quintadena 16 Fuss Gedact 8 Fuss Gedact 8 Fuss Principal 8 Fuss Principal 4 Fuss Quintadena 8 Fuss Weitpfeife 8 Fuss Rorflöit 4 Fuss Octava 4 Fuss Octava 4 Fuss Octava 2 Fuss Blockflöit 4 Fuss Spitzflöit 4 Fuss Sedecima 1 Fuss Octava 2 Fuss Nasat 3 Fuss Sesquialtera II Fach Gemshorn 2 Fuss Octava 2 Fuss Scharff III Fach Sieflöit 1 ½ Fuss Rauschpfeif II Fach Hoboy 8 Fuss Sesquialtera II Fach Mixtur IV-VI Fach Scharff IV Fach Cimbel III Fach Dulcian 16 Fuss Trompete 8 Fuss Trompete 8 Fuss Vox humana 8 Fuss Pedalwerck: Principal 16 Fuss Subbas 16 Fuss (åben) Rorquinte 12 Fuss Octava 8 Fuss Gedact 8 Fuss Octava 4 Fuss Nachthorn 2 Fuss Rauschpfeif II Fach Mixtur VI Fach Posaune 16 Fuss Tromete 8 Fuss Schalmey 4 Fuss Cornet 2 Fuss Omfang: Man. : C - d, Ped.: C d Koblinger: W/RP, BW/W (skydekobling), W/PW, RP/PW Tremulanter for W/BW, RP, PW. Cimbelstern, Vogelgesang, Chorwecker 3 kilebælge Temperering: F. C. Schnitger 1725 Mekanisk traktur og registratur Grundtvigs Kirke Hovedorgel. Marcussen & Søn Facade af Esben Klint Rygpostiv (I) Hovedværk (II) Brystværk (III) (svelle) Principal 8 Principal 16 Trægedakt 8 Gedakt 8 Oktav 8 Kobbelfløjte 4 Quintatøn 8 Spidsfløjte 8 Principal 2 Oktav 4 Oktav 4 Waldfløjte 2 Rørfløjte 4 Nathorn 4 Sivfløjte 1 Oktav 2 Quint 2 2/3 Cymbel II Nasat 1 1/3 Oktav 2 Regal 8 Sesquialtera II Mixtur VI-VIII Skalmeje 4 Scharf V-VI Cymbel III Tremulant Dulcian 16 Trompet 16 Krumhorn 8 Trompet 8 Tremulant Overværk (IV) (svelle) Pedal Gedakt 16 Principal 32 Rørfløjte 8 Oktav 16 Viola di gamba 8 Subbas 16 Principal 4 Oktav 8 Traversfløjte 4 Gedakt 8 Flautino 2 Oktav 4 Cornet III Pommer 4 Mixtur V-VI Nathorn 2 Trompet 8 Mixtur VI Obo 8 Fagot 32 Tremulant Fagot 16 Basun 16 Trompet 8 Trompet 4 Kornet 2 Omfang: Man: C g, Ped: C f Normalkopler. 4 x 256 Setzerkombinationer (Jens Langvad 1998) Mekanisk og elektrisk registratur (pedalet har elektrisk traktur)

28 Kororgel. Marcussen & Søn Facade af Kaare Klint Hovedværk (I) Rygpositiv (II) Pedal Principal 8 Gedakt 8 Subbas 16 Nathorn 8 Præstant 4 Bordun 8 (transm.) Oktav 4 Rørfløjte 4 Oktav 4 (transm.) Quint 2 2/3 Quintatön 2 Dulcian 16 Oktav 2 Scharff II Mixtur IV Krumhorn 8 Omfang: Man: C f, Ped: C d Normalkopler Mekanisk traktur og registratur Helligaandskirken Marcussen & Søn Facade fra Kund Olsens orgel fra Orglet rummer piber fra tidligere orgel Knud Olsen 1877, I. Starup 1924 samt Marcussen 1928 of 1951, fra Gentofte Kirke Daniel Köhne 1862 og Frobenius 1927, fra St. Marienkirche, Flensburg Walcker 1910 og Davidskirken, København Frobenius 1913 og Setzeranlæg tilbygget Rygpositiv (I) Hovedværk (II) Overværk - svelle (III) Principal 8 Principal 16 Quintatøn 16 Bordun 8 Gedakt 16 Principal 8 Octav 4 Principal 8 Hulfløjte 8 Spidsfløjte 4 Hulfløjte 8 Wienerfløjte 8 Principalfløjte 2 Gedakt 8 Fugara 8 Larigot 1 1/3 Salicional 8 Vox angelica 8 Sesquialtera II Octav 4 Octav 4 Mixtur IV Flûte harmonique 4 Tværfløjte 4 Cromorne 8 Gedaktfløjte 4 Nasat 2 2/3 Tremulant Quint 2 2/3 Fløjte 2 Octav 2 Terz 1 3/5 Terz 1 3/5 Superoctav 1 Mixtur V-VII Mixtur IV Trompet 16 Dulcian 16 Trompet 8 Trompet 8 Trompet 4 Krumhorn 8 Skalmeje 4 Svelleværk (IV) Pedal Tremulant Bordun 16 Bordun 32 Rørfløjte 8 Principal 16 Quintatøn 8 Fløjtebas 16 Flûte harmonique 8 Subbas 16 Gamba 8 Octav 8 Vox celeste 8 Fløjte 8 Principal 4 Gedakt 8 Flûte octaviante 4 Octav 4 Fugara 4 Hulfløjte 4 Quint 1 2/3 Nathorn 2 Flageolet 2 Cornet IV Terz 1 3/5 Mixtur VI Mixtur IV-V Bombarde 16 Fagot 16 Trompet 8 Trompette harmonique 8 Clarino 4 Obo 8 Vox humana 8 Clairon 4 Tremulant Omfang: Man.: C g. Ped.: C f. Koblinger: RP/HV, OV/HV, OV/RP, SV/HV, SV/OV, OV 16 /HV, SV 16 /HV. Klokkespil. Kollektivt appeltrin, separate appeltrin for hvert værk. Indførings- og annuleringstrin for Bordun 32, Tutti, Generalcrescendo. Mekanisk traktur med barkerbælge, elektriske manualkopler, elektrisk registratur Holmens Kirke Marcussen & Søn Facade: Lambert Daniel Kastens Enkelte registre ændret Registeranlæg ændret i flere omgange. Hovedværk Brystværk Rygpositiv Pedal Quintatøn 16 Gedakt 8 Principal 8 Principal 16 Principal 8 Spidsgamba 8 Rørfløjte 8 Subbas 16 Spdsfløjte 8 Principal 4 Quintatøn 8 Quint 10 2/3 Gedakt 8 Rørfløjte 4 Oktav 4 Oktav 8 Oktav 4 Nasat 2 2/3 Dækfløjte 4 Gedakt 8 Nathorn 4 Blokfløjte 2 Oktav 2 Oktav 4 Spidsq. 2 2/3 Terts 1 3/5 Gemshorn 2 Kobbelfløjte 4 Oktav 2 Waldfløjte 1 Nasat 1 1/3 Nathorn 2 Fladfløjte 2 Cymbel III Sesquialtera II Mixtur VI Mixtur VI Vox humana 8 Scharf IV Basun 16 Scharf IV Skalmeje 8 Dulcian 16 Fagot 16 Trompet 16 Tremulant Krumhorn 8 Trompet 8 Trompet 8 Regal 8 Zink 4 Klokkespil (c-c3) Tremulant

29 Svelle for brystværk. Cymbelstjerne. Mekanisk traktur og elektrisk registratur. Setzeranlæg med 4x256 kombinationer. Normalkoblinger samt Hv-Bv 16, Hv-Br. 8, Hv-Bv 4, Rp-Bv 16, Rp-Br. 8, Rp-Bv 4. *) Nye registre fra 2007 Omfang: Man: C g, Ped: C f Koblinger: Pos/H, SV/H, SV/Pos, H/Ped, Pos/Ped, SV/Ped Mekanisk traktur, elektrisk registratur. Setzeranlægg med 4 x 2000 kombinationer Jægersborg Kirke Marcussen & Søn 1944 Hovedværk: Rygpositiv Brystværk Pedal Principal 8 Gedakt 8 Gedakt 8 Subbas 16 Rørfløjte 8 Principal 4 Spidsgedakt 4 Principal 8 Oktav 4 Rørfløjte 4 Principal 2 Gedakt 8 Gedaktfløjte 4 Quintatön 2 Nasat 1 1/3 Fagot 16 Quint 2 2/3 Scharf II Cymbel I Regal 4 Oktav 2 Krumhorn 8 Ranket 16 Mixtur IV Trompet 8 Manual C-f, Pedal C-f. Koblinger: R-H, B-H, H-P, R-P Mekanisk traktur og registratur. Kastelskirken Kunsthallen Nikolaj Marcussen & Søn 1930, samtidig facade med dekorationer af Utzon-Frank Hovedværk (I) Quintatøn 16 Principal 8 Gedakt 8 Quintatøn 8 Oktav 4 Rørfløjte 4 Oktav 2 Cornet 3 Fag Mixtur 5 Fag Cymbel 3 Fag Dulcian 16 Trompet 8 Svelleværk (II) Principal 8 Gedakt 8 Quintatøn 8 Oktav 4 Spidsfløjte 4 Gemshorn 2 Sivfløjte 1 1/3 Sesquialtera 2 Fag Mixtur 4-6 Fag Dulcian 8 Regal 8 Tremulant Brystværk (III) Hulfløjte 8 Principal 4 Gedaktfløjte 4 Nasat 2 2/3 Oktav 2 Terz 1 3/5 Rørfløjte 1 Septima 2 Fag Mixtur 3-4 Fag Krumhorn 8 Tremulant Manualomfang C-g, Pedalomfang C-g. Koblinger: I-P, II-P, II-I, III-I Spærreventiler for: a) HV b) Cornet, Mixtur og rørstemmer i pedal. Mekanisk traktur og registratur, sløjfevindlader. Pedal Principal 16 Subbas 16 Oktav 8 Gedakt 8 Rørquintatøn 4 Blokfløjte 2 Cornet 4 Fag Mixtur 6 Fag Trompet 16 Trompet 8 Skalmeje 4 P.G.Andersen Udbygget 2007 af P.G.Andersen & Bruhn. Facade af Hartvig J. Müller Hovedværk (I): Positiv (svelle) (II): Svelleværk (III): Pedal: Principal 8 Gedakt 8 Gedakt 16 Subbas 16 Fløjte 8 * Quintatøn 8 * Gamba 8 Oktav 8 Oktav 4 Principal 4 * Unda Maris 8 * Gedakt 8 Spidsfløjte 4 * Rørfløjte 4 Principal 4 Oktav 4 Quint 2 2/3 * Nasat 2 2/3 Tværfløjte 4 Mixtur III Oktav 2 Gemshorn 2 Cornet II-III * Fagot 16 Mixtur V Terts 1 3/5 Mixtur III * Trompet 8 Trompet 8 * Quint 1 1/3 Skalmeje 8 Trompet 4 * Cymbelstjerne * Scharff IV Trompet 8 Vox Humana 8 * Tremulant Dulcian 16 Tremulant *

30 Skt. Johannes Kirke Poul-Gerhard Andersen 1975 og 1986 (Rygpositivet). Rygpositiv (I): Hovedværk (II): Overværk (III): Principal 8 Gedaktpommer 16 Blokfløjte 8 Trægedakt 8 Principal 8 Quintatøn 8 Oktav 4 Spidsfløjte 8 Kobbelfløjte 4 Rørfløjte 4 Oktav 4 Nasat 2 2/3 Oktav 2 Rørfløjte 4 Piccolo 2 Nasat 1 1/3 Oktav 2 Terts 1 3/5 Sesquialtera II Cornett III Cymbel II Scharff III Mixtur V Cromorne 8 Dulcian 16 Scharff II Tremulant Krumhorn 8 Trompet 8 Tremulant Crescendoværk (IV): Pedal: Bordun 16 Principal 16 Rørfløjte 8 Subbas 16 Viola di gamba 8 Quint 10 2/3 Voce celeste 8 Oktav 8 Tværfløjte 4 Gedakt 8 Salicional 4 Oktav 4 Valdfløjte 2 Spidsfløjte 4 Sivfløjte 1 Nathorn 2 Mixtur IV Baszink II Trompette harm. 8 Mixtur IV Obo 8 Basun 16 Clairon 4 Trompet 8 Tremulant Trompet 4 Skt. Markus Kirke Frederik Nielsen 1902, I.Starup & Søn1928, P.-G. Andersen orgelbyggeri 1978 og 1992 med genbrug af pipemateriale fra kirkens tidligere instrumenter (Frederik Nielsen 1902, I.Starup & Søn markeret med *). Positiv (I): Hovedværk (II): Crescendoværk (III): Pedal: Quintatøn 16 Bordun 16 * Gedakt 16 * Principal 16 * Rørfløjte 8 * Principal 8 * Principal 8 * Subbas 16 * Salicional 8 Blokfløjte 8 Flûte harm. 8 * Oktav 8 * Gemshorn 4 Oktav 4 * Gamba 8 * Gedakt 8 * Fløjte 2 Dækfløjte 4 * Voce celeste 8 * Oktav 4 * Rauschquint II Quint 2 2/3 * Oktav 4 * Mixtur III Cornet III-V (fra f) Oktav 2 * Tværfløjte 4 * Basun 16 ** Cromorne 8 Mixtur V Fløjte 2 Trompet 8 Trompet 8 Tremulant Sesquialtera II Mixtur IV Trompet 8 * Obo 8 Clairon 4 * Tremulant **) Frederik Nielsen 1885 Omfang: Man: C g, Ped: C f Koblinger: I/II, III/II, III/I, I/Ped, II/Ped, III/Ped Mekanisk traktur og registratur. Omfang: Koblinger: Man: C g, Ped: C f RP/HV, OV/HV, CV/HV, CV/OV, RP/Ped, HV/Ped, OV/Ped, CV/Ped, CV 4 /Ped Fælles svelle for CV og OV. Cymbelstjerne, Lærke. Mekanisk traktur (CV elektrisk traktur). Elektrisk registratur, 256 setzerkombinationer (Karsten Olsen)

31 Skt. Petri Kirke W. Sauer Facade: Thorvald Jørgensen Ældre pibemateriale genanvendt Ombygget , W. Sauer Orgelbau Frankfurt (Oder) GmbH Hauptwerk (II) Oberwerk (III - svelle) Rückpositiv (I) Pedal Quintade 16 Lieblich Gedakt 8 * Singend Gedakt 8 Prinzipal 16 Prinzipal 8 Prinzipal 8 * Offen Nachthorn 4 Subbass 16 Gemshorn 8 Nachthorn 8 * Prinzipal 2 Quintbass 10 2/3 Koppelflöte 8 Salicional 8 * Quinte 1 1/3 Oktavbass 8 Oktave 4 Prinzipal 4 * Terz 1 3/5 Bassflöte 8 Rohrflöte 4 Klein Gedakt 4 * Jauchzend Pfeif II Oktave 4 Quinte 2 2/3 Rohrquinte 2 2/3 Cymbel II Singend Gedakt 4 ** Blockflöte 2 Sifflöte 2 Vox humana 16 Nachthörnlein 2 Superoktave 1 Terz 1 3/5 Bärpfeife 8 Mixtur IV Mixtur IV-V Scharff IV-V Tremolant Posaune 16 Trompete 8 Fagott 16 * Regal 8 ** Krummhorn 8 * Bärpfeife 4 ** Feldtrompete 4 Tremolant *) Udbygget til g af hensyn til 4 -koplerne. **) Transmissioner fra Rückpositiv. Manualomfang: C-g. Pedalomfang: C-f. Kopler / couplers: III-II, III 16 -II, III 4 -II, I-II, III 16 -III, III 4 -III, III-I, HW-P, OW- P, RP-P. 2 frikombinationer. Setzer. Tutti. Afstillere. Generalcrescendo. Piano pedal. Manualomskifter I/II. Elektropneumatisk traktur og registratur. Keglevindlader. Trinitatis Kirke Marcussen & Søn 1956, P.G.Andersen 1977 og Hovedfacade af L.D.Kastens Rygpositiv fra Rygpositiv (I): Hovedværk (II): Svelleværk (III): Pedal: Principal 8 Principal 16 Gedakt 16 Principal 16 Gedakt 8 Principal 8 Principal 8 Subbas 16 Quintatøn 8 Spidsfløjte 8 Rørfløjte 8 Quint 10 2/3 Oktav 4 Oktav 4 Viola di Gamba 8 Oktav 8 Rørfløjte 4 Fløjte 4 Vox celeste 8 Gedakt 8 Oktav 2 Nasard 2 2/3 Oktav 4 Oktav 4 Blokfløjte 2 Doublette 2 Kobbelfløjte 4 Fløjte 4 Quint 1 1/3 Terts 1 3/5 Salicional 4 Nathorn 2 Sesquialtera II Mixtur V Fladfløjte 2 Mixtur IV Scharff IV Scharf III Cornet II Basun 16 Dulcian 16 Trompet 8 Mixtur IV Fagot 16 Vox humana 8 Chromorne 8 Trompet 16 Trompet 8 Skalmeje 8 Tremulant Trompette harm. 8 Skalmeje 4 Tremulant Obo 8 Clairon 4 Omfang: Man: C g, Ped: C f Koblinger: RP/HV, CV/HV, CV/RP, RP/Ped, HV/Ped, CV/Ped Mekanisk traktur, 4 x 2000 setzerkombinationer (2000)

32 Vor Frelsers Kirke Poul-Gerhard Andersen Facede af Brdr. Botzen Piber, vindlader m.v. fra Brdr. Botzen 1699, A.H.Busch & Sønner 1889, Marcussen & Søn 1939 og 1957 genanvendt. Ombygget af Poul-Gerhard Andersen 1983 og Rygpositv (I) Hovedværk (II) Svelleværk (III) Principal 8 Principal 16 Bordun 16 Gedakt 8 Oktav 8 Rørfløjte 8 Quintatøn 8 Fløjte 8 Gamba 8 Oktav 4 Gedakt 8 Voix celeste 8 Rørfløjte 4 Oktav 4 Principal 4 Oktav 2 Quint 2 2/3 Kobbelfløjte 4 Quint 2 2/3 Oktav 2 Spidsquint 2 2/3 Fløjte 2 Sesquialtera II Fløjte 2 Terts 1 3/5 Mixtur V Terts 1 3/5 Nasat 1 1/3 Scharff III Sivfløjte 1 Scharff IV Trompet 16 Mixtur V Dulcian 16 Trompet 8 Trompet 8 Krumhorn 8 Obo 8 Tremulant Clairon 4 Tremulant Brystværk (IV) Pedal Trægedakt 8 Principal 16 Gedaktfløjte 4 Subbas 16 Waldfløjte 2 Violon 16 Oktav 1 Quint 10 2/3 Klokkecymbel II Oktav 8 Regal 8 Gedakt 8 Tremulant Oktav 4 Fløjte 4 Cornet IV Mixtur VI Basun 16 Trompet 8 Trompet 4 Roskilde Domkirke, RapHaëlis-orglet Marcussen & Søn Rekonstruktion. Historisk pibemateriale og andre dele (Herman Raphaëlis Rottenstein Pock 1554 / Nicolaus Maas (?) 1611, Gregor Müllisch/Peter Karstensen Botz (?) 1654, Brødrene Botzen (?) 1691) Facade 1654, rygpositiv 1554 Manualværk Principal 8 F. Spitzflöjt 8 F. Bordun 16 F. Octava 4 F. Rohrflöjt 4 F. Nassath 3 F. Super Octava 2 F. Mixtur 4-5 Chor Trompet 8 F. Brystpositiv Gedact 8 F. Waltflöjt 2 F. Gedactflöjt 4 F. Octava 2 F. Sedecima 1 F. Regal 8 F. Geigen Regal 4 F. Rygpositiv Principal 4 F. Gedact 8 F. Gedact 4 F. Octava 2 F. Sesquialt 2 Chor Salicional 2 F. Sedecima 1 F. Mixtur 3 Chor Hoboy 8 F. Pedal Principal 16 F. Octava 8 F. Gedact 8 F. Octava 4 F. Mixtur 4 Chor. Posaun 16 F. Trompet 8 F. Schalmej 4 F. Tremulanter for Manualværk, Rygpositiv og Pedal Manualomfang: C D E F G A - c Manualomfang, Rygpositiv: C D E F - c Pedalomfang: C D E - d Klokkespil med cymbelstjerne, Fuglesang 3 Spærreventiler, Calcantklokke. Koblinger: BP+MV, MV+RP, MV+P, RP+P 4 kilebælge. Mekanisk traktur og registratur. Temperering: Uligesvævende uden ulv. Tonehøjde: a = 430 Hz Omfang: Man: C g. Ped: C f Kopler: RP/HV, SV/HV (el.), BV/HV, SV/RP, HV/PED, RP/PED, SV/ PED. RP/HV, BV/HV, SV/HV kan aktiveres som enten mek. Eller el. kopler. Cymbelstjerne, Kuk-kuk, Nattergal 256 Setzerkombinationer (Karsten Olsen). Mekanisk traktur, elektrisk registratur

33 Frederiksborg Slotskirke Compenius-orglet Esajas Compenius ca Flyttet til Frederiksborg 1617 Overværk Positiv Pedal Gross Principal 8 QuintaDehna 8 GedactFlöiten Bass 16 Gross Gedact Flöite 8 GedactFlöite 4 GemsHorn Bass 8 Klein PrinciPal 4 GemsHorn 2 QuintaDehn Bass 8 GemsHorn 4 NaSatt 1 1/2 QuerFlöiten Bass 4 NachtHorn 4 Zimbel I NachtHorn Bass 2 PlockFlöite 4 Principal Discant Cantus 4 (fra f) PaurFlöiten Bass 1 Gedact-Quint 3 BlockFlöite Cantus 4 (fra f) Sordunen Bass 16 Kleine Flöite 2 KrumbHorn 8 Dolzian Bass 8 R.Rancket 16 Klein Regal 4 Regal Bass 4 Manualomfang: CDEFGA-c Pedalomfang: CDEFGA-d Kobling P-O Tremulant for hele orglet. Sækkepibe, Kleinhümlichen, Tromme. Temperering: Middeltone 4 kilebælge, ingen elektrisk blæser. Tonehøjde a = 468 Hz Andersen-orglet P.-G. Andersen 1972/1998 Facade: 1863, rekonstuktion af Maas/Lorenzfacade 1616, som gik til grunde ved slottes brand i Hovedværk Positiv Récit Pedal Principal 8 Principal 8 Gedakt 16 Subbas 16 Blokfløjte 8 Gedakt 8 Gamba 8 Principal 8 Oktav 4 Oktav 4 Voce celeste 8 Gedakt 8 Dækfløjte 4 Kobbelfløjte 4 Rørfløjte 8 Quint 5 1/3 Rørquint 2 2/3 Oktav 2 Fløjte 4 Oktav 4 Oktav 2 Quint 1 1/3 Sesquialtera II Quartian II Terz 1 3/5 Oktav 1 Fløjte 2 Fagot 16 Mixtur V Scharf IV Mixtur IV Trompet 8 Trompet 16 Skalmeje 16 Obo 8 Trompet 8 Krumhorn 8 Clairon 4 Manualomfang C-g Pedalomfang: C-f Fælles svelle for Positiv og Recit Normalkopler samt koblingsmanual for Positiv og Recit Setzer Mekanisk traktur og registratur Marcussen-orglet Marcussen & Søn Restaureret 2001 Hovedværk Præluderværk Pedalværk Bordun 16 Gedakt 16 Subbas 16 Principal 8 Violinprincipal 8 Principal 8 Salicional 8 Fugara 8 Fiolonsel 8 Flauto major 8 Flauto amabile 8 Gedakt 8 Gedakt 8 Rørfløjte 8 Oktav 4 Oktav 4 Gambetta 4 Basun 16 Gemshorn 4 Fløjte 4 Nasat 2 2/3 Euphonia 8 Oktav 2 Cornet III-IV Trompet 8 Manualomfang: C-f, Pedalomfang C-d Koblinger: P-H, H-P Mekanisk traktur og registratur

34 CIOF 2013 IS ORGANIZED BY The Royal Danish Academy of Music in cooperation with the contributory churches and Odense Symphony Orchestra FINANCIAL SUPPORT FROM Augustinus Fonden Beckett Fonden DOKS Gramexmidler Oticon Fonden Frobenius Fonden Roskilde Domkirke Garnisons Kirke Det Nationalhistoriske Museum på Frederiksborg Slot FESTIVAL ORGANISATION Bine Bryndorf and Hans Davidsson (artistic leaders) Lasse Ewerlöf Eva Hess Thaysen Anne Heide Rikke Hjortkjær Peter Brun Larsen Pelle Vogel Anne-Maria Dobsa LAYOUT TRUEcph.com TRYK GrafiskPluz ADRESSES Academy Concert Hall Julius Thomsens Gade 1, Frb C. Studio Hall, Organ Halls Rosenørns Allé 22, Frb. C Holmens Church Holmens Kanal 21, Cph. K Sankt Johannes Church Sankt Hans Torv, Cph. N Helligaands Church Strøget, Cph. K Sankt Markus Church Sankt Markus Plads, Frb. Copenhagen Cathedral Nørregade 8, Cph. K Frederiksborg Castle Church Frederiksborg Castle, Hillerød Roskilde Cathedral, Fondens Bro 3, Roskilde Kunsthallen Nikolaj Nikolaj Plads 10, Cph. K Jægersborg Church Søndersøvej 5, Gentofte Grundtvig s Church På Bjerget 14B, Cph. NV Vor Frelsers Church Sct. Annægade 29. Cph. K Kastels Church, Kastellet, Cph. Ø Garnisons Church Sankt Annæ Plads 4, Cph. K Sankt Petri Church Sankt Peders Stræde, Cph. K Trinitatis Church Landemærket 2, Cph. K

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