W. A. Mozart. Serenade in C-minor KV 388. arranged for wind-nonet. Get free scores on

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1 W. A. Mozart Serenade in C-minor KV 88 arranged or wind-nonet by Arne Dich, 201 Get ree scores on

2 2 Man skal ikke røve at orbedre Mozarts musik. Men musikken er skrevet i en tid, hvor instrumenterne var anderledes. Og vil man som i dette tilælde ændre instrumentationen ra arvise oboer, klarinetter, horn og agotter til nonettens 1 løjte og 1 obo samt tiløje kontrabas, må der ske nænsomme ændringer i instrumentationen. Fløjten har sit bedste leje i et højt register og kan ikke umiddelbart overtage 1.obo-stemmen. Desuden lægger kontrabassen en ekstra oktav til i dybden. Dette vil give en yldigere, mere symonisk klang. Jeg har oretaget ølgende ændringer: 1. Fløjte og obo skites til at sille de to originale obo-stemmer. Fløjten oktaverer undertiden hele assager, undertiden kun enkelte toner. 2. Kontrabassen siller enten i samme oktav som agotterne, eller en oktav under - som agot, orenklet eller izzikato.. Den større vægt i dybden kræver en dobling a melodien i et dybere instrument (obo, klarinet eller agot). De manglende akkordtoner i akkomagnementet silles a en a agotterne, eller ved nænsom omrokering mellem de andre stemmer.. Enkelte orslag til dynamik og rasering er indøjet. Don't try to imrove the music o Mozart. The music is comoset in a century, where the instruments wasn't like the instruments o today. I you want to lay the music originally comosed or airs o oboes, clarinets, horns and bassoons with a wind-nonet, where a lute relace one o the oboes, and a doublebass is added, some careull revisions are needed. The lute sounds most aroriate in the higher registers and it does not make sense just letting it lay the 1.oboe art. The double bass adds an octave to the lowest register. Changes according to these acts will result in a richer, more symhonic sound. I have made the ollowing changes: 1. Flute and oboe switch between the original oboe-arts. The lute sometimes lays hrases or single notes an octave higher. 2. The double bass lays the 2.bassoon-art in the written octave or lays hrases or single notes an octave lower, sometimes simliied and / or izzicato.. The heavier bottom o the ensemble demands a doubling o the leading melody (sometimes) in e.g. oboe, clarinet or bassoon. The missing notes in the chords are layed e.g. by one o the bassoons, or relaced with a delicate relocation o notes in the accomagnement.. A ew suggestions to dynamics or hrasint are added.

3 Flute Oboe 1. Clarinet in Bb 2. Clarinet in Bb 1. Horn in Eb 2. Horn in Eb 1. Bassoon 2. Bassoon Double Bass Allegro C C C C C C C C C Serenade c-moll KV. 88 W.A.Mozart, 1782 Arrangement: Arne Dich 201 9

4 m calando calando calando calando

5 0 5 m m s s s s s s s s s 6 2 s m dolce s s s s s s s s

6 6 dolce izz 51 dolce dolce m arco

7 58 7 () () () () () () () () izz () arco

8 8 71 izz arco

9 8 9 s s s s s s s s s s s s s s s s s s 89 s s s s s s s s s s s s s s s s s s s s s s s s s s s

10 10 95 s dolce s s s () s s s s s s s 10 s s s s s s s s s

11 (m) (m) (m) (m) (m) 119

13 17 1 1

14 m

15 m m s s s s s s s s s 167 s s s s s s s s s

16 m () () izz 18

17 semre semre semre semre arco semre semre izz semre 196 semre semre arco

19 s s s s izz arco 220 s s s s s s s s s s s s s s

20 s s s s s s s s s s s s s s s s s s s s s s s s s s s This arrangement is ree or non-commercial use I you download or lay it lease send a greeting to arne@dichmusik.dk

21 22 Andante dolce dolce dolce s s s s dolce dolce s s s s dolce dolce dolce dolce dolce dolce dolce dolce s s s () s s s ()

22 22 25 semre semre () semre semre semre semre semre cresc. m iu m m m

23 268 2 () m () () () () izz m

24 s s cresc. s s cresc. s s cresc. cresc dolce dolce dolce s s s () dolce s s s () dolce dolce dolce dolce arco dolce

25 semre semre semre semre semre semre semre 19 () cresc. arco

26 m m iu m m m m 2

27 9 MENUETTO in Canone 27 m m m m 7 m m

28 28 55 s s s s s s s s s s s s s s s s 6 m m m m

30 0 87 Tr io in canone al rovescio mezza voce mezza voce mezza voce mezza voce 9

31 Menuetto D.C.

32 2 19 Theme, aliegro

33 7 Var. 1 izz 6

34 55 Var. 2 m 6

35 7 Var. 5 izz 82

36 6 91 Var. stacc. semre stacc. semre stacc. semre legatissimo stacc. semre legatissimo stacc. semre stacc. semre stacc. semre stacc. semre izz (semre) 500 simile simile legatissimo legatissimo simile simile

37 506 7 stacc. semre stacc. semre stacc. semre m stacc. semre m stacc. semre m stacc. semre m stacc. semre stacc. semre 516 simile simile simile simile

38 8 52 Var. 5 arco 5 m m m m m m m m m m m m izz m m

39 51 9 s s s s s arco s s 59

40 0 558 m m m m m m m m m m m m m m m m m izz 566 m arco

41 57 Var. 6 1 m m ad lib. 582 m m izz

42 2 590 m m 598 m

43 606 Var. 7 m m m m m m m m s m m m m m m m m m m arco m m 622 s

44 6 66 Var. 8 Più mosso

46 6 672 This arrangement is ree or non-commercial use I you download or lay it lease send a greeting to arne@dichmusik.dk Find more ree scores on w w w.d ichm us ik.d k

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