SILKEBORG AUGUST 3 rd -7 th 2015 DENMARK

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1 SILKEBORG AUGUST 3 rd -7 th 2015 DENMARK

2 Drama Boreale 2015 is supported by: TABLE OF CONTENT Welcome to Silkeborg and Drama Boreale About the program...4 Program (day-by-day)...5 Participants Services Addresses, physical and digital Nordic Cultural Fund The accounting firm PwC Aalborg The advertising agency GrafikNord Skelund, Hadsund Drama Boreale 2015 is organized by: Danish Drama Teachers Association (DDLF) Board: Jørn Munch-Nielsen, Karsten Petersen, Marie Svensson, Kim Jerg In collaboration with the following institutions and organizations: Silkeborg Kommune Dramatiklærerforeningen DATS Danish Amateur Theatre Association Employees at Dramaturgy, Aarhus University ZeRUM, Zenekunst i undervisningen The Nordic organizations on drama, theatre, pedagogics and education: FLISS (Iceland) FIDEA (Finland) fideafinland.weebly.com DRAMA & TEATERPEDAGOGENE (Norway) LÄRARFÖRBUNDET (Sweden) RAD, Riksorganisationen Auktoriserade Dramapedagoger (Sweden) In collaboration with a large number of people in the field of drama and theatre. DATS Danish Amateur Theatre Association UC Syddanmark LEGO Drama Boreale 2015 organization Steering committee: Kim Jerg (Danish Drama Teachers Association) Ida Krøgholt (University of Aarhus, Dramaturgy) Kirsten Nevers, Dramatiklærerforeningen Peter Rafn Dahm (Danish Amateur Theatre Association) Secretary: Katrine Friis Economy: Jørn Munch-Nielsen Logistics: Karsten Petersen Academic Program: Ida Krøgholt, Thomas Rosendal, John Andreasen, Klaus Thestrup, Bennyé Austring PR: Flemming Rasmussen, Jens Peter Madsen, Sissel Worm Glass, Mogens Sørensen and more Social Media: Hans Klysner and more Web: Kim Jerg Icebreakers: Anne Majgaard Basse, Barbara Rousset Thomsen, Camilla Kold Andersen, Helene Bæk Kortegaard, Jan Viggo Iversen, Kasper Bisgaard Laursen, Katrine Koppelgaard, Laura Kamis Wrang, Line Jakobsgaard Hansen, Lise Petersen, Marianne Tøgersen, Signe Byriel Skov, Susanne Braad Andersen, Tine Voss Ilum. Drama Boreale 2015 EXPLORE EXPRESS EXCHANGE on Social Media Twitter Instagram Official hashtag: #Boreale15 Facebook: W: E: mail@dramaboreale.dk 2 Drama Boreale 2015

3 Welcome to Silkeborg In the month of March 2013 a small group of people sat in a tiny attic room in Aalborg, exchanging ideas on the upcoming Drama Boreale in Denmark. And when I look at my messy desk top in the summer of 2015, I try to recall what we have been doing in the mean-time. Actually quite a lot: We have been cooperating with numerous organizations and peers, in Denmark and in the Nordic countries, to get here. We have obtained proposals from the Nordic countries, and we have tried to meet a huge variety of ideas and interests. The Municipality of Silkeborg has been a key player, and we have received a very important donation from Nordic Cultural Fund. As time has gone by, we have had to address an ever increasing flow of issues. We have lost count of the times there was a need for changes and adjustments. We can t thank enough the numerous people that have contributed to the planning. And now we just hope that everything will turn out as intended. We are proud to present a strong palette of the main presenters (keynotes) and a rich array of other presenters from the prolonged labs and demonstrations to the shorter presentations. We are pretty satisfied with the framework for the conference. The five sites are welcoming and efficient for our activities. On behalf of the steering committee, organizations and other partners, I welcome you to five days to explore, express and exchange. Kim Jerg Head of DB15 Welcome to Drama Boreale 2015 This is the 8th Nordic conference on drama, theatre and education. We welcome you to 5 days of exploring, expressing and exchanging. Drama Boreale 2015 will explore cultural and artistic theatrical processes and expressions in pedagogical frameworks in a Nordic perspective, and we ask: How do we describe, develop and communicate about our practice the artistic, the pedagogical and in research? How do we involve the participants and decision makers in this development? Where do we collect material and food for thought for contemporary experiments with arts and learning inside and outside the educational institutions? For five days we will be exchanging perspectives and methods, demonstrating and discussing how we work with material in practice, in theory, in research and in exchanges between these positions and how we describe our practices, internally and externally. The aim is to strengthen the education of professionals with drama and theatre as a subject and/or profession. DB15-secretariat Den Kreative Skole, Bindslevs Plads 7, Silkeborg Opening hours Monday: Tuesday: , , Wednesday: , , Thursday: , , Friday: , Contact: mail@dramaboreale.dk Secretariat phone numbers Line Jakobsgaard Hansen M Katrine Koppelgaard M Board phone numbers Jørn Munch-Nielsen M Karsten Petersen M Kim Jerg M CHECK-IN at DB15 Check in at the Secretariat (Den Kreative Skole, Bindslevs Plads 7). Here, you will receive the full program and a goodie bag with stuff that will guarantee a playful time. You can also collect and book tickets for the artistic and cultural program Tuesday and Wednesday. Sign up for the presentations, demonstrations and labs that you would like to attend by writing your name on the lists. There are limited seats at several arrangements, but please leave a space for the ones that arrive later than you. Our staff will guide you through the procedure, and ask you a few questions, so that we can make things work well and meet your expectations. You can find the answers to a lot of questions about the conference at the DB15-secretariat staff. Updates During the conference we are expecting to keep you updated on Twitter, Instagram and Facebook. Official hashtag: #Boreale15 Drama Boreale

4 CONFERENCE PROGRAM On the following pages you find the official program day-by-day, hour-by-hour. Below we describe the terms and codes used. Academic program Keynote speakers Three keynotes will warm up the discussions. Keynote 1 Beth Juncker Professor in Child Culture and Children s Culture at The Royal School of Library and information Science in Copenhagen Keynote 2 Chris Cooper Artistic Director Big Brum, Birgmingham, England Keynote 3 Gry Worre Halberg Co-Founder of Sisters Academy 4 more formats Demonstration A workshop where techniques and methods are shown to and experienced by the participants. Laboratory A workshop where you can explore techniques or problems with the participants without having a full solution yet (duration 1 or 2 hours). Presentation [paper] Oral, eventually illustrated mini lecture representing reflections on or documentation of practice including some kind of involvement of the audience along the way. SIG (Special Interest Group) In each of the six SIGs the same people will meet around a subject, 2 times during the conference. Participants in a SIG are expected to tell shortly about their experience with the theme. The person/s responsible will (a) initiate the exchanging of experience (b) gather central questions and statements (c) sum up decisions on what to do and who is in charge of mutual initiatives after DB15 Abbreviations used eg. Dk-Eng means A Danish contributor speaking English Country codes: Is = Iceland No = Norway Se = Sweden Fi = Finland Dk = Denmark Language: Eng = English No = Norwegian Se = Swedish Fin = Finnish Dk = Danish Type: Demo = Demonstration Lab = Laboratory Pres = Presentation SIG = Special Interest Group Artistic and cultural program Included in the conference fee is: Official opening + dinner on Monday Tuesday-Friday: Lunch + water/coffee/tea-breaks Banquet on Thursday Tuesday, August 4th 19:00 Teater Fluks: Forestillingen om den lykkelige luder (DKK 50,-) Forumteatret Prisme: Demos & Kratia (Free) Teatret Didasca: Human Doing (DKK 50,-) Not included in the conference fee is: Monday-Friday: Accomodation and breakfast Tuesday-Wednesday: Dinner Performances Tuesday night Exploring Silkeborg on Wednesday afternoon Wednesday, August 5th 16:00-19:00 Exploring Silkeborg (DKK 200,-) Because of limited seats we encourage you to buy or collect your tickets in time for the other elements. 4 Drama Boreale 2015

5 SILKEBORG AUGUST 3 rd -7 th 2015 DENMARK MONDAY AUGUST 3rd 13:00-17:30 DB15-SECRETARIAT DEN KREATIVE SKOLE, Bindslevs Plads 7, Silkeborg Sign in, and collect your conference material Write your name on the lists for the academic program Buy your tickets for the artistic and cultural program Questions & Answers 18:00-19:30 OFFICIAL OPENING OF DRAMA BOREALE 2015 EXPLORE - EXPRESS - EXCHANGE KEDELHUSET, Papirfabrikken 72, Silkeborg A visual and musical montage with elements from Nordic Folklore, stories from Silkeborg and visions for a future with living Nordic relations Speakers: Steen Vindum, Mayor of Silkeborg, Kim Jerg, head of DB15 Performers: Helene Handberg, Marianne Ilum Sørensen Jon Stage (Teatret Didasca ) and more - Composers: Karin Sjöholm (Sjöholm-Svenningsen ) and Henrik Andersen (Music Spoken Here ) - Musicians: Karin Sjöholm, Morten Svenningsen, Jacob Meyland (Sjöholm- Svenningsen ), Henrik Andersen, Elisabeth Klein, Omra Ben-David and special guest Mike Hecchi (Music Spoken Here ) - Director: Magnus Errboe :30-20:00 TOWNWALK Silkeborg City 20:00-? DINNER LUNDEN, Vestergade 74, Silkeborg Kristian Bornemann, Cookhouse, and The Icebreakers? - 24:00 NIGHT CAFÉ LUNDEN The Icebreakers Drama Boreale

6 TUESDAY AUGUST 4th 8:00-9:00-10:30-11:00-12:30-17:30 DB15-SECRETARIAT DEN KREATIVE SKOLE, Bindslevs Plads 7, Silkeborg Collect your conference material, write your name on the lists for the academic program. Buy your tickets for the artistic and cultural program. Questions & Answers 9:00-10:45 KEYNOTE 1 MEDBORGERHUSET, ROOM A Being Transformed. With the Beth Juncker - professor in Child Present 'Now' and Presence as Culture and Children's Culture at The a Driving Force (Dk- Royal School of Library and information Science in Copenhagen - former chairman of Barnekulturforskning i Norden Flemming Rasmussen Professor Beth Juncker has criticized the DICE Report to exaggerate its conclusions. At the same time she notes that in relation to the Nordic countries there has not been done much to develop creative, innovative and communicative skills. The challenge is that in the drama and theater sphere educational responses are still being sought to legitimate and integrate the value-in-itself-ness that characterizes paradigms in aesthetic and artistic learning-processes. In this keynote Professor Beth Juncker will seek to answer vitally: How can working with art and culture lead to a paradigm, which in its practice form with drama and theater has the 'Now' and 'Presence' as a driving force? WHEN WHAT 10:45-11:00 BREAK + REFRESHMENTS 11:00-12:30 DEMONSTRATION MEDBORGERHUSET, ROOM B Hvordan får vi drama til at blive væsentligt og synligt i Folkeskolen? (Dk-Dk) Eva Bech Pedersen - Folkeskolelærer og tidligere bestyrelsesmedlem i Danmarks Dramalærerforening Deltagerinvolverende formidling af og refleksion over 30 års arbejde med drama i den danske Folkeskole 11:00-12:30 DEMONSTRATION MEDBORGERHUSET, ROOM C At skabe og fortælle personlige historier (Dk-Dk) Jens Peter Madsen - Historiefortæller og foredragsholder i mundtlig fortællekunst Med udgangspunkt i oplægsholders egne personlige historier, demonstreres centrale udfordringer og muligheder i at anvende personlige historier i mødet med børn, unge og voksne. Metoden tager udgangspunkt i narrative studier og i en mangeårig praksis som seminarielærer og udøver af mundtlig fortællekunst 11:00-12:30 LABORATORY MEDBORGERHUSET, ROOM D #ilive - Dramapedagogy, social media & the Performative society (Dk-Dk) Kristian Nødtvedt Knudsen - Ph.d stipendiat ved Program for lærerutdanning på NTNU Kristian er i gang med sin Ph.d. om sociale medier og unges anvendelse heraf. Intentionen med laboratoriet er at præsentere og teste nogle nye metoder og indgange til at arbejde med drama i undervisning, som har til formål at stimulere til sanselig og kropslig deltagelse 11:00-12:30 PRESENTATIONS MEDBORGERHUSET, ROOM 1 Pla(y)ces og allegorisk scenografi i drama og i børns legekultur (Dk-Dk) Teater-produksjon med barn & unge (No-No) Herdis Toft - Fagleder for Master i børne- og ungdomskultur medier og æstetiske læreprocesser; forsker i børns legeultur, legerum og fortælletid ved Institut for Kulturvidenskaber, Syddansk Universitet, Odense. Hvordan kan man bruge viden om leg, når drama indgår i tværprofessionelle og tværæstetiske sammenhænge i daginstitutioner og grundskole? Der hentes eksempler fra børnehaveprojekter, hvori indgår både dramaturgisk og pædagogisk designet rammesætning af børns legekultur Vigdis Aune - Associate professor, Presentasjonen beskriver og drøfter spørsmål om adaptasjon av regitradisjoner, Ph.D. at Department of Arts and Media produksjonsmodeller og forestillingsformater til teaterproduksjon med barn mellom 8-18 år. Studies, NTNU, Norway. Her teaching of research is primarily focused on applied theater and art-based research methods. Herdis Toft 11:00-12:30 PRESENTATIONS MEDBORGERHUSET, ROOM 2 Sanselig og kritisk - drama som mediespecifik læring. Nyere strategier i lys av det «estetiske regime» (Ranciere) (No-No) Bjørn Rasmussen - Professor i drama/teater NTNU. Hvilke strategier og diskurser er i dag best egnet for å realisere kunstpedagogikkens potensial i samfunnet? Hvem bryr seg om kunstens «anderledeshet» i den pedagogiske hverdag? Presentasjonen vil drøfte noen visjoner og noen problematikker knyttet til de performative og estetiske praksiser og argumentasjoner. Et utgangspunkt vil være «iscenesatt autoritet», en Ranciere-inspirert tenkning knyttet til prosjektet drama, teater og demokrati. Æstetisk fordobling og Merete Sørensen - Lektor ph.d. UCSJ Præsentation vil bestå af et teoretisk oplæg basseret på Merete Sørensens ph.d. afhandling. dramafagets grundelementer i Oplægget vil med afsæt i Gavin Boltons teorisæt diskutere en udvidelse af såvel forståelsen af ny optik (Dk-Dk) dramafagets grundelementer som forståelsen af den komplekse læring, der kan udspille sig i samspillet i den æstetiske fordobling. Bennyé Austring 6 Drama Boreale 2015

7 11:00-12:30 DEMONSTRATION DEN KREATIVE SKOLE, ORKESTERSAL The viewpoint med udviklingshæmmede - Non verbale udtryk (Dk-Dk) Mette Demuth- Instruktør og dramapædagog i Kunstnerhuset KARAVANA. Til demonstrationen gives en kort beskrivelse af Viewpoints som metode og hvordan man kan anvende musik som medspiller i arbejdet med udviklingshæmmede. The Viewpoints vil blive demonstreret af udviklingshæmmede skuespillere og deltagerne vil prøve flere øvelser sammen med skuespillerne. 11:00-12:30 DEMONSTRATION DEN KREATIVE SKOLE, MULTISAL Methods in working dramatically with vulnerable young people (Dk- Marie Svensson - Specialestuderende, Dramaturgi 11:00-12:30 DEMONSTRATION DEN KREATIVE SKOLE, DANSESAL p, g y y g people. The workshop will focus on how to give vulnerable young people more selfconfidence through applied drama. Participants will be asked to do group activities and reflect on practice. Explore your voice express your mind (Dk- Elisabeth Klein - Music Spoken Here -Here we aim towards an intuitive expression through voice, without words. I will introduce musicspokenhere.dk musical warm-up-games and we will create soundscapes/compositions, animated by given impulses which animate the inner unconsciousness. We will focus on our individual experiences during group improvisations and reflect on them. 12:30-13:30 LUNCH MEDBORGERHUSET, Café Bindslev Take your lunch + water in a bag to go - and enjoy your meal in the leisure areas 13:30-15:30 DEMONSTRATION MEDBORGERHUSET, ROOM B Soar through the blue air - Using drama while exploring environment issues (Is- Ása Helga Ragnarsdóttir - Assistant lecturer in drama education at the University of Iceland, School of Education, and a drama teacher at the University of Art in Iceland - Rannveig Bjørk Thorkelsdottir - drama teacher, part-time teacher at the University of Iceland, and Doctoral student at NTNU, Norway The room is filled with colours, the participants are invited into a colourful universe. The workshop will integrate drama, singing, dancing, acting while exploring environment issues. The participants will meet the trash monster! What is happening in the world today in connection to environment matters? Is there a golden rule to follow? 13:30-15:30 DEMONSTRATION MEDBORGERHUSET, ROOM C Reminiscence by using mandala (as a pretext for drama) (Is- Raija Araiksinen-Björklund - Drama The workshop introduces Mandala- method in reminiscence and as a pretext for drama. Artbased-methods and drama are used to discover memories. In the process participants of Teacher and PhD student, Theatre Arts/ Helsinki University Marjatta certain age group go together in groups to discuss various things that occurred during their Karkkulainen & Anneli Luoma- Kuikka - Drama practitioners youth and their childhood. In the workshop participants share their memories in a Scandinavian context. Are memories alike everywhere? What similarities and differences could be found? 13:30-15:30 LABORATORY MEDBORGERHUSET, ROOM D A tribute to the Open Manifesto; drama as a capacity for social transformative learning (Sv- Kerstin Bragby - Drama teacher at Gävle University and a Ph:D student at Chester University - Åse E Bjurström - Drama teacher at University West and RCE West M:A. Kerstin Bragby and Åse E Bjurström both explore the interconnection of Learning - Agency - Social Change, in providing new educational environments. In the laboratory they will conduct a hands-on session using drama as a research tool highlighting prerequisites and ethical considerations in using drama as a capacity builder in social transformation. 13:30-15:30 PRESENTATION MEDBORGERHUSET, ROOM 1 Æstetiske fællesskabers mulighed. Undersøgelse af æstetiske fællesskaber (Dk- Dk) Ida Krøgholt - Ansat som lektor i dramaturgi ved Aarhus Universitet. Medlem af forskningsprogrammet Cultural transformations og forskningsenheden Kreative processer. Præsentationen vil præcisere forskellen på traditionelle og æstetiske fællesskaber og gennem eksempler diskutere sådanne æstetiske fællesskabsformer. På baggrund af cases fra bl.a. Skole-teater samarbejder og Borgerscener diskuteres, hvordan en teaterpædagogisk rammesætning kan bidrage til sensorisk-relationelle former og muliggøre eksperimenter med konstruktion af æstetiske fællesskaber. Drama og tværfagligt samarbejde med lokale interessenter (Gr-Dk) Mia Nielsen - Socialpædagog, faglærer, konsulent i det grønlanske Selvstyre. Folk fra forskellige institutioner (børnehave, skole/fritid, museum, bibliotek, pædagoguddannelse ) mødes og udveksler kulturelle udtryk, fx rammesat af temaet forår. I kulturprojektet indgår forberedelse, arbejde, udstilling/fremvisning og evaluering. Hvad mener de enkelte faggrupper (professionelle) om ideen, og hvad kan de bidrage med? Kvalitet/potentialer i børns møde med (professionel) scenekunst (Dk-Dk) Tanja Phaff Louring - Adjunkt på VIA UC CAMPUS Viborg Pædagoguddannelsen i faget UMD Præsentationen diskuterer udviklingspotentialet af broen mellem folkeskole(/pædagogiske institutioner) og kulturinstitutioner til styrkelse af børns oplevelse af (professionel) scenekunst. Borgerscenen virkelighedens laboratorium (Dk-Dk) Tine Voss Ilum - Koordinator for Borgerscenen, Aalborg Teater Ida Krøgholt Med afsæt i en præsentation af Borgerscenen ved Aalborg Teaters arbejde sættes der fokus på inddragelse af borgere og deres erindringer og erfaringer i den skabende proces. Hvilke udfordringer og muligheder rejser sig i arbejdet hermed? Hvordan iscenesættes autenticitet? Og, hvad tilbydes publikum gennem denne form for teater? 13:30-15:30 PRESENTATIONS MEDBORGERHUSET, ROOM 3 The Dramatic Dialogue in a Bakhtinian Perspective (No- Anne Ørvig - Undervisningsstilling, dramaseksjonen, avdeling for lærerutdanning, Høgskolen i Bergen. In the light of Mikhail Bakhtin s concept of dialogue, the project examines the whole-class dialogue in fiction as it is described in selected publications from the professional drama education literature. The project is a subproject within the Norwegian national research project Drama Theatre Democracy. Drama Boreale

8 On confronting oneself and Arne Kristoffer Tynæs - PhD-fellow the world through theatre (No-Bergen University-College During recent years Bildung has been a central term in dramapedagogics in Norway. Focus will be on buildung in a German theatrepedagogical context. To listen with your body (Se- Pernilla Ahlstrand - Lecturer, educational developer, teacher - Holavedsgymnasiet, Tranås The dissertation To listen with your body (2014) will be presented. The results from the research question will be introduced and discussed: How can we recognise knowledge within theatre education in upper secondary schools, specifically the meaning of knowing a performative capability, and how can this (partly tacit) knowledge be articulated and specified? Dramapedagogy, Social Media & the Performative Society (Dk- Kristian Nødtvedt Knudsen - Ph.d at How can the drama teacher engage him- or herself in the process of developing a pedagogical Program for lærerutdanning på NTNU. design? A re-view on, how to work with reflection in drama and theatre in education. In the study the reflective practitioner approach is used in combination with social media to vary between different roles; practitioner, researcher and designer. Anne Ørvig 13:30-15:30 LABORATORY DEN KREATIVE SKOLE, ORKESTERSAL Spor fra modernismen: når brud skaber sammenhæng i teaterproduktion (No-No) Tone Stangeland - Førstelektor, Højskolen i Bergen, Bergen University College - Kari Thorkildsen - Høgskolelektor, Højskolen i Bergen, Bergen University College Workshoppen tar utgangspunkt i en teaterproduksjonsprosess med studenter. Hensikten har vært å forrykke, forvandle, forundre og skape nye meninger for aktør og tilskuer i en utforskende devising-praksis. Vi er opptatt av et utvidet tekstbegrep og vi eksperimenterer med dramaturgiske konstruksjoner i teaterarbeid. 13:30-15:30 LABORATORY DEN KREATIVE SKOLE, MULTISAL In Defense of the Good Taste (Dk- Charlotte Fogh & Jan Fogt - teachers at Master in Theatre Pegagogics at Professionshøjskolen Metropol and Universität der Künste, Berlin. We will introduce a theater pedagogical concept, based on classical taste aesthetics and the aesthetic taster. Then we'll explain a performance theater concept based on taste aesthetics, and open a practical laboratory where taste directs our common theatrical processes and our reflections upon it. 13:30-17:00 DEMONSTRATION DEN KREATIVE SKOLE, DANSESAL Exploration of Voices from Within and Without (No/Dk- Ellen Foyn Bruun - Dramatherapist, Certified Fitzmaurice Teacher and Associate Professor at the Norwegian University of Science and Technology NTNU. David Keir Wright - Independent Drama Practitioner- Researcher, an Associate Member of the Roy Hart International Arts Association and an Individual Associate Member of IDEA. In this experiential workshop participants are invited to explore individually and collectively their unique voices in improvisations, sound-making and singing. The workshop will demonstrate ways of integrating movement, drama and voice. The practice is inspired by the voicework of Alfred Wolfsohn/Roy Hart and Fitzmaurice voicework. WHEN WHAT 15:30-15:45 BREAK + RESFRESHMENTS WHEN WHAT DESCRIPTION 15:45-17:00 Special Interest Groups In each of the six Special Interest Groups the same people will meet Participants in a SIG are expected to tell shortly about their experience with the theme. around a subject, 2 times during the conference: Tuesday and Thursday afternoons between 15:45 and 17:00. The person/s responsible will (a) initiate the exchanging of experience, (b) gather central questions and statements, and (c) sum up decisions on what to do and who is in charge of mutual initiatives after DB15. 15:45-17:00 SIG 1 Drama as a tool to counteract xenophobia among young people Anita Grünbaum, Sweden Which are the Nordic experiences of drama against prejudice, discrimination and xenophobia? What can we learn from each other? Is there any current Nordic research in this area? Can we create a Nordic network for exchanging experiences and developing methods in this field? Serious violation of minority groups happens. Jews, Roma, Muslims, blacks, homosexuals are exposed to discrimination, in and outside schools, among young people and adults. It also takes place online. When my book "Equal and Unique. Drama in Education about Minorities" appeared six years ago, the climate in society was different. In retrospect, my belief that drama could be used to 'vaccinate' against xenophobia was overestimated. Still it is more important than ever to give young people opportunities to understand what a democracy based on equal human rights means and courage to act against discrimination. 15:45-17:00 SIG 2 MEDBORGERHUSET, ROOM C Theater Production with Children and Young People Vigdis Aune, Norway This is a chance to exchange understandings and experience between practitioners and theorists on theater production with children and young people. Can we establish a Nordic network for exchange and development in this field? How? I have studied three discourses, an artistic, an art educational and a cultural discourse, and I have published some of my research in: "Teater med barn og unge. En studie av Barne- og ungdomsteateret ved Rogaland Teater (Aune 2013). 15:45-17:00 SIG 3 MEDBORGERHUSET, ROOM D 8 Artistic research especially ph.d. students Thomas Rosendahl, Denmark A forum for ph.d.-students and others, who want to give and receive feedback on written academic texts of their own. Send a text you are working on (article or chapter) before end of June to Thomas. You are responsible for reading one or two other texts. Intended: at least ½ hour per text; the time available depends on the number of participants. After the feedback, if possible, there will be a more general discussion of mutual matters i.e. themes, problems, methods, theories. Drama Boreale 2015

9 15:45-17:00 SIG 4 MEDBORGERHUSET, ROOM 1 Drama, theatre and democracy Bjørn Rasmussen, Norway The group springs out from a Norwegian national ongoing project ( ) and will treat projects and thematic issues linked to democracy (and the aesthetic and future education) with an extended nordic group. Related themes and issues from other conference parts (keynotes,papers etc) may be further debated and treated in the group. We invite to an extended nordic collaboration on the project idea for a possible joint research project. Group fascilitator will be professor Bjørn Rasmussen 15:45-17:00 SIG 5 MEDBORGERHUSET, ROOM 2 The Meeting between Theatre and Pedagogical Institutions Tanja Louring & Astrid Guldhammer, Denmark Hvorfor overhovedet gå i teatret? Hvordan er man klædt på til teateroplevelsen? Hvem skal være klædt på? Er der "rigtige måder" at opleve teatret på? Hvilket pædagogisk materiale kan være relevant for at træde ind i et teater og hvilke kompetencer kræves? Hvilke muligheder og udfordringer oplever vi? Hvordan opleves diskurser om legitimering af teateroplevelsen i skoler og daginstitutioner? Skal vi videreudvikle eksisterende tiltag, inddrage nye medier, nye samarbejdspartnere? Hvilke nye spørgsmål og svar kan vi sammen formulere? 15:45-17:00 SIG 6 MEDBORGERHUSET, ROOM 3 Nordic speed dating creating cross national research and development projects [other subjects than SIG 1-5] Merete Sørensen & Bennyé Austring, Participants have the opportunity to find partners and start creating new projects with Drama Denmark and Theatre as either target or tool [other areas/subjects than mentioned in the SIG 1-5]. Let us initiate the development of joint research programs, new educations or modules, new ways of disseminating Theatre in Education, establishing cross Scandinavian activities within Drama or new art based projects focusing the good life, mental health, inclusion, integration, creativity or? Let us draw the lines of a Nordplus or Erasmus+ application together, exchange ideas, swap classrooms, plant a new master in Drama and Aesthetic Learning Processes, an anthology on next practice, an all-scandinavian Drama & Theater Journal, a Nordic version of the Dice Project - or other initiatives that needs collaboration partners. 17:00 END OF TUESDAYS ACADEMIC PROGRAM Tuesday and Wednesday dinner is not a part of the conference program ARTISTIC AND CULTURAL PROGRAM TICKETS AT THE DB15-SECRETARIAT 19:00 Teater Fluks: "Forestillingen om den lykkelige luder" JYSK MUSIKTEATER, Lille Sal, Papirfabrikken 80 En intens undersøgelse af balancen mellem lykke, frihed og sexarbejde. I det stormfulde debatlandskab er de to performere gået på jagt efter fakta, fordomme og personlige historier om prostitution (DKR limited seats) 19:00 Forumteatret Prisme: "Demos & Kratia" DEN KREATIVE SKOLE, Multisalen, Et interaktivt teaterforløb om demokrati (admission free - limited seats) Bindslevs Plads :00 Teatret Didasca: Human Doing DEN KREATIVE SKOLE, Dansesalen, Bindslevs Plads 7 Dance (DKR limited seats) :00-24:00 Night Café LUNDEN, Vestergade 74 The Icebreakers Drama Boreale