modern paintings, sculptures and prints

Transkript

1 modern paintings, sculptures and prints auction 8-12 october 2007 preview wednesday 3 october 3 pm - 6 pm thursday 4 october 10 am - 5 pm friday 5 october 10 am - 5 pm saturday 6 october 11 am - 4 pm sunday 7 october 11 am - 4 pm monday 8 october 10 am - 1 pm Bredgade 33 DK-1260 Copenhagen K Tel Fax [email protected]

2 modern modern monday tuesday 8 october 6 pm international modern art october wednesday 10 october design thursday 11 october 1 pm danish contemporary art cobra prints 6 pm classic modern art contemporary art 1 pm contemporary art classic modern art 1 pm decorative art silver and jewellery 6 pm selected furniture and design friday 12 october 1 pm furniture, design and carpets tribal art auction 777

3 Welcome to the Modern Art Autumn Sale at Bruun Rasmussen We are pleased to present three new catalogues of which the first two feature a rich and varied selection of modern pictorial art. The works offered will hopefully be met with enthusiasm by our Danish and international audience. The October sale embraces both the diversity and the established upper end of a vital art market, which in recent years has enjoyed an increased interest and demand. At this auction we are especially excited to be able to offer a number of important international works coming from a prominent Scandinavian private collection. Ed Ruscha, Alex Katz, John Kacere and Gerhard Richter are all artists who have set the agenda in their respective field of work Pop Art, New Realism, Photorealism and Abstract painting and who have all left their imprint on the history of art. Focus articles on the artists can be found inside the catalogue. In continuation of the American Photorealism, the auction features a fine collection of original works by the Danish photorealist par excellence Hans Henrik Lerfeldt and a comprehensive Photography section including works by Hiroshi Sugimoto, Nobuyoshi Araki, Per Bak Jensen, Bert Stern and Ray Schatt. Among the many international highlights at this preview, the monumental painting The Night Guard by the Norwegian artist Odd Nerdrum and also the Chinese artist Chu Teh-Chun s Composition from 1959 should be emphasized. As usual, the preview also offers the possibility of becoming acquainted with a large selection of works by the Danish Classical Modernists. Hans Scherfig is represented with two rich jungle compositions, in a rare large format, from the 1940s. Included are also several fine paintings by Vilhelm Lundstrøm, Oluf Høst and Jens Søndergaard. Among the rarities is an Avant-garde Modernist winter picture from painted by Anton Hansen, usually known for his small-format drawings. The Classical section is concluded by a number of works by North Atlantic artists, including Samuel Joensen-Mikines, Gunnlaugur Blöndal and Jon Stefansson. Leading the Cobra section is Asger Jorn s large colourful painting La colline enchantée from The painting is accompanied by the early work Maskefigur og Fugl, created by Ejler Bille in Finally the auction features an impressive array of Contemporary Art, topped by Michael Kvium, Per Kirkeby and Kurt Trampedach. Besides works by Poul Anker Bech, Peter Martensen and the young generation of artists as Tal R, John Kørner and Olafur Eliasson, the very popular and highly sought after Julie Nord will make her auction debut. We hope you will enjoy the catalogue!

4 modern modern mandag tirsdag onsdag design torsdag 8. oktober kl. 18 udvalgt kunst oktober kl. 13 kl oktober kl oktober kl. 13 kl. 18 dansk samtidskunst cobra grafik klassisk modernisme moderne kunst dansk samtidskunst nutidskunst klassisk modernisme kunsthåndværk sølv og smykker udvalgte møbler og design fredag 12. oktober kl. 13 møbler, design og tæpper etnografica auktion 777

5 modern malerier, skulpturer og grafik auktion oktober 2007 eftersyn onsdag 3. oktober kl torsdag 4. oktober kl fredag 5. oktober kl lørdag 6. oktober kl søndag 7. oktober kl mandag 8. oktober kl Bredgade 33 DK-1260 København K Tel Fax [email protected]

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7 Velkommen til moderne efterårsauktion hos Bruun Rasmussen Det er med stor fornøjelse, at vi kan præsentere tre nye kataloger, heraf de to første med et righoldigt og varieret udvalg af moderne billedkunst. De udbudte værker vil forhåbentlig imødekomme og begejstre vores danske og internationale publikum. Oktober måneds auktion favner både i højden og bredden et vitalt moderne kunstmarked, der i de seneste år har nydt stadigt stigende interesse og efterspørgsel. Med særlig glæde og stolthed kan vi på denne auktion udbyde en række væsentlige internationale værker fra en betydelig skandinavisk privatsamling. Ed Ruscha, Alex Katz, John Kacere og Gerhard Richter er navne, der inden for henholdsvis popkunsten, ny- og fotorealismen samt det abstrakte maleri har været dagsordenssættende og sat deres tydelige fingeraftryk i kunsthistorien. Der kan læses mere om de enkelte kunstnere længere inde i kataloget. I forlængelse af den amerikanske fotorealisme byder auktionen på en flot samling originalarbejder af den danske fotorealist par excellence, Hans Henrik Lerfeldt og en særdeles velassorteret fotografisektion med værker af bl.a. Hiroshi Sugimoto, Nobuyoshi Araki, Per Bak Jensen, Bert Stern og Ray Schatt. Blandt de øvrige internationale highlights på eftersynet skal særligt det monumentale maleri The Night Guard af norske Odd Nerdrum og kinesiske Chu Teh-Chuns komposition fra 1959 fremhæves. På eftersynet kan der som vanligt stiftes bekendtskab med et stort udvalg af de klassiske danske modernisters arbejder. Hans Scherfig er repræsenteret med hele to, sjældent store og dyrerige, junglekompositioner fra 1940 erne. Der er flere fine billeder af bl.a. Vilhelm Lundstrøm, Oluf Høst og Jens Søndergaard. Blandt de helt sjældne ting finder man et avantgarde-modernistisk vintermaleri fra af Anton Hansen, der ellers mest kendes som tegner i det lille format. Det klassiske afsnit rundes af Nordatlanten, idet vi kan fremvise flere værker af Samuel Joensen-Mikines, Gunnlaugur Blöndal og Jon Stefansson. Blandt værkerne af Cobra-bevægelsens kunstnerne skal især Asger Jorns store, stoflige og farvestærke La colline enchantée fra 1957 fremhæves. Dette billede får bl.a. selskab af det tidlige Maskefigur og Fugl, malet af Ejler Bille i Sluttelig er afsnittet med samtidskunst, med Michael Kvium, Per Kirkeby og Kurt Trampedach i spidsen, stærkt besat. Foruden værker af kendinge som Poul Anker Bech, Peter Martensen og hele den unge generation med Tal R, John Kørner og Olafur Eliasson får bl.a. en yderst populær og efterspurgt kunstner som Julie Nord auktionsdebut. God fornøjelse!

8 department of modern art Peter Christmas-Møller Niels Raben Niels Boe Hauggaard-Nielsen Nadia Leander Gottlieb Anneline Schjødt Pedersen Peter Beck Bruun Rasmussen Aarhus Frederik Bruun Rasmussen

9 international modern art monday 8 october at 6 pm lot 1-115

10 MODERN 1 1 CD ASGER JORN b. 1914, d "Bedrøvet maske". Signed Jorn Oil on cardboard. 40 x 28 cm. Literature: Guy Atkins: Jorn in Scandinavia , no. 441, reprod. p Provenance: Mrs. Kirsten Lyngborg, Copenhagen (the artist's first wife). DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

11 2 2 CD EJLER BILLE b. 1910, d "Maskefigur og Fugl". Signed on the reverse Ejler Bille, Gudhjem Oil on canvas. 77 x 67 cm. Exhibited: Høstudstillingen, Copenhagen, Exhibited: Kunstforeningen, Copenhagen, Exhibited: Fyens Stiftsmuseum, Odense, April 2,1952. Exhibited: Skoleudstillingen 1953/54. Exhibited: Seminariernes vandreudstilling DKK / BRUUN RASMUSSEN BREDGADE AUKTION

12 MODERN 3 3 CD MOGENS BALLE b. 1921, d Composition. Signed M.B. Oil on canvas. 60 x 73 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

13 4 4 CD KAREL APPEL b. 1921, d Visage. Signed Appel. Acrylic on paper mounted on canvas. 78 x 58 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

14 MODERN BRUUN RASMUSSEN BREDGADE AUKTION 777

15 5 5 CD HENRY HEERUP b. 1907, d "Kædekasseopstilling", Signed Heerup. Oil on masonite. 82 x 104 cm. Exhibited: Louisiana: "Heerup 60", 1967, cat. no DKK / CD CARL-HENNING PEDERSEN b. 1913, d Fantasy Animals, c Unsigned. Pastel on paper. 30 x 39 cm. DKK / CD CARL-HENNING PEDERSEN b. 1913, d "Sorgens lykkemaske". Signed chp 49. Pastel on paper. 31 x 42 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

16 MODERN 8 8 CD EGILL JACOBSEN b. 1910, d "Grøn opstilling", Unsigned. Oil on canvas. 56 x 60 cm. Literature: Per Hovdenakk: Egill Jacobsen 1, no. 1945/6. Provenance: Dr. phil. Ole Hammer. Acquired by the previous owner at Ovenlyssalen, Frederiksberg, April 1951, for dkr. 371,25. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

17 9 9 CD ASGER JORN b. 1914, d "Une nuit d'éte", Signed Jorn. Oil on canvas. 54 x 65 cm. Literature: Guy Atkins: "Asger Jorn. The Final Years ", no Provenance: Galerie Rive Gauche, Paris. Provenance: Mr. Argyris, Stuttgart. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

18 MODERN CD KAREL APPEL b. 1921, d Composition. Signed Appel 83. Acrylic on canvas. 77 x 57 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

19 11 11 CD ASGER JORN b. 1914, d Composition. Signed Jorn 50. On the reverse: Composition. Watercolour on paper. Visible size 49 x 38,5 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

20 MODERN 12 CD ASGER JORN b. 1914, d "La colline enchantée". Signed Jorn and on the reverse Jorn 57. Oil on canvas. 146 x 114 cm. Literature: Guy Atkins: Asger Jorn. The Crucial Years , no is the year Jorn settles in Italy after having bought a dilapidated house on the hillside near Albisola, and the year he introduces the Situationist International movement together with Guy Debord. At the same time he establishes commercial contacts with the German businessman Otto van de Loo and his gallery in Munich, which was later to play an important role in the international dissemination of Jorn s art. In his paintings from this period, Jorn allows himself to be influenced by the new current, which under the name of Tachism was on the go in European art and which implied a dissolution of the painting s figuration in material elements. The term Tachism was coined by the French critic Michel Tapié, in relation to a style of painting with irregular and spontaneous spots on the canvas (the French word tache meaning spot). The European Tachism is clearly related to the American Abstract Expressionism and especially to Jackson Pollock s Action painting without showing quite the same unrestrained wildness and aggression though. In his Tachism-inspired paintings, Jorn, in fact, kept a clear drawing and figuration despite the pronounced importance to the material. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

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22 MODERN CD KAREL APPEL b. 1921, d Composition. Signed Appel. Acrylic on paper. Visible size 57 x 36 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

23 14 14 CD ANTON ROOSKENS b. 1906, d Composition. Signed Rooskens 68 and on the reverse A. Rooskens No Oil on canvas. 50 x 60 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

24 MODERN 15 CD ROBERT JACOBSEN b. 1912, d "Totem pole", Carved wood with traces of the original paint. H Provenance: The "Totem pole" originates from Elna Fonnesbech- Sandbergs country cottage in Tibirke, North Zealand. Originally it was an upright carrying the pendent roof. It took Robert Jacobsen two days to carve the figure. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

25 16 16 CD ASGER JORN b. 1914, d Birds and fantasy animals, c Unsigned. Oil on insulite. 61 x 48 cm. Literature: Guy Atkins: Jorn in Scandinavia , no. 714, reprod. p Exhibited: "9 Malere", Touring exhibition of works by nine painters, Denmark, January 14 - April 18, 1955, cat. no. 37. Provenance: The Art Society, Esbjerg, Denmark. Provenance: Mr. Aage Lindberg, Sindal, Denmark. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

26 MODERN CD LUCEBERT b. 1924, d "In de perzische tuin- dochters van het morgenland". Signed Lucebert 88. Oil on canvas. 200 x 150 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

27 18 18 CD KAREL APPEL b. 1921, d "The rider", Signed Appel. Oil on canvas. 224 x 139 cm. Exhibited: "Karel Appel", Galerie Beyeler, Basel, 1988, cat. no. 38. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

28 MODERN 19 CD CORNEILLE b Woman and bird. Signed Corneille '77. Acrylic on lithograph. 65 x 50 cm. DKK / CD BENGT LINDSTRÖM b "Et Överfall". Signed Lindström and on the reverse 26/75, No. 12. Oil on canvas. 60 x 73 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

29 21 CD KAREL APPEL b. 1921, d Visage. Signed Appel. Acrylic on paper mounted on canvas. 33 x 29 cm. DKK / CD ANTON ROOSKENS b. 1906, d "Figure and Animal (No. 534)". Signed Rooskens 73. Acrylic on canvas. 50 x 61 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

30 MODERN CD CARL-HENNING PEDERSEN b. 1913, d Fantasy Animals, c Unsigned. Watercolour and crayon on cardboard. Visible size 50 x 69 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

31 24 24 CD ASGER JORN b. 1914, d Composition, Signed Jorn. Oil on canvas laid down on board. 25 x 35 cm. Literature: Guy Atkins: Jorn in Scandinavia , no. 503, reprod. p Provenance: Mrs. Kirsten Lyngborg, Copenhagen (from the artist). DKK / BRUUN RASMUSSEN BREDGADE AUKTION

32 MODERN CD MOGENS BALLE b. 1921, d AND CHRISTIAN DOTREMONT b. 1922, d Composition. Signed MB and CD. Oil on canvas. 115 x 146 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

33 26 26 CD PIERRE ALECHINSKY b "Arbre de Tradition". Signed Alechinsky and on the reverse Alechinsky N.Y Acrylic on paper mounted on canvas. 100 x 77 cm. Provenance: Gallery Lefebre, New York. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

34 MODERN CD ANTON ROOSKENS b. 1906, d Composition. Signed A. Rooskens. Gouache on paper. Visible size 30 x 33 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

35 28 CD ASGER JORN b. 1914, d Painted door. Signed Jorn 65 with dedication to Alistair and Julia. Oil on door. 197 x 75 cm. Provenance: Alistair and Julia Lawsons home. Acquired from the family by the present owner. Asger Jorn was a friend of the Lawson family and during a stay in England he painted the bathroom door as a gesture to the family. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

36 MODERN CD KNUD NIELSEN b "Massakre". Sign. Knud N. 89. Acrylic on canvas. 140 x 136 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

37 30 30 CD MOGENS ANDERSEN b. 1916, d Composition, c Signed Mogens Andersen and on the reverse M. A. Oil on canvas. 130 x 97. Exhibited: FIAC Exhibited: Nordjyllands Kunstmuseum. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

38 MODERN CD THORVALDUR SKULASON b. 1906, d Composition. Signed on the reverse monogram Oil on canvas. 100 x 79 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

39 32 32 CD PREBEN HORNUNG b. 1919, d Composition, c Signed Hornung. Oil on canvas. 226 x 147 cm. The painting is a monumental version of a smaller composition dated 1951 (112 x 79 cm.) which was included in the Linien II exhibition at Den Frie, Copenhagen, August- September The smaller version was also part of the exhibition "Preben Hornung - Billeder. Maleri og tegning ", Aarhus Kunstmuseum and Kunstforeningen Gl. Strand, , cat. nr. 10, reprod. pl. 6, p. 71 in the catalogue. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

40 MODERN CD JEAN DEWASNE b. 1921, d "Idylle à coups de canons". Signed J. Dewasne X 48. Oil on canvas. 64 x 91 cm. Exhibited: "Linien II", Statens Museum for Kunst, Copenhagen, October 1 - December 4, 1988, cat. no Exhibited: "Linien II", Esbjerg Kunstforenings samling, Esbjerg, January 14 - March 12, 1989, cat. no Provenance: Galerie Birch, Copenhagen, January DKK / CD JOSÉ LUIS SANCHEZ b. Almansa, Spain, 1926 Sculpture. Signed José Luis Sanchez, 1/3. Patinated bronze. 67 x 60 x 30 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

41 35 35 CD RICHARD MORTENSEN b. 1910, d "Billede i gult lys". Signed on the reverse R. M Oil on canvas. 81 x 100 cm. Exhibited: "Richard Mortensen", Lien, Slettestrand Kunstcenter, 1967, cat. no. 11. Literature: Jan Würtz Frandsen: Richard Mortensen. Ting og Tegn, fig. 143, reprod DKK / BRUUN RASMUSSEN BREDGADE AUKTION

42 MODERN ESAIAS THORÉN b. Halmstad, Sweden 1901, d "Fiskar". Signed E. Thorén Oil on masonite. 47 x 55 cm. Provenance: Dr. G. Lindvall, Södertälje, Sweden. DKK / CD WILLIAM FRIDERICIA b. 1909, d Composition. Signed William Fridericia 50. Oil on canvas. 140 x 175 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

43 38 38 CD PABLO PICASSO b. 1881, d "L aubade, avec femme dans un fauteuil", Signed Picasso, 22/50. Linocut in colours. Visible size 58,5 x 68,5 cm. Literature: Bloch no Literature: Baer no.1232, II état, B a. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

44 MODERN 39 CD CHU TEH-CHUN b. Jiangsu, China 1920 Composition. Signed Chu Teh-Chun (and in Chinese) and on the reverse Chu Teh-Chun, No. 16, 1959 (and in Chinese). Oil on canvas. 130 x 80 cm. Provenance: Galerie H. Le Gendre, 31 rue Guénégaud, Paris. Born in the province of Jiangsu, China in 1920, Chu Teh-Chun graduated from the National Academy of Arts in Hangzhou in He was appointed assistant professor at the Hangzhou Academy and later taught painting in Nanjing and in Taiwan, before moving to Paris in He later obtained French citizenship in In Paris he became part of the young Parisian art scene, exhibiting widely at salons and galleries, among these the Galerie Le Gendre with whom he signed a six-year contract in During the late '50s Chu Teh-Chun moved away from the academic realm, rediscovering the spiritual source in Chinese painting and by this created his very own personal idiom. His poetic works and landscapes in particular seem to be springing intuitively from the artist's mind rather than being based on direct observations. Chu Teh-Chun's work has been exhibited internationally in France, the United States, Taiwan and in China. He has received numerous recognitions for his work and was elected member of l'académie des Beaux-Arts in DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

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46 MODERN YAN YU b. Heilongjiang Province, China, 1964 "Smoker". Signed Yan Yu Acrylic, gold and tobacco on canvas. 180 x 90 cm. In this depicion of Yan Yu's chosen subject, the smoker, the sensation is curiously positive. The use of gold as background suggests prosperity which the tobacco on the canvas parallels as a kind of currency. The danger of the material wealth leading to disease is known but ignored in favour of living life to the full. In this way the painting becomes a celebration of life and the artist's achievement. It seems to say: "Yes smoking kills, but I am going to enjoy this one right now". Yan Yu lives and works in the artist village of Song Zhuang near Beijing. Yan Yu studied painting at the Normal University of Ha'erbing and completed graduate courses at Central Academy of Fine Arts in DKK / YAN YU b. Heilongjiang Province, China, 1964 "Non-Smoker". Signed Yan Yu. Acrylic on canvas. 180 x 90 cm. In this fictional portrait of a lady we see all the usual elements of Yan Yu's smoker portraits. The yellow skin complexion, the quinced eye which appears to have been touched by smoke and the brightly coloured background which can be associated with Chinese medication. She is however without a cigarette. It is mysteriously missing from the portrait. Even the slightly open lips of the subject is suggesting a dangling cigarette. This painting is from the period when Yan Yu started enjoying success and recognition as an artist. The cigarette, which has become a main identification point, in it's absence on the canvas can be seen as a cheerful take on an art world which expects the cigarette - pointing also to the self confident artist who takes it away. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

47 42 42 HIROSHI SUGIMOTO b. Tokyo, Japan, 1948 "Centinela Drive-In, Los Angeles". Numbered in the print 1/25, 707 and on the reverse sticker SUG-707. Photograph. Visible size 43 x 54,5 cm. Provenance: Galleri Faurschou, Copenhagen. Provenance: Sonnabend Gallery, New York. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

48 MODERN Property of a Scandinavian Collector Lot JOHN KACERE b. Walker, Iowa, USA,1920, d Female torso. Signed on the reverse John Kacere 69. Oil on canvas. 121 x 119 cm. Provenance: Scandinavian Private Collection. Before moving to a realistic style around 1963 John Kacere was an abstract painter. Since then, he concentrated almost solely on the subject of woman and today is regarded one of the major photo-realists or hyper-realists in American art. While enrolled in the army and stationed in California during the World War II years Kacere began studying the work of modern European painters such as Picasso, Miro, Klee and Matisse. Upon leaving the army he studied Fine Arts at the University of Iowa. From the 1950's and onwards he performed as a teacher at several art schools: University of Florida, the Rhode Island School of Design, New York University and the Parsons School of Design in New York City among others. Despite some criticism from feminists, some of whom have labelled his work sexist, Kacere has continued to explore the female body in his paintings. "Woman is the source of all life, the source of regeneration," he has said. "My work praises that aspect of womanhood." The painting offered for sale is dated the year Kacere started painting his pictures of women. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

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50 MODERN 44 ED RUSCHA b. Omaha, Nebraska USA,1937 "Four sheets stained with egg white". Sign. E. Ruscha Gunpowder and egg white on paper. Sheet size 58,5 x 73,5 cm. Provenance: Leo Castelli, 4 East 77th, New York. Sticker on the reverse numbered D-144. Provenance: Scandinavian Private Collection. During the last 40 years Ed Ruscha has been a prominent figure in American contemporary art. Originally Ruscha was identified with the Pop Art of California where depictions of gas stations and Hollywood logos were the central parts. But parallel to his fascination of pop culture Ruscha had a deep respect for the surrealist artists. The surrealist art developing during the 1920s and 1930s, built upon pure imagination, experiments and phenomena that were disturbing the conventional concept of art. Artists such as Marcel Duchamp and Man Ray were later to become important models for Ed Ruscha: I became aware of Marcel Duchamp s work... and I liked the work of Man Ray. I think those artists had a strong effect on me. Like Man Ray, Ed Ruscha was deeply fascinated by the photographic element. Man Ray constructed surrealistic arrangements, which he documented by means of the photography. He depicted elements from everyday life put together in an obscure context such as an apple placed next to a screw. Like Man Ray s obscure mixing of familiar objects, you see Ed Ruscha working in the same direction. In the three paintings offered for sale: Sheet stained with rose petal ; Suspended paper stained with iodine ; and Four sheets stained with egg white, the inspiration from surrealist art is evident. The unconventional mix of materials like fouling that has been dabbed carefully on to the paper with a cotton puff mixed with rose petals, iodine and egg white, forces the viewer to wonder. Wonder about the mix of materials and the true meaning of that. Likewise you see the sheets floating in the air like in Magritte s surrealistic works containing various flying objects, a compositional dodge adding to the viewer s astonishment. As Ed Ruscha says: Art has to be something that makes you scratch your head DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

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52 MODERN 45 ALEX KATZ b. Brooklyn, New York, 1927 "Beige Ada", Unsigned. Oil on canvas. 127 x 122 cm. Provenance: Marlborough Fine Art Ltd., London. Provenance: Scandinavian Private Collection. Alex Katz is one of the most prominent American figurative painters in the generation of Pop Artists and Realists immediately following the Abstract Expressionists. Since the late 1950s Katz has developed his own personal imagery often portraits of his friends and family or scenes from everyday life depicted in a way that renders a feeling of presence, that seems artless and straightforward and yet at the same time highly simplified, stylized and superficial. Throughout his career, Alex Katz has especially been inspired by advertising and billboards, and he has deliberately been striving to achieve clarity and a visual impact that would be able to compete with that kind of aesthetics. The artist himself has said that during his career he has been focusing on finding his very own big style in painting, which he considers much more important than the depicted motif in itself: I like the style to be the content. One motif or should we say one person occupies however a very special place in the artist s works: his wife Ada whom he has portrayed consistently for more than 50 years without revealing however anything deeper on her personality. Robert Storr writes on the Ada portraits: "How little we know about her after all. That is her job. To keep us guessing (...). We - the viewers - enter into this compact of infinitely deferred intimacy without hesitation. We are beckoned and respond, only to be stopped tantalizingly short of the threshold of total visual possession by qualities of abstraction that are as difficult to grasp on their own as the person they incompletely constitute. This is not true for the artist who has applied all of his craft to contrive this presence and, while knowing his subject well, tells no more about her than (...) necessary to conjure her into existence". The artist is widely represented at museums in the United States of America, including The Museum of Modern Art, New York, and at The Tate Gallery, London as well. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

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54 MODERN ED RUSCHA b. Omaha, Nebraska USA,1937 "Suspended paper stained with iodine". Sign. E. Ruscha Gunpowder, pastel and iodine on paper. Sheet size 25 x 69 cm. Exhibited: "11 Los Angeles Artists", Arts Council of Great Britain, London 1971, cat. no. 65. Provenance: Leo Castelli, 4 East 77th, New York. Sticker on the reverse numbered D-106. Provenance: Scandinavian Private Collection. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

55 47 47 ED RUSCHA b. Omaha, Nebraska USA,1937 "Sheet stained with rose petal". Sign. E. Ruscha Gunpowder and rose petal. Sheet size 29 x 74. Provenance: Leo Castelli, 4 East 77th, New York. Sticker on the reverse numbered D-138. Provenance: Scandinavian Private Collection. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

56 MODERN 48 CD GERHARD RICHTER b. Dresden, Germany, 1932 Red-Yellow-Blue (no. 38). Signed on the reverse Richter 73. Oil on canvas. 26 x 53,5 cm. Literature: Catalogue Raisonné , cat. no Provenance: Scandinavian Private Collection. In his artistic work the German artist Gerhard Richter covers a wide field ranging from an early photorealism to abstract paintings and severe minimalist expressions. In his paintings, tense energy exists between the depicted everyday life and the very topicality of the painting. To Richter the process of painting and the painting as a material are two very important factors. The artist s various expressions differ widely in some ways, and yet they are also connected as part of an inevitable pictorial development. His early use of photos, private as well as public, has provided the background for his work and the way he reflects the perceived reality on the canvas. He subsequently blurs the painting either by means of a brush or by his very own technique with a rubber scraper. This blurring of the picture emphasizes both the painting s photographic background and the consciousness of the artist s involvement. In his abstract paintings, Richter continues this way of constructing a picture with several layers and meanings. Richter s development towards the abstract painting really accelerated when he evolved his Colour Charts. Based upon the three primary colours; red, blue and yellow together with black and white, Richter created his Colour Charts containing up to 1024 various hues. The way in which only three colours can grow into a universe of colours is evident in the present painting "Red-Yellow-Blue (no. 38)", created in The work is part of a series of 100 small works that can each be seen as an individual painting. His use of broad brush strokes emphasizes the picture s tactility and at the same time, layers are ripped from the painting s surface showing the areas behind. This abstract way of painting can thus be regarded as a natural development from the early photorealism. Both the abstract painting and the photorealism want to represent life around us by emphasizing and at the same time blurring the space and by uncovering the layers behind. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

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58 MODERN CD ROBERT JACOBSEN b. 1912, d "Non-Violence", Unsigned. Patinated iron mounted on wooden board. H. 25. W. 31. D. 15 cm. Exhibited: "Robert Jacobsen", Cisternerne i Søndermarken and Frederiksberg Slot, May 1 - June , cat. no. 31, reprod. p. 27 in the catalogue. Provenance: Galerie Moderne, Silkeborg. DKK / CD PER KIRKEBY b "Herbst-Baum III". Signed on the reverse Per Kirkeby Oil on canvas. 200 x 130 cm. Exhibited: "Panorama Per Kirkeby", Aarhus Kunstmuseum, August 29 - November , cat. no. 159 (erroneously dated 1984 in the catalogue). Provenance: Galleri Susanne Ottesen, Copenhagen. In the catalogue for the Panorama-exhibition at Aarhus Kunstmuseum director Jens Erik Sørensen writes about Per Kirkebys paintings from the mid 1980's: "With the blue pictures, we are in the midst of a new nature. Not expressive representations of the nature we know, but rather pictures from Kirkeby's inner landscapes. As fundamentally has always been the case, for which reason any attempt at interpretation is undertaken at the risk of ending in various blind alleys. As Peter Schjeldahl has put it very precisely, an analysis of Per Kirkeby's painting is like 'trying to shovel sand with a hayfork'. And, he says, there is no other artist who 'in such direct and primitive way makes the wiever responsible for his own reaction'. These are open, Romantic pictures, which to a high degree appeal to the emotions, and to which we find our personal and widely differing approaches". DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

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60 MODERN RÓMULO MACCIÓ b. Buenos Aires 1931 "Senales". Signed Macció 64 and on the reverse Rómulo Macció Oil on masonite. 173 x 125 cm. Provenance: Galerie Schoeller, Paris. Provenance: Galerie Birch, Copenhagen. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

61 52 52 CD MEHMED MELIH DEVRIM NÉJAD b. Istambul, 1923, d "Claire de Lune sur Paris de Montmartre". Signed Néjad 7/59 and on the reverse Néjad. Oil on canvas. 97 x 194 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

62 MODERN CD KURT TRAMPEDACH b "Chilardicoborda Sara". Signed Trampedach Mixed media on board. 50 x 63 cm. Provenance: Acquired directly from the artist. According to the artist the present painting is a so called bedroom painting, meaning that he painted the picture in his own bedroom in the above mentioned period. DKK / CD KURT TRAMPEDACH b Portrait. Signed Kurt Trampedach Oil on paper mounted on canvas. 79 x 57 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

63 55 55 CD MIMMO ROTELLA b. Catanzaro, Italy, 1918 Composition. Sign. Rotella 62 and on the reverse Rotella. Décollage. Visible size 36 x 37 cm. Provenance: Tytte Edgar Funck. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

64 MODERN CD WALASSE TING b. Shanghai, China,1929 Composition with women and flowers. Signed with artist s red stamp. Watercolour on paper. 47 x 59 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

65 57 57 CD NIKI DE SAINT-PHALLE b. Neuilly-sur-Seine, France, 1930, d "California Nana", Stamped with the signature Niki de Saint Phalle, 3/150. Stamped with the foundry mark Haligon. Acrylic on polyester resin. H. 33 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

66 MODERN CD MEHMED MELIH DEVRIM NÉJAD b. Istambul, 1923, d Composition. Signed Néjad 57 New York. Oil on canvas. 73 x 60 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

67 59 59 CD MEHMED MELIH DEVRIM NÉJAD b. Istambul, 1923, d "Paysage d'hamlet". Signed Néjad 61 and on the reverse Néjad Copenhagen 1/61. Oil on canvas. 73 x 92 cm. DKK / CD MICHEL MAJERUS b. Esch-sur-Alzette, Luxembourg1967, d Composition. Signed on the reverse Majerus 99. Acrylic on canvas. 60 x 60 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

68 MODERN 61 CD ROBERT JACOBSEN b. 1912, d "Le Destructeur Camoufle". Signed on the reverse Rob. Jacobsen Relief. Iron mounted on board. 76 x 42 cm. Literature: Ejner Johansen: "Robert Jacobsen- nye relieffer", Copenhagen, 1964, reprod. as no. XVI. Litteratur: Ernst Mentze: "Robert Jacobsen - En dansk kunstner i fremmed milieu", Berlingske Forlag, 1961, reprod. p Provenance: Galerie Birch, Copenhagen, Provenance: Formerly in the artist's own collection. DKK / CD SALVADOR DALI b. 1904, d "Homage to Terpsichore". Sign. Dali, 215/350. Stamped with foundry mark, Perseo, Switzerland. Gold and green patinated bronze. H. 70,5 cm. Conceived in First cast was made in 1984 in an edition of 350 plus 35 artist proofs. Certificate enclosed. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

69 63 63 CD KURT TRAMPEDACH b "Siddende figur". Signed KT 83. Oil on canvas. 210 x 170 cm. Literature: Mikael Wivel: "Kurt Trampedach", Copenhagen 2001, cat. no. 122, reprod. p DKK / BRUUN RASMUSSEN BREDGADE AUKTION

70 MODERN 65 CD PER KIRKEBY b "Ohne Titel (Maria mit Kind)", Unsigned. Oil on canvas. 200 x 130 cm. Registrated by Galerie Michael Werner, Köln, Archiv No. PK 57. Exhibited: La Biennale di Venezia, July 1 - September 28, Provenance: Private Collection, Germany. 64 CD TADEUSZ KANTOR 64 b. Vëlopolí, Poland 1915, d. Kraków 1990 Composition. Signed Kantor. Oil on board. 101 x 70 cm. DKK / A common central theme in Per Kirkeby s paintings from the 1980s is the tension between figuration and abstraction. The underlying motif and the recognizable quality of former times seem, at this point, to completely fade away in non-objects and pictorial gesture. Yet at the same time the paintings always seem to keep a relation to the impression or the motif that made the artist start creating. In 1984 Per Kirkeby said: Paintings never arise from nothing, nor abstract paintings. In Kunsthallen Brandts in Odense, Kunsthalle Zu Kiel and Henie Onstad Kunstsenter in Oslo devoted an exhibition to the examination of the figurative aspect in the production of Per Kirkeby in the 1980s. In the exhibition catalogue Dörte Zbikowski writes: In the paintings that at first seem to be abstract paintings, recognisable motifs can gradually emerge figure, trunk, landscape. They can hardly be disengaged though from the tense interaction with the painting. The colour spots, are they really figures? What the inexperienced viewer will read of the play of colours in this style of painting free of gestures and in the way, in which Kirkeby renders the figure, remains contradictory. (...) The essential thing is that the abstraction of Kirkeby is rooted in the figurative, that he sees content and pictorial realization as one indivisible unity. In the present painting, especially the title helps the eye. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

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72 MODERN CD PETER BRANDES b Composition. Signed on the reverse P. Brandes Oil on paper mounted on canvas. 174 x 224 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

73 67 67 CD MAJA LISA ENGELHARDT b "Sø". Sign. MLE 97 and on the reverse Maja Lisa Engelhardt Paris Oil on canvas. 230 x 405 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

74 MODERN CD ROBERT JACOBSEN b. 1912, d Composition, drip painting. Signed Robert Jacobsen. Acrylic on canvas. 200 x 120 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

75 69 69 SAM FRANCIS b. San Mateo, California, 1923, d Composition. Stamp on the reverse from the estate of the deceased artist: "The Sam Francis Estate". Acrylic on canvas. 18 x 14 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

76 MODERN CD KURT TRAMPEDACH b Portraits. Signed Kurt Trampedach Watercolour, pastel and pencil on paper. 151 x 122 cm. Provenance: Scandinavian Private Collection DKK / CD ROBERT JACOBSEN b. 1912, d Personnage. Double signed on the reverse Rob. Jacobsen, c Iron mounted on board. Board painted in blue and red colours. H. figure 124 cm. Total 173 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

77 72 72 CD KURT TRAMPEDACH b "Anette". Unsigned. Oil on canvas. 170 x 200 cm. Provenance: Scandinavian Private Collection. Acquired directly from the artist. With his dark toned mysterious paintings depicting animals and human beings, Kurt Trampedach has taken up a central position on the figurative Danish art scene. Trampedach's paintings are realistic and expressive - modern and yet at the same time seemingly referring to the art of primitive tribes. Since the early 1960s and until the 1980s, Trampedach's own portrait was often depicted in the paintings. Subsequently, he changed his subject matter and imagery, introducing children, animals and women. The present painting, "Anette", is Trampedach's depiction of a woman. "Anette" is seen in a reclining position surrounded by a dark space. The dark space, enveloping the woman in her twisted posture, is a way for the artist to define the mental state of the woman. Trampedach's depictions of himself and of others should be seen as psychological and mental depictions rather than typical portraits and self-portraits. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

78 MODERN CD ARNE HAUGEN SØRENSEN b Composition. Signed Sørensen 86. Oil on canvas. 195 x 195 cm. Exhibited: Progetta, Venezia 1986, cat no DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

79 74 74 CD WALASSE TING b. Shanghai, China,1929 Women and cat. Signed with artist s red stamp. Gouache on paper. Sheet size 89 x 96 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

80 MODERN CD POUL ANKER BECH b "Var det Huldren, jeg så den vinter?". Signed Bech and on the reverse P. A. Bech Oil on canvas. 84 x 94 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

81 76 76 CD ARNE HAUGEN SØRENSEN b "Den udvalgte". Signed Sørensen 86. Oil on canvas. 195 x 146 cm. Literature: An other version of this motif, executed in watercolour on paper, is reproduced on the cover of Peder Svejgaard Pedersen a. o. (ed.): "Arne Haugen Sørensen - Hænder", Copenhagen Literature: Ole Lindboe: "Skønheden & Udyret. 12 historier om Arne Haugen Sørensen", Copenhagen 2002, reprod. p. 27. Exhibited: Charlottenborg, Copenhagen, February 16 - March 22, 1987, cat. no. 31, reprod. p. 245 in the catalogue. Exhibited: "Danske Facetter", Museo de Arte, Sao Paulo, May 7-31, DKK / BRUUN RASMUSSEN BREDGADE AUKTION

82 MODERN CD KURT TRAMPEDACH b "To drenge", Mixed media. H. 65. L D. 100 cm. Literature: Mikael Wivel: "Kurt Trampedach", Copenhagen 2001, cat. no. 115, reprod. p DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

83 78 78 CD KURT TRAMPEDACH b Walking man, self portrait. Signed Kurt Trampedach 74. Oil on canvas with sewings and rings for mounting. Not mounted on stretcher. 243 x 290 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

84 MODERN CD ANETTE HARBOE FLENSBURG b Night at Vesterbro. Signed on the reverse Annette Harboe Flensburg. Oil on canvas. 120 x 180 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

85 80 80 CD MICHAEL KVIUM b "Titelløst billede". Signed on the reverse Kvium 90. Oil on canvas. 140 x 210 cm. Provenance: Galleri Franz Pedersen, Horsens, Denmark. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

86 MODERN CD IVAN ANDERSEN b "Parking". Signed on the reverse Ivan Andersen Oil on canvas. 170 x 200 cm. In his paintings, Ivan Andersen is working with elements from everyday life surroundings; parking grounds, large shopping centres and avenues. In a way he is working with elements that every beholder can relate to and recognize but at the same time, he is turning the elements upside down, changing the structures as we know them. In the present painting in which a highway appears to be floating freely alongside an apartment house, Andersen is questioning the very world of theatre wings that surrounds us. He is emphasizing that everything can be detached from its usual place and moved about. In this way the artist is forcing the beholder to analyze his everyday life as he knows it, questioning whether or not our everyday life is just a theatre wing. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

87 82 82 CD TAL R b "En drøm eller noget jeg ikke husker". Signed monogram T and on the reverse Tal R 96. Oil on canvas. 170 x 140 cm. Provenance: Galerie Mikael Andersen, Copenhagen. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

88 MODERN CD HANS HENRIK LERFELDT b. 1946, d Reclinig woman. Signed Lerfeldt 80. Watercolour and gouache on paper. Sheet size 30 x 45 cm. Exhibited: Sønderjyllands Kunstmuseum, Tønder, March 30 - April 28, Exhibited: Kunstforeningen, Copenhagen, 1990, cat. no. 63. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

89 84 84 CD THOMAS KLUGE b "På et gulv III". Signed on the reverse Kluge 17/ Oil on canvas. 84 x 84 cm. Literature: Torben Weirup: "Under Baretten - En fortælling om Thomas Kluge maleri, Copenhagen 2002", mentioned and reprod. p.75. Lise and Louise Svanholm describe one of the paintings in this series in the book Danish Portraits : A human being is lying on the floor, dead or alive, with eyes wide open. The impressive and manneristic artistic effects are the stage lighting and the foreshortened body lying on the floor with the head closest to the beholder. The human nature has been made artificial in a grotesque utilization of the depictions in the history of art of Christ after the descent from the cross. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

90 MODERN 85 CD MICHAEL KVIUM b "Bloody talk". Signed on the reverse Kvium 95. Oil on canvas. 110 x 125 cm. Provenance: Franz Pedersens Kunsthandel, Horsens. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

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92 MODERN 86 CD ODD NERDRUM b. Helsingborg, Sweden, 1944 "The Night Guard", Signed on the reverse Nerdrum and on the edge of the canvas Nerdrum. Oil on canvas. 265 x 336 cm. Literature: Jan-Erik Ebbestad Hansen: "Odd Nerdrum", Oslo 1994, reprod. p Literature: Jan-Erik Ebbestad Hansen: "Fenomenet Nerdrum", Oslo 1996, reprod. p. 141, mentioned p Literature: Jan Åke Pettersson: "Odd Nerdrum- Storytelller and self-revealer", Oslo 1998, reprod. as no. 30, mentioned p. 70: "The black leather helmet, which covers the head of the uncommunicatively gaping Night Guard, is an attribute of amore general significance. The helmet was taken from Nerdrum's vivid childhood image of a mentally retarted messenger boy riding a moped. And it was in reference to the status given to such mentally dificient and outcast individuals in our society that he commented on the appearance of his figures at the time: "the weak individual is the salvation of mankind. The aberrant is the night guard of the world. Nerdrum also strove to achieve a basic, archetypal quality in the use of signifying elements in his compositions. The Night Guard has been surrounded by the peaceful sleepers as a collection of unidentifiable, bundled bodies, swaddled in animal hides and natural fabrics. Only the foreground figures stand out with their feet almost protruding from the canvas, creating the strong impression of tangible physical presence, so typical of Nerdrums paintings". Literature: Richard Vine: "Odd Nerdrum. Paintings, sketches and drawings", Oslo 2001, reprod. p Exhibited: Martina Hamilton Fine Art Inc., New York, Provenance: American Private Collection. Provenance: Milwaukee Museum of Fine Art, Wisconsin (extended loan). Provenance: North Carolina Museum of Art, Raleigh (extended loan). Provenance: American Private Collection. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

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94 MODERN CD HANS HENRIK LERFELDT b. 1946, d "Punk Model". Signed Lerfeldt 86. Watercolour and gouache on paper. Visible size 65 x 48 cm. Provenance: Galerie Asbæk, Copenhagen. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

95 88 88 CD MICHAEL KVIUM b "Eksperimentalbillede". Signed on the reverse Kvium 92. Oil on canvas. 120 x 150 cm. Literature: Luise Faurschou (ed.): "Kvium", Galleri Faurschou, Copenhagen 1995, reprod. p. 75. Provenance: Galleri Faurschou, Copenhagen. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

96 MODERN 89 HA SHIYOU b. Gansu, China, 1967 "You can't reach the itch". Sign. Ha ShiYou 03. Akryl på lærred. 150 x 120. The title reflects the Chinese saying: "Zhua bu dao yang chu". Provenance: IN Art Gallery, Singapore. Ha ShiYou graduated from the Hebei Academy of Art in Since 2001 the artist has been living and working in the artist village of Song Zhuang close to Beijing. DKK / CD BJARNE MELGAARD b Composition, Signed Bjarne Melgaard. Embroidery on fabric. 65 x 65 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

97 91 91 CD MARTIN BIGUM b "Ophelia" from the series "Literary Body". Signed on the reverse Martin Bigum Acrylic on canvas. 180 x 140 cm. Exhibited: "The Adventures of Art", Kunsthallen Brandts Klædefabrik, June 28 - August 24, 1997; Herning Kunstmuseum, September 5 - November 2, 1997; Randers Kunstmuseum, November 15, January 4, 1998; Portalen i Greve, January 17 - March 22, In a text on the series of paintings, which the present painting belongs to, Lars Morell writes: The dialogue with the literary has almost increased with this exhibition. Now they come, now they come. Around in the room they slid, the men in the long grey cowls with evil, glowing eye sockets above their heads, as Knud Sønderby writes in Midt i en Jazztid. Many of the paintings still depict art as walking through the world as a ghost, but now also as walking through world literature. One painting concerned with the latter shows the poet Henrik Nordbrandt as he washes his cloak in a stream (is it he who hides underneath the cowl of the Art-figures?), while Ophelia, which perhaps is the best painting in the exhibition, depicts the famous scene in which Hamlet s beloved, who, due to Polonius death goes mad out of despair, commits suicide by throwing herself into a river. Source: DKK / BRUUN RASMUSSEN BREDGADE AUKTION

98 MODERN CD ESKE KATH b "Love will tear us apart". Signed on the reverse EK Acrylic on canvas. 200 x 160 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

99 93 93 CD JOHN KØRNER b "U.t.". Signed on the reverse Kørner 00. Acrylic on canvas. 60 x 60 cm. John Kørner is one of our young colourists. His use of colours is intense and strong contributing to the viewer s immediate attraction. But Kørner s paintings are more than just riots of colours; they are commenting pictures that make commentaries on social problems. When he speaks of his paintings he does indeed make use of the word problems. Those problems are painted as spots on the canvas, small as well as large, and in this way the artist maintains the play between a familiar reality and surrealistic elements. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

100 MODERN CD MICHAEL KVIUM b "Portræt af en nyreligiøs". Signed on the reverse Kvium 85. Oil on canvas. 100 x 81 cm. Provenance: Danish private collection. The work has not previously been exhibited or offered for sale. In the years after 1984, the idiom of Michael Kvium changed decisively. After having painted motorcycle paintings and depictions of tattooed men and women, often painted in a super-realistic and sometimes pop-inspired style, the artist, by the beginning of 1985, moved towards the idiom that has become his distinctive feature. Confronted with the painting "Portræt af en nyreligiøs" (Portrait of a Neo-religious) in 2007, Michael Kvium writes: It is funny to see it again after so many years. I made quite a few portraits of states of mind at that time, with similar titles, as for example Portrait of a Suicide. It is the year of my graduation from the Academy where I am working in a studio in Vingårdsstræde in Copenhagen. Very simple pictures that are slowly leading me to more complex pictures in the following years, as for example A Kitchen Scene and The Dog Lover. I wanted to make the stories as simple and as clear as possible which wasn t exactly what you should do at that time. You know, it s always more fun to see what you can find in places where you shouldn t be. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

101 95 95 CD WALASSE TING b. Shanghai, China,1929 Women with fans and parrots. Signed with artist s red stamp. Watercolour on paper mounted on canvas. 72 x 112 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

102 MODERN CD KATHRINE ÆRTEBJERG b "Hjemme hos Birdie". Signed on the reverse Kathrine Ærtebjerg Oil on canvas. 90 x 100 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

103 97 97 CD KASPAR BONNÉN b Composition. Signed on the reverse Kaspar Bonnén Oil on canvas. 155 x 125 cm. Provenance: Galerie Mikael Andersen, Copenhagen. Since the mid 1990s the artist and writer Kaspar Bonnén has concerned himself with the depiction and exploration of spaces and spatialities. In his paintings, often based on his own home and private life, you will find multiple layers of spatialities in the shape of colourful silhouettes overlapping each other. In larger compositions, ordinary articles for everyday use and pieces of furniture are mixed together tending towards pure abstractions. For the artist, a space is not just a physical occurrence, but also and just as much a mental state of mind. In the article "Jeg vil være rum" ("I want to be space") from 2004, Bonnén writes: "Using simple forms, I try to create the illusion of spaces and a multiplicity of ways in which they can manifest themselves. In this way the paintings become a cross-section of, or an insight into, a mental process, or a description of the many possible spatial constitutions, such as when you sit in a room reading a text and are filled with the images of the story. At the same time, you might be thinking of your partner or about something you forgot to do today. Many different spaces and experiences pulse within the brain as electrical reverberations". Kaspar Bonnén is represented at Statens Museum for Kunst, ARoS Aarhus Kunstmuseum, Arken Museum of Modern Art and Sammlung Essl in Austria. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

104 MODERN 98 CD JOHN KØRNER b "Bicyclefactory". Signed on the reverse Kørner 04. Acrylic on canvas. 180 x 240 cm. Provenance: Galleri Christina Wilson, Copenhagen. John Kørner is one of our young colourists. His use of colours is intense and strong contributing to the viewer s immediate attraction. But Kørner s paintings are more than just riots of colours; they are commenting pictures that make commentaries on social problems. When he speaks of his paintings he does indeed make use of the word problems. Those problems are painted as spots on the canvas, small as well as large, and in this way the artist maintains the play between a familiar reality and surrealistic elements. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

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106 MODERN CD MICHAEL KVIUM b "Denk-mal". Signed on the reverse Kvium 90. Oil on canvas. 100 x 100 cm. Provenance: Franz Pedersens Kunsthandel, Horsens. DKK / CD KURT TRAMPEDACH b Portraits. Signed Kurt Trampedach Watercolour, crayon and pencil on paper. 152 x 121 cm. Provenance: Scandinavian Privat Collection. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

107 CD KURT TRAMPEDACH b "Model". Signed on the reverse Kurt Trampedach 69. Oil on canvas. 165 x 116 cm. Literature: Mikael Wivel: "Kurt Trampedach", Copenhagen 2001, cat. no. 23, reprod. p. 57. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

108 MODERN 102 CD RICHARD MORTENSEN f. 1910, d "Suite til Norge II". Signed verso Richard Mortensen Oil on canvas. 195 x 114 cm. Literature: Jan Würtz Frandsen: Richard Mortensen. Ting og tegn. II: Billeddel. repod. in colours, fig. 252, p Exhibited: "Richard Mortensen"- vandreudstilling, Trondhjems Kunstforening, Bergen Kunstforening, Oslo Kunstforening og Stavanger Kunstforening, , cat. no. 32. Exhibited: "Richard Mortensen - Gemälde, Wandteppiche, Reliefs, Graphik" - Ausstellung zur Kieler Woche, 1971, cat. no. 74. Exhibited: "Richard Mortensen - Malerier ", Aarhus Kunstmuseum, 1980, cat. no. 68. Exhibited: "Richard Mortensen - Malerier, et udvalg , Kunstforeningen, Copenhagen, 1985, cat. no. 39. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

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110 MODERN MICHAEL RAY CHARLES b. Lafayette, Louisiana, 1967 "Seeking liberty (Forever free)", Signed Michael Ray Charles 95. Acrylic latex, marble stain and Copper penny on paper. 152 x 91 cm. Provenance: Galerie Hans Meyer, Düsseldorf. Provenance: The Estate of Professor Jørgen Kastholm, Düsseldorf. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

111 CD FERRÁN GARCIA SEVILLA b. Palma de Mallorca, Spain, 1949 "Cien 45", Signed on the reverse Sevilla. Oil on canvas. 162 x 131 cm. Provenance: Gallery Asbæk, Copenhagen. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

112 MODERN CD KURT TRAMPEDACH b Portrait. Signed Kurt. Mixed media on paper mounted on canvas. 71 x 49 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

113 CD MICHAEL KVIUM b "Deep forest". Signed on the reverse Kvium 03. Oil on canvas. 32 x 66 cm. Provenance: Galleri Franz Pedersen, Horsens. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

114 MODERN 107 CD HANS HENRIK LERFELDT b. 1946, d "It's a blue world around us". Signed Lerfeldt 83. Watercolour and gouache on paper. Sheet size 45,5 x 31 cm. Literature: Hans Henrik Lerfeldt: "Blue World - og en samtale med Christian Kampmann", Copenhagen 1985, cat. no. 87, reprod. p Exhibited: Sønderjyllands Kunstmuseum, Tønder, March 30 - April 28, DKK / NOBUYOSHI ARAKI b. Tokyo, Japan,1940 A prostitute in ropes. Signed on the reverse Nobuyoshi Araki. Photograph in colours. Visible size 33,5 x 27 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

115 CD POUL ANKER BECH b "Aftenkorset". Signed Bech and on the reverse P. A. Bech Oil on canvas. 98 x 130 cm. DKK / CD SALVADOR DALI b. 1904, d "Unicorn". Signed Dali, 243/350. Stamped with foundry mark Perseo, Switzerland. Gold and green patinated bronze. H. 57 cm. Conceived in First cast was made in 1984 in an edition of 350 plus 35 artist proofs. Certificate enclosed. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

116 MODERN CD OLAFUR ELIASSON b Landscapes, Iceland, Two C-prints in one frame. Edition 30, 5/12 AP. Visible size 31,5 x 47,5 cm. Certificate enclosed. DKK / CD OLAFUR ELIASSON b "Landskabsserien". Signed on the reverse Olafur Eliasson 1997, E.A. Photograph in colours. 40 x 60 cm. DKK / BRUUN RASMUSSEN BREDGADE AUKTION 777

117 CD ANETTE HARBOE FLENSBURG b "Projekt stedet, I-III", Signed on the reverse Anette H. Flensburg. Triptych. Oil on canvas. Total 100 x 300 cm. DKK / CD MICHAEL KVIUM b "Simple language". Signed on the reverse Kvium 00. Oil on two canvases with the artist's fingerprint on one. 22 x 34 cm. Provenance: Galleri Faurschou, Copenhagen. Provenance: DCA Gallery, New York. DKK / BRUUN RASMUSSEN BREDGADE AUKTION

118 MODERN CD PETER MARTENSEN b "Spejlinger". Signed PM 86 and on the reverse P. Martensen 1/5 86. Triptych. Oil on canvas. Total 140 x 360 cm. Literature: Lisbeth Bonde: "Peter Martensen Solo", mentioned p. 52, reprod. p. 53. Exhibited: Galerie Gerly, Copenhagen, Exhibited: Den Frie, Group exhibition, Exhibited: Separate exhibition, Kunstbygningen Filosofgangen, Odense The painting was used as background for an interview with Peter Martensen in DR TV's cultural programme 'Kronhjorten' BRUUN RASMUSSEN BREDGADE AUKTION 777

119 In the book "Solo" Peter Martensen describes how the present painting became a turning point in his artistic career: I made my first almost 100 % monochrome picture in That is to say I used black and white with a touch of ultramarine to tone down the black and a little ochre to warm up the white. It was a large painting in three panels, a painting of a café that was created at the time when all those French-inspired cafés emerged in Copenhagen. When you walked past the cafés, you looked in through the window and at the same time saw the reflection mixed with images from indoors- indoors and outdoors met on the membrane of the window pane. I painted the picture on the strength of the feeling that there is an indoors and an outdoors that give rise to a confusion of opposites and collisions. I painted wet on wet - at one go, over three days. This picture points the way forward to much of what I do today." DKK / BRUUN RASMUSSEN BREDGADE AUKTION

120 i n d e x A Alechinsky, Pierre 26 Andersen, Ivan 81 Andersen, Mogens 30 Appel, Karel 4, 10, 13, 18, 21 Araki, Nobuyoshi 108 B Balle, Mogens 3, 25 Bech, Poul Anker 75, 109 Bigum, Martin 91 Bille, Ejler 2 Bonnén, Kaspar 97 Brandes, Peter 66 C Charles, Michael Ray 103 Chu Teh-Chun, 39 Corneille, 19 D Dali, Salvador 62, 110 Dewasne, Jean 33 Dotremont, Christian 25 E Eliasson, Olafur 111, 112 Engelhardt, Maja Lisa 67 F Flensburg, Anette Harboe 79, 113 Francis, Sam 69 Fridericia, William 37 g Garcia Sevilla, Ferrán 104 H Haugen Sørensen, Arne 73, 76 Heerup, Henry 5 Hornung, Preben 32 J Jacobsen, Egill 8 Jacobsen, Robert 15, 49, 61, 68, 71 Jorn, Asger 1, 9, 11 12, 16, 24, 28 K Kacere, John 43 Kantor, Tadeusz 64 Kath, Eske 92 Katz, Alex 45 Kirkeby, Per 50, 65 Kluge, Thomas 84 Kvium, Michael 80, 85, 88 94, 99, 106, 114 Kørner, John 93, 98 L Lerfeldt, Hans Henrik 83, 87, 107 Lindström, Bengt 20 Lucebert, 17 M Maccio, Romulo 51 Majerus, Michel 60 Martensen, Peter 115 Melgaard, Bjarne 90 Mortensen, Richard 35, 102 N Néjad, Mehmed Melih Devrim 52 58, 59 Nerdrum, Odd 86 Nielsen, Knud 29 P Pedersen, Carl-Henning 6, 7, 23 Picasso, Pablo 38 R Richter, Gerhard 48 Rooskens, Anton 14, 22, 27 Rotella, Mimmo 55 Ruscha, Ed 44, 46, 47 S Saint-Phalle, Niki de 57 Sanchez, José Luis 34 ShiYou, Ha 89 Skulason, Thorvaldur 31 Sugimoto, Hiroshi 42 T Tal R 82 Thorén, Esaias 36 Ting, Walasse 56, 74, 95 Trampedach, Kurt 53, 54, 63, 70, 72 77, 78, 100, 101, 105 Y Yu, Yan 40, 41 Æ Ærtebjerg, Kathrine BRUUN RASMUSSEN bredgade AUKTION 777

121 m o m s o g k u n s t n e r a f g i f t v at a n d c o p y- d a n i n f o r m at i o n standard auktionsomkostninger 25% - brugt moms 1. januar 1995 trådte nye love i kraft i EU vedrørende moms ved handel på auktion med brugte varer, kunstgenstande, samlerobjekter og antikviteter, der nu kan handles til brugt moms. Efter de nye regler er det kun auktionsomkostninger, der skal tillægges moms, og ikke som tidligere varens fulde pris. I auktionsomkostninger er indregnet ikke fradragsberettiget moms. Fuld moms * anvendes for visse varer som ikke kan handles i brugt moms. Disse er mærket med en stjerne *. Købere skal betale 20% i auktionsomkostninger, hvortil lægges 25% moms af hammerslaget og auktionsomkostningerne. Reducerede auktionsomkostninger 20% betales af købere der opfylder følgende betingelser: 1. Danske momsregistrerede købere kan vælge at betale 20% i auktionsomkostninger + 25% moms af hele (fuldmoms). Momsbeløbet kan køber modregne, og betaler derved 20% i auktionsomkostninger. 2. Momsregistrerede købere i andre EU-lande kan, ved at anvende deres EU-momsnr., undgå den danske moms og derved betale 20% i auktionsomkostninger. 3. Alle købere med bopæl i et land uden for EU, der opfylder de danske toldmyndigheders krav i forbindelse med eksport, betaler derved 20% i auktionsomkostninger (se købskonditioner, 3, Afgiftsfritagelse). Kunstnerafgift til Copy-dan CD Ifølge gældende dansk lovgivning om ophavsret, skal der opkræves 5% i kunstnerafgift af hammerslagsprisen med tillæg af auktionsomkostninger på 20% excl. afgift på værker af alle nyere danske og de fleste udenlandske kunstnere. Disse værker er mærket CD for Copy-Dan ud for katalognummeret. For nærmere information henvises til købskonditionerne. BUYER S STANDARD PREMIUM 25% AUCTIONEERS MARGIN SCHEME As of 1 January 1995 new EC regulations came into effect regarding the sale of secondhand goods, works of art, collector s items and antiques; these items may now be traded under the Auctioneers Margin Scheme. Under the Auctioneers Margin Scheme the premium only is subject to VAT, i.e. the hammer price is exempted from VAT. The buyer s premium of 25% will thus henceforth include non-refundable VAT. full vat * will be charged on goods that cannot be traded under the Auctioneers Margin Scheme. These lots are marked with an asterix *. The buyer pays the auction premium of 20% plus 25% vat on the hammer price as well as the buyer s premium. BUYER S REDUCED premium 20% is paid by buyers fulfilling the following terms/conditions: 1. Danish VAT registered buyers may choose to pay the 20% buyer s premium + 25% VAT on the total amount (Full VAT). The buyer may have the total VAT refunded and thus pays 20% in buyer s premium only. 2. VAT registered buyers in other EU countries may avoid Danish VAT by using their VAT registration number and thereby pay a buyer s premium of 20% only. 3. Residents of countries outside the EU meeting the Danish customs authorities requirements regarding the export of goods pay the buyer s premium of 20% only (see Conditions of Purchase 3, Exemption from VAT). Artists royalties payable to copy-dan CD Pursuant to current Danish legislation on copyright an artists royalty of 5% of the total price exclusive of VAT (i.e. hammer price plus buyer s premium 20%) shall be collected on works of modern art by all Danish and most foreign artists. These works are marked CD for Copy-Dan next to the lot number. For further information please refer to the Conditions of Purchase. Bankforbindelse Danske Bank Account IBAN DK Swift-BIC DABADKKK BRUUN RASMUSSEN bredgade AUKTION

122 k ø b s k o n d i t i o n e r 1. Budgivning Køber er den byder, der får hammerslag. Den, der byder for andre, hæfter som selvskyldnerkautionist for berigtigelsen af købet. På opfordring fra Bruun Rasmussen Kunstauktioner (herefter benævnt Bruun Rasmussen), skal alle bydere, hvadenten de ønsker at afgive et bud ved personligt fremmøde på auktionsstedet eller afgive en kommission pr. brev eller fax eller byde direkte pr. telefon, kunne dokumentere deres betalingsdygtighed samt til enhver tid identificere sig. Bruun Rasmussen er altid berettiget til at nægte at acceptere et bud, hvis på forlangende ikke tilstrækkelig sikkerhed er stillet eller en passende à conto betaling har fundet sted. Bud afgives af byderen ved personligt fremmøde på auktionsstedet eller ved skriftlig kommission. Afgivelse af bud pr. telefon er muligt under visse forudsætninger, der afgøres af Bruun Rasmussen. Bruun Rasmussen påtager sig intet ansvar for eventuelle fejl eller fejltagelser, der måtte opstå ved brug af denne service. Auktionarius bestemmer overbuddets størrelse og træffer ligeledes afgørelse i alle tvivlstilfælde om budgivningen. 2. Betaling For katalognumre, der handles til brugtmoms, opgøres købesummen som hammerslagsprisen med tillæg af 25% i auktionsomkostninger inklusive afgift. Visse katalognumre handles efter særlige regler til fuldmoms, så udover auktionsomkostninger på 20%, beregnes moms på 25% af hammerslag og auktionsomkostninger. Hvilke katalognumre der sælges til fuldmoms fremgår af kataloget med stjerne *. Danske momsregistrerede købere skal overfor os oplyse deres SE-/ CVR-nr. (moms-nr.), da dette skal anføres på de fakturaer, hvor varen købes i fuld moms. For visse udenlandske købere gælder der særlige regler for afgiftsfritagelse jvf. 3. Afgiftsfritagelse omfatter ikke EU private købere, som ligestilles med danske købere jvf. gældende dansk lovgivning om handel med brugte varer, kunstgenstande, samlerobjekter og antikviteter. Købesummen forfalder til betaling ved tilslaget. Der kan betales kontant op til DKK eller med Dankort, banknoteret check, rejsechecks, Visa-, Master-, Diners Club- eller Eurocard. Personlige udenlandske checks kan kun anvendes efter forudgående aftale. Betaling kan finde sted under eller umiddelbart efter auktionen og under alle omstændigheder skal betaling finde sted senest 8 dage efter fakturadatoen. Betales købesummen ikke rettidigt, skal der svares rente heraf med 1,5% pr. påbegyndt måned. Betales købesum og renter ikke inden 8 dage efter at Bruun Rasmussen har afsendt påkrav herom til køber, er Bruun Rasmussen berettiget til at annullere købet og bortsælge det købte på ny auktion hos Bruun Rasmussen eller underhånden og afkræve køber ethvert herved opstået tab. Et eventuelt overskud tilfalder den, der har indleveret det købte til auktion. Har den misligholdende køber tilgodehavender fra salg af effekter hos Bruun Rasmussen, er Bruun Rasmussen berettiget til at berigtige ethvert tilgodehavende hos køber ved modregning. Har den misligholdende køber indleveret andre effekter til salg, er Bruun Rasmussen berettiget til at bortsælge sådanne effekter på auktion hos Bruun Rasmussen uden at være bundet af en af den misligholdende køber fastsat mindstepris. Den misligholdende køber er ikke berettiget til at kræve udlevering af effekter indleveret til salg, så længe forfalden gæld til Bruun Rasmussen ikke er betalt, uanset om værdien af sådanne effekter må anses at overstige forfalden gæld. Bruun Rasmussen er berettiget til at afvise bud afgivet af en køber, der er i misligholdelse med sine betalingsforpligtelser over for Bruun Rasmussen eller et bud afgivet af en anden på den pågældendes vegne, ligesom Bruun Rasmussen er berettiget til at kræve et depositum som betingelse for accept af fremtidige bud. 3. Afgiftsfritagelse Udenlandske købere, der opfylder nedennævnte betingelser, betaler 20% i auktionsomkostninger af hammerslaget, og bliver ikke belastet af danske afgifter. A. Købere med bopæl i et andet EU-land: Købere, som er momsregistreret i et andet EU-land, fritages for at betale dansk moms, når momsregistreringen dokumenteres over for Bruun Rasmussen, som skal påføre momsnummeret på fakturaen. B. Købere med bopæl uden for EU: 1 Forsendelse gennem speditør: Effekter, der eksporteres gennem en af Bruun Rasmussen godkendt speditør, fritages for afgift. 2 Udførsel som rejsegods: Der kan ske fritagelse for dansk afgift, når køberen selv medtager det købte under forudsætning af, at følgende betingelser er opfyldt: Fakturaen skal være betalt, og den danske afgift på 25% af fakturabeløbet skal være deponeret hos Bruun Rasmussen. a Købere med fast bopæl i Norge vil få den danske moms refunderet, så snart Bruun Rasmussen har modtaget købsfakturaen retur med påtegning om officiel indførsel fra det endelige lands toldmyndighed eller anden på omsætningsafgiftsområdet kompetent myndighed, hvis købet overstiger DKK b Købere med fast bopæl andre steder uden for EU vil få den danske moms refunderet, efter at effekterne har været forevist til toldbehandling i forbindelse med køberens udrejse fra EU. Eksportørblanketten returneres til Bruun Rasmussen efter at være forsynet med et toldvæsens attest for udførslen, hvis købet overstiger DKK 300. Dette gælder også for Færøerne og Grønland. 4. Afgiftsbetaling A. Momsregistrerede i andre EU-lande, der ikke ønsker at gøre brug af 3, kan i stedet vælge at handle til brugtmoms/fuldmoms på lige fod med private købere. Dette skal meddeles os inden kl. 10 den følgende auktionsdag. B. Momsregistrerede i Danmark kan vælge at købe til fuldmoms med 25% af både hammerslag og auktionsomkostninger. Dette skal meddeles os inden kl. 10 den følgende auktionsdag. 5. Udlevering Købesummen skal være betalt, inden det købte kan udleveres til køberen. Det købte henligger fra hammerslaget for købers regning og risiko. For varer, der ikke er afhentet 14 dage efter hammerslaget, vil der blive opkrævet opbevaringsgebyr. Købte varer, der er betalt, men ikke afhentet, vil efter 1 år blive videresolgt for købers regning ved auktion eller underhånden. 6. Forsendelse Såfremt Bruun Rasmussen påtager sig at emballere og fremsende købte varer, sker dette på købers regning og risiko. Bruun Rasmussen kan således ikke drages til ansvar for skader forvoldt på købte varer under forsendelse eller for forsvundne forsendelser. 122 BRUUN RASMUSSEN bredgade AUKTION 777

123 7. Kunstnerafgift til Copy-Dan CD Ifølge gældende dansk lovgivning om ophavsret skal der opkræves følgeretsvederlag på værker af alle nyere danske og visse udenlandske kunstnere. Følgeretsvederlaget opkræves hos køber af Bruun Rasmussen på vegne af kunstnernes organisation Copy-Dan, for de kunstværker, der er omfattet af loven. Disse værker er mærket CD for Copy-Dan ud for katalognummeret. Følgeretsvederlaget beregnes som følger for det enkelte kunstværk, når hammerslagsprisen overstiger DKK 1.863: 5% af den del af hammerslagsprisen, der ligger mellem DKK 0 og DKK med tillæg af auktionsomkostninger på 20% ekskl. afgift 3% af den del af hammerslagsprisen, der ligger mellem DKK og DKK med tillæg af auktionsomkostninger på 20% ekskl. afgift 1% af den del af hammerslagsprisen, der ligger mellem DKK og DKK med tillæg af auktionsomkostninger på 20% ekskl. afgift 0,5% af den del af hammerslagsprisen, der ligger mellem DKK og DKK med tillæg af auktionsomkostninger på 20% ekskl. afgift 0,25% af den del af hammerslagsprisen, der ligger over DKK med tillæg af auktionsomkostninger på 20% ekskl. afgift Copy-Dan afgiften kan ikke overstige DKK for det enkelte kunstværk. 8. Eksporttilladelse Kulturværdiudvalget er blevet ansøgt om eksporttilladelse, hvor dette kræves iflg. gældende dansk lovgivning om sikring af kulturværdier i Danmark. Foreligger en sådan ikke, vil dette blive meddelt den udenlandske køber umiddelbart efter hammerslaget. Derefter vil Bruun Rasmussen igen ansøge Kulturværdiudvalget på købers vegne, nu hvor prisen kendes. Gives eksporttilladelse ikke, er Kulturværdiudvalget forpligtet til at overtage det købte til den opnåede pris, hvilket betyder at købet bliver hævet for køber. 9. Katalogisering Alt sælges i den stand, hvori det ved hammerslaget er at forefinde og som beskrevet i kataloget med senere offentliggjorte ændringer og modifikationer. Katalogiseringen er foretaget efter bedste overbevisning og under anvendelse af de anførte katalogiseringsprincipper. De solgte effekter er ofte af en alder eller af en art, der bevirker, at de kan være behæftet med fejl, mangler, restaurering eller beskadigelser, der ikke nødvendigvis angives i kataloget. Afbildninger i kataloget er blot til identifikation og kan ikke anvendes til vurdering af effekternes stand. Enhver der ønsker at byde på auktion, bør derfor ved selvsyn på de før auktionen afholdte eftersyn forvisse sig om de ønskede effekters stand. Katalogbeskrivelsen er udtryk for den på tidspunktet for katalogets trykning blandt lærde og eksperter herskende opfattelse. Skulle der efter købet opstå tvivl om det købtes ægthed eller dettes overensstemmelse med katalogbeskrivelsen, skal dette straks meddeles til Bruun Rasmussen. Såfremt det må erkendes, at det købte er en forfalskning, eller såfremt katalogbeskrivelsen har været behæftet med væsentlige fejl, der har medført en væsentlig højere hammerslagspris, end en korrekt katalogbeskrivelse må antages at ville have resulteret i, er køber berettiget til at annullere købet, hvorefter den samlede erlagte købesum, dog højst den i kataloget angivne højeste vurderingspris tillagt auktionsomkostninger og evt. moms, vil blive refunderet køber. Væsentlige fejl i katalogbeskrivelsen relateret til mål eller vægt erstattes kun procentuelt i forhold til differencen. Retten til under de her anførte betingelser at annullere et køb kan kun udøves af den, der købte den pågældende effekt hos Bruun Rasmussen og er betinget af, at krav om annullering fremsættes skriftligt over for Bruun Rasmussen inden 2 år efter købsdagen, og af at det købte inden samme frist returneres til Bruun Rasmussen i den samme stand i enhver henseende, som det købte var i på hammerslagstidspunktet. Køber kan i tilfælde af annullering ikke gøre krav på betaling af renter af købesummen og er ej heller berettiget til at kræve anden udgift eller tab, herunder eventuel mistet videresalgsfortjeneste, dækket. Et køb kan ikke kræves annulleret efter ovenstående bestemmelser, såfremt: a beskrivelsen i kataloget på hammerslagsdagen var i overensstemmelse med den på dette tidspunkt gældende opfattelse blandt lærde og eksperter. b den eneste måde til på katalogets udgivelsestidspunkt at få fastslået et falskneri var iværksættelsen af videnskabelige processer, hvis gyldighed først blev anerkendt efter katalogets udgivelsestidspunkt eller som ville have været uforholdsmæssigt omkostningskrævende eller uigennemførlige uden beskadigelse af den pågældende effekt. KOMMISSIONER Bruun Rasmussen Kunstauktioner Jesper Bruun Rasmussen, Auktionsholder Jørgen Byriel, Auktionsleder Bruun Rasmussen påtager sig at byde i kommission for bydere, der ikke kan være til stede ved auktionen. Det er en forudsætning, at kommissionen er Bruun Rasmussen i hænde 24 timer før auktionens start, så om nødvendigt bydernes kreditværdighed kan undersøges. Bruun Rasmussen påtager sig intet ansvar for eventuelle fejltagelser, der måtte opstå ved brug af denne service. Konditionsrapporter Bruun Rasmussen påtager sig, hvis det er muligt, at orientere nærmere om katalognumrenes kondition og tilstand. Dette er ment som en service for kunder, der ikke selv har mulighed for ved selvsyn at undersøge numrene på eftersynet. Det understreges, at de givne oplysninger ikke kan gøres til genstand for reklamationer; her henvises til katalogteksten. FRITAGELSE FOR DANSK FULDMOMS Købere skal ifølge 2 betale fuldmoms af de varer der i kataloget er markeret med stjerne *. Når virksomheder, der er momsregistrerede i andre EU-lande, køber hos Bruun Rasmussen og videresælger til private, skal der ikke betales dansk moms, men moms i henhold til de regler der gælder, hvor den udenlandske virksomhed er momsregistreret. Det tilrådes at søge oplysning hos de lokale myndigheder. BRUUN RASMUSSEN bredgade AUKTION

124 c o n d i t i o n s o f p u r c h a s e 1. Bidding The buyer shall be the highest bidder at the hammer price. Any person bidding on behalf of a third party shall be liable in surety for completion of the sale. At the request of Bruun Rasmussen Kunstauktioner (hereinafter called Bruun Rasmussen), all bidders, whether they wish to make bids in person at the place of auction or commission bids by letter or fax or direct telephone bids, should be able to document their ability to pay and be able to provide proof of identity at any time. Bruun Rasmussen is entitled to refuse to accept a bid if, when requested, adequate security or adequate payment on account has not been rendered. Bids should be made by the bidder in person at the place of auction or by written commission. Telephone bidding is possible within certain conditions made out by Bruun Rasmussen. Bruun Rasmussen is not to be held responsible for any errors that may occur using this service. The auctioneer shall have absolute discretion as to the increment of the bids. The auctioneer will also make decisions in all cases of doubt regarding the bidding. 2. Payment The purchase price is the hammer price plus 25% in buyer s premium, including VAT, for lots sold subject to the special VAT scheme for sales of Works of Art, Collectors items and Antiques, and secondhand goods by Public Auction (hereinafter called Special VAT). Certain lots are sold in accordance with specific rules on normal VAT arrangement (hereinafter called normal VAT), so that the purchase price is the hammer price plus an additional 20% in buyer s premium and VAT of 25% levied on both the hammer price and the buyer s premium. The lots subject to Full VAT are indicated as such in the catalogue with an asterix (*). Danish VAT registered buyers shall provide us with documentation of their SE-/CVR-number (VAT No.) as this has to be quoted on the invoice for goods bought at full VAT. For some foreign buyers, specific VAT-exemption rules apply (cf. Article 3). VAT-exemption does not apply to private buyers from the EU who are considered as Danish buyers (cf. current Danish legislation on Special VAT Scheme for Sales of Works of Art, Collectors items and Antiques by Public Auction). The purchase price falls due for payment when the goods have been knocked down. Payment may be made in cash up to DKK 100,000, by Dankort, banker s cheque, traveller s cheque, Visa-, Master-, Diners Club- or Eurocard. Personal foreign cheques may only be used for payment by prior arrangement. Payment may be made during or immediately after the auction. Under all circumstances payment must be made no later than eight days from the date of the invoice. Should the purchase price not be paid by the due date, interest at 1.5 % per new month will be charged. If the purchase price and interest are not paid within eight days after Bruun Rasmussen has sent its demand to the buyer, Bruun Rasmussen shall be entitled to rescind the sale and resell the goods at a Bruun Rasmussen auction or privately, and to demand reimbursement of any related losses from the defaulting buyer. Any further profit on the sale shall be payable to the person who had deposited the goods for sale by auction. If the defaulting buyer is entitled to proceeds from a sale of goods by Bruun Rasmussen, Bruun Rasmussen shall be entitled to set off its receivables against its payables to the defaulting buyer. If the defaulting buyer has deposited other goods for sale, Bruun Rasmussen shall be entitled to sell such goods at a Bruun Rasmussen auction without being bound by the reserve stipulated by the defaulting buyer. The defautling buyer shall not be entitled to demand the surrender of goods deposited for sale as long as the debt payable to Bruun Rasmussen has not been discharged, regardless of whether the value of such goods may be deemed to exceed the debt payable. Bruun Rasmussen shall be entitled to refuse a bid made by a buyer who is in default in respect to his payment obligations to Bruun Rasmussen, as well as a bid made by a third party on behalf of such a defaulting buyer. Bruun Rasmussen shall further be entitled to demand a deposit as a condition of accepting any future bids from such a purchaser. 3. Exemption from VAT Foreign buyers who fulfil the conditions stated below shall pay 20% of the hammer price in buyer s premium and shall not be subject to Danish taxes and duties: A. Buyers residing in another EU Member State: Buyers are exempt from paying Danish VAT as long as they have provided Bruun Rasmussen with documentation of their VAT registration. The VAT number will then be quoted on Bruun Rasmussen s invoice. B. Buyers residing outside the EU: 1 Dispatch through forwarding agent: Lots exported through a forwarding agent approved by Bruun Rasmussen are exempt from VAT. 2 Export as personal luggage: Goods may be exempt from Danish VAT when the buyer personally takes the goods out of the country as luggage, provided the following conditions have been met: The invoice must have been paid and the Danish duty of 25% of the invoice amount must have been deposited with Bruun Rasmussen. a Buyers residing in Norway will be refunded the Danish VAT as soon as the invoice of sale has been returned to Bruun Rasmussen endorsed by the customs authorities of the country in question or by any other authority with jurisdiction over matters of purchase tax with respect to official imports of goods into the country in question if the purchase price exceeds DKK 1,200. b Buyers residing in other countries outside the EU will be refunded the Danish VAT after the goods have been presented for customs clearance in connection with the departure of the buyer from the EU. The exporter s form should be returned to Bruun Rasmussen after being endorsed with the customs authorities export certificate if the purchase price exceeds DKK 300 This also applies to the Faroe Islands and Greenland. 4. Payment of taxes and duties A. Buyers with VAT-registration in other EU member states who do not wish to make use of Article 3 may instead choose to purchase items subject to Special VAT/Normal VAT in the same manner as private buyers. Bruun Rasmussen must be notified of this before 10 a.m. on the following auction day. B. Buyers with VAT-registration in Denmark may choose to purchase subject to Normal VAT at 25% of the hammer price plus premium. Bruun Rasmussen must be notified of this before 10 a.m. on the following auction day. 5. Collection of purchases The purchase price must be paid in full before the purchased lot can be passed over to the buyer. From the time of the lot being knocked down to the buyer, until its collection, the purchased lot will be held at the buyer s own expense and risk. A storage fee will be charged for lots which have not been collected within 14 days after the time of the lot being knocked down. Goods which have been paid for but not collected within 1 year will be resold at auction or privately at the buyer's expense. 6. Dispatch Should Bruun Rasmussen undertake the packaging and forwarding of purchased goods, this shall be done at the buyer s 124 BRUUN RASMUSSEN bredgade AUKTION 777

125 own expense and risk. Bruun Rasmussen shall thus not be held liable neither for any damage caused to purchased goods during dispatch nor for any missing consignments. 7. Droit de Suite Pursuant to current Danish legislation on Copyright, an artistic royalty shall be collected on works of modern art by all Danish and some foreign artists. Bruun Rasmussen will from the buyer collect the royalties required on behalf of the artists organisation Copy-Dan for any work of art subject to this law. These works are identified in the catalogue by CD for Copy-Dan, marked beside each relevant lot number. The artistic royalty will be calculated as follows for each work of art, when the hammerprice exceeds DKK 1,863: 5% of the part of the hammerprice ranging from DKK 0 to DKK 310,567 plus the buyer s premium (20% excl. VAT) 3% of the part of the hammerprice ranging from DKK 310,567 to DKK 1,242,267 plus the buyer s premium (20% excl. VAT) 1% of the part of the hammerprice ranging from DKK 1,242,267 to DKK 2,173,967 plus the buyer s premium (20% excl. VAT) 0.5% of the part of the hammerprice ranging from DKK 2,173,967 to DKK 3,105,667 plus the buyer s premium (20% excl. VAT) 0.25% of the part of the hammerprice lying above DKK 3,105,667 plus the buyer s premium (20% excl. VAT) The artistic royalty cannot exceed DKK 93,170 for each work of art. 8. Export licence Applications for an export licence must be made to the Danish Cultural Assets Committee when required in accordance with current Danish legislation on the protection and preservation of cultural assets in Denmark. Where such a licence has not been obtained, the foreign buyer will be informed thereof immediately after the lot has been knocked down to the buyer. Another application will subsequently be sent to the Danish Cultural Assets Committee by Bruun Rasmussen on behalf of the buyer, now that the price is known. Should an export licence not be granted, the Danish Cultural Assets Committee would be obliged to acquire the purchased lot at the purchase price, and the buyer would thus not be bound to the purchase. 9. Cataloguing All lots are sold in the condition in which they are found when knocked down and as described in the catalogue with subsequently published changes and modifications. Cataloguing is done according to the best of Bruun Rasmussen s knowledge and on the cataloguing principles stated. The lots auctioned are often of some age or of a kind which makes it possible that they may contain defects, deficiencies, or may have been subject to restoration or damage not necessarily stated in the catalogue. Catalogue pictures are for identification only and cannot be used for an evaluation of the condition of the goods. Any person who wishes to bid at an auction should therefore sa-tisfy himself of the condition of the lots for which he intends to bid by personal inspection at the preview held prior to the auction. The catalogue description is an indication of the prevailing oppinion of scholars and expert at the time of the printing of the catalogue. If any doubts should arise after the purchase regarding the genuineness of the purchased lot or its conformance with the catalogue description, Bruun Rasmussen should immediately be informed thereof. Should the purchased lot be proved to be a forgery, or if the catalogue description contains material errors which lead to a considerably higher hammer price than that which a correct catalogue description would presumably result in, the buyer shall be entitled to cancel the purchase, after which the buyer shall be reimbursed for the total purchase price paid, up till a maximum amount of the highest estimated price stated in the catalogue plus buyer's premium and VAT, when applicable. For material errors in the catalogue description in respect to measurements or weight, compensation shall only be paid on a percentage basis in proportion to the difference. The right of cancellation of a purchase in pursuance of the present conditions can only be exercised by the party who has bought the lot in question at Bruun Rasmussen and shall be subject to the presentation of a claim for cancellation in writing to Bruun Rasmussen within 2 years of the purchase date and to the purchased lot being returned to Bruun Rasmussen in the same condition in any and all respects which the purchased lot was in at the time of the lot being knocked down to the buyer. In the event of cancellation the buyer shall not be entitled to claim payment of interest on the purchase price nor shall the buyer be entitled to claim compensation for any other expenses or loss incurred, including any possible loss of profit in connection with reselling. It shall not be possible to state cancellation of a purchase in pursuance of the above provisions if: a the catalogue description on the day the lot was knocked down to the buyer was in accordance with the then generally accepted opinion of scholars and experts; b the only way of establishing whether the lot was a forgery at the time of the publication of the catalogue was the implementation of scientific processes, the validity of which was only acknowledged after the time of publication of the catalogue, or which would have required a disproportionate amount of cost, or which would have been impossible to carry out without damaging the lot in question. COMMISSION Bruun Rasmussen Auctioneers of Fine Art Jesper Bruun Rasmussen, auctioneer Jørgen Byriel, officially appointed external supervisor Bruun Rasmussen undertakes to execute commission bids for bidders who are unable to be present at the auction. It is a prerequisite that Bruun Rasmussen receives the commission 24 hours before the start of the auction for the bidders credit to be checked, if necessary. Bruun Rasmussen is not to be held responsible for any errors that may occur using this service. CONDITION REPORTS Bruun Rasmussen undertakes to provide further information about the state and condition of the lots if possible. This is regarded as a service for customers who are unable to make a personal inspection of the lots at the preview. Bruun Rasmussen stresses that the information given cannot be used as the basis for complaints; complaints can only be based on the catalogue text. Exemption FROM VAT Buyers shall, according to 2, pay full VAT on lots marked with an asterix *. No Danish VAT is to be paid when VAT registered companies from other EU countries buy at Bruun Rasmussen and resell to private buyers, The private buyer then only has to pay VAT according to the rules in force in the country where the foreign company is VAT registered. For further information please consult your local authorities. The above is an English translation of the Danish version of the Conditions of Purchase. In case of dispute, only the Danish version of the present Conditions of Purchase of Bruun Rasmussen is valid. BRUUN RASMUSSEN bredgade AUKTION

126 k o m m i s s i o n s b u d c o m m i s s i o n b i d s Det er muligt at afgive kommissionsbud, hvis De ikke selv kan være til stede på auktionsdagen. Denne service er gratis. Når De afgiver en kommission, beder De vores kundeservice på Deres vegne byde op til et af Dem bestemt beløb i hammerslag. Der kan opstå den situation, at en anden køber allerede har budt det beløb, som De ønsker at afgive. Er De da villig til at gå et bud højere eller er De indforstået med at nummeret sælges til anden side? Ønsker De ikke at byde højere så skriv Max ud for beløbet. Er De i tvivl om hvor højt De vil byde, kan De hæve budet med op til ca. 15% eller ca. 25%. Salgsprisen kan blive højere eller lavere end vurderingen, så der er også mulighed for at købe til under den angivne vurdering. Vor kundeservice køber altid så billigt som muligt til Dem, som havde De selv været tilstede på auktionen. Alle kommissioner behandles strengt fortroligt. Kommisionsbud skal være Bruun Rasmussen i hænde senest 24 timer før auktionens start. Sådan byder De: Udfyld blanketten kommissionsbud med alle oplysninger. Angiv katalognummer. Angiv beløbet De ønsker at byde. Er dette Deres absolutte maximum bedes De anføre Max i kolonnen. De kan også forhøje Deres bud med henholdsvis ca. 15% eller ca. 25%, ved at indikere dette i kolonnen. De bedes underskrive kommissionsblanketten og sikre Dem, at Bruun Rasmussen modtager den senest 24 timer før auktionens start. Hvis Deres oplysninger ikke er tilstrækkelige, kan Bruun Rasmussen undlade at byde for Dem, ligesom Bruun Rasmussen ikke kan gøres ansvarlig for fejl ved budgivningen. Efter auktionen vil De kunne få oplysninger om priser på vor automatiske 24 timers Hammerslagsoplysning på telefon internet: Kommisionsbud kan afgives på hjemmesiden direkte fra siden med den effekt, De ønsker at byde på. Seneste afgivelse af bud via hjemmesiden er 3 timer før auktionens start. Afgivne bud kan ses på hjemmesiden under Deres bud, når de er logget ind. Kontakt teknisk suppert på for spørgsmål om registrering og budgivning via internettet. For yderligere information, se Købskonditioner, 1. It is possible to leave commission bids if you can not be present at the auction yourself. This service is free of charge. When leaving a commission bid, you are instructing our customer service to bid up to a specified amount on your behalf. The situation can occur that another buyer has already bid the same as you were prepared to. Are you then willing to bid further? If not the lot will be sold to another buyer. If you do not wish to exceed your bid then write Max", for maximum, next to the amount. You can also allow us to raise your bid by approx. 15% or approx 25%. The hammer price may be higher or lower than the estimated price, so it is possible to buy below the estimate. Bruun Rasmussen will always buy at the lowest price possible, as if you yourself had been present at the auction. All commission bids are strictly confidential. Commission bids must be submitted no later than 24 hours prior to the start of the auction. How to make a commission bid: Complete the commission form with all pertinent information. Indicate the lot number. Indicate the amount you are prepared to bid. Should this amount be the absolute maximum, please write Max in the appropriate column. You can also allow us to bid by up to approx. 15% or approx. 25% more by indicating so. Sign the commission form and make sure that Bruun Rasmussen receives it 24 hours prior to the start of the auction. If the information should be insufficient, Bruun Rasmussen can abstain from bidding. Bruun Rasmussen can not be held responsible for error in bidding or failure to execute bids. After the auction Bruun Rasmussen s 24-hour hammerprice-information is available for sale results at internet: Commision bids can be submitted via the website directly from the page with the item you want to submit a bid for. Deadline for submissions of bids via the website is 3 hours prior to the start of the auction. Submitted bids are shown under Your bids when you are logged in. Please contact technical support on for questions about the registration and submission of bids on the website. For additional information, please consult Conditions of Purchase BRUUN RASMUSSEN bredgade AUKTION 777

127 k o m m i s s i o n s b u d c o m m i s s i o n b i d S B R e d g a d e Skal være Bruun Rasmussen i hænde senest 24 timer før auktionens start. Must be submitted no later than 24 hours prior to the start of the auction. Navn Name: *... Adresse Address: *... Postnr./by City: *... Land Country: *... Fax:... Tel: * CVR-nr. VAT No.:... Bank:... Konto nr. Acct. No.:... Adresse Address:... Postnr./By City:... Land Country:... Tel:... Kontaktperson Contact:... Obligatoriske felter er mærket med en stjerne * Mandatory fields are marked with an asterix * Undertegnede giver hermed fuldmagt til Bruun Rasmussen Kunstauktioner A/S om på mine vegne at købe nedennævnte katalognumre så fordelagtigt som muligt, inden for det af mig anførte beløb, i hammerslag. I hereby request that Bruun Rasmussen bid on my behalf on the following lots up at the prices indicated below. Undertegnede har udfyldt ovennævnte med de ønskede oplysninger, samt har accepteret købskonditionerne. The undersigned has supplied the required information and agrees to be bound by the conditions of purchase. Signatur: *... B.R. kunde-nr. Client No.:... Jeg ønsker at modtage salgsresultater på de emner jeg har budt på via dagligt efter auktion I wish to receive sales results on the items I have been bidding on via every day after the auction på adressen on this address:... Auktion nr auction no: 777 Katalog nr. Beskrivelse Bud kr. Lot. No. Description Bid DKK Max +15% +25% BRUUN RASMUSSEN kunstauktioner A/ S Bredgade 33 DK-1260 København K Tel Fax [email protected] Fortsættes næste side Please turn over " BRUUN RASMUSSEN bredgade AUKTION

128 COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA C OBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA C o B r A 6 0 COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA C OBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA C OBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA C OBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA C OBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA C OBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA C OBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA COBRA C Ejler Bille: Komposition 1953 Bruun Rasmussen fejrer Cobra bevægelsens 60 års jubilæum med en særauktion til marts Vi søger gode værker af: Alechinsky Alfelt Appel Atlan Balle Bille Brands Hugo Claus Constant Corneille Dotremont Doucet Ferlov Mancoba Gear Gilbert Götz Gudnason Heerup Hultén Egill Jacobsen Jorn Lucebert Mancoba Mellerup Nieuwenhuis Ortvad Carl-Henning Pedersen Reinhoud d Haese Rooskens Tajiri Thommesen Wemaëre Wolvecamp