AGI AND SAM AGI AND SAM AGI AND SAM ANDREW SAUCEDA SAINT LAURENT SteLLa m c c artney ALEx ANDER MCq UEEN v i NTAg E D ior g areth Pugh g areth Pugh B ra DANSK MAGAZINE D A N SK TALKS C REATING B IG B USINESS I ask him how his made-to-order business is going ( amazing! ) and how it is different from the French couture. A lot of traditional French couture isn t wearable, he says, and done for the sake of art more than wearability therefore, it doesn t really sell. As the family had a global vision, his father brought Naeem to America to go to Parsons or FIT. But before he was even accepted, Halston could see the idea in working with the Indian technicians. Naeem Khan got a job, so he could be the liaison between his family and Halston. D A N SK TALKS W aisted BrieF s vintag E kneepads vintag E DANSK portrætterer mode og luksus på stadig mere innovative måder. DANSK er The American market for couture and glamour is a little simpler, more wearable. If you do it for the sake of art, but it doesn t support your business, why is that? To create something that is self-supportive is important to me. You shouldn t take from ready-to-wear to support couture, Khan says on his business strategy. In 2013 he started his bridal collection on a whim and within the first year it was self-supportive. While this designer dresses Michelle Obama and Beyoncé, and counts royal families and international celebs among his customers and friends on one end, he s not afraid of aiming at other consumers at the same time. It s a natural part of growing a business, one senses, ambitious as Khan is. For one, he s not afraid it will lower the image of the brand. At the same time, it s not possible to grow the high-end part of his business much more. He taught me. That was my way into the fashion industry. Next thing you know, I m working with Andy Warhol or designing theatre with Martha Graham. I became part of this American era. Fashion is not just about technology or style; it s about understanding lifestyle. Being with Halston was an amazing way to learn. You learned America with Halston, he says. There s a saturation intelligent og eksklusivt og henvender sig til modens sofistikerede internationale forløbere. Siden DANSK s lancering i 2002 har bladets unikke signatur konstant There s a saturation point. Not among consumers, but because of production abilities. I can make 100 of the handmade dress over there. But to make 1,000? That would be a nightmare! There are only so many people who can do craftsmanship and it would ruin it. You want to keep it as a precious commodity. This is the jewel, he says, adding that you need to add less expensive lines if you really want substantial business. Naeem Khan does want substantial business, you immediately understand. point. Not among consumers, but because of production abilities. I can make 100 of the handmade dress over there. But to make formået at skille sig ud fra gængse modeudgivelser, og magasinet forbliver både originalt og nyskabende på det globale marked. When you give up your design to licensing that s when you have trouble. If I were to make bed sheets, I would license. But collections should be totally controlled by you, Khan notes, pointing in the direction of his collection for the American Home Shopping Network. It s so exciting that whole business. You can sell 10,000 blouses in eight minutes. At all times there are between five and seven million people watching. That s crazy! You have no idea, but that s the business they do. 1,000? That would be a nightmare!" D ress DANSK blev grundlagt af de to kreative kræfter Uffe Buchard og Kim Grenaa med en vision om at lave en kreativ platform, hvorfra dansk mode promoveres og synliggøres på lige fod med international mode. DANSK præsenterer det bedste i moden, hvad end det gælder verdens førende modeller, fotografer og stylister eller P 100 øjeblikkets mest eftertragtede emner og personer, og det gør det med nordisk panache og på en måde, der altid er unikt DANSK. Som en manifestation af denne æstetiske designtradition rækker DANSK s strømlinede og stærke, tidløse visuelle identitet sig langt ud over trends. I DANSK portrætteres moden og den nordiske kultur- og designarv som komplementerende elementer, der linker mode, design og interiør i et elegant samspil. Gennem humor og observans fortolker og diskuterer DANSK s skrevne sprog moden, og skiller sig samtidig ud som markedets mest innovative og fængslende modejournalistik. D A N SK LOVES FLORAL PATTERNS L EARNING AMERICA Naeem Khan grew up with his family in India. His grandfather and father were both craftsmen who produced textiles and lavish embroideries for Indian royalty and socialites. In other words, it s in Khan s blood to cater to the glamour industry. I ask him what he learned from his family, and he tells a fascinating tale of family legacy and working with iconic American designer Roy Halston. His grandfather started his own factory and his father went to Mumbai with a bag full of ideas and swatches. Knocking on doors, creating one-of-a-kind saris and designs, he became the talk of town. Now, Khan says, there are about 2,000 workers in that factory. What I learned from them was the value of work. Spending his childhood and youth on the factory (he had to do his homework there and hated it), Khan remembers sleeping under coloured yards of fabric and chiffons dispersed atop him as workers worked on embroideries. Warhol taught him how to draw (by doing poppies), and Halston how to think like Halston himself. How to let the fabric speak to you, it will tell you what it wants to do, as Khan says. After three years Khan left Halston to start his own business in LA. Big clients came running quickly, but it didn t take long for a young and inexperienced Khan to lose his ground and money. They were all megastars and no one wanted to pay. I was too naïve and too eager and had no business sense, so I just gave things away. So I ran into trouble, Khan explains as we get to the end of our talk. That trouble has really found good with me later on. I m not saying I m wise now, but I ve learnt so many things along the way. I could get investors, but I don t want that. It s more than just money. I want to leave a legacy for my children. HeaD piec e P 101 playsuit COAT ALL CLOTHES DIESEL WorDS Moussa Mchangama A LL CLOTH ES M A X MARA P 66 There s something compelling about poppies; a fragile little flower, with nuances ranging from deep red and flaming orange to fresh whites. The stalks are slim, crisp (and slightly hairy, just like our men) but at the same time, they are the basis of the harsh multi-billion-dollar industry that is opium. From the dense depths of the opium dens of Indochina to a garden in Scandinavia, poppies are cherished in many, many ways. While we certainly don t support the opium industry, we do like the fact that a flower isn t just a flower - that it represents a dangerous allure other than its fragile beauty. JACKET SHIRT TROUSERS HAT SHOES
LINING & SHADOW EYE DO IT ALL DANSK rammer trendsettere indenfor mode og livsstilssegmenterne DANSK er et af Skandinaviens mest unikke brandingmedier DANSK s annoncører læner sig op ad DANSK s anerkendte univers Paris, New York, Tokyo, Los Angeles, Londres, Hong Kong, Madrid, Pékin, Bangkok, Shanghai, Beyrouth, Séoul, Dubaï, Copenhague www.isabelmarant.com EYE & BROW MAESTRO 12/12/2014 15:21 BRUCE WEBER A curated series of photography by ANNIE LEIBOVITZ, JUERGEN TELLER and BRUCE WEBER Sold exclusively in Louis Vuitton stores. louisvuitton.com DANSK_DPS1 480x315 F-S2 DP MIX8 DEN.indd 1 19/12/2014 15:58 1412155_GVY_DENMARK_DANSK_29JAN_SS15_M2+W6_480x315.indd 1-2 FASHION AUDI ABSOLUT B&O PL AY BELSAC CARLSBERG GEORG JENSEN GIORGIO ARMANI HOLMEGA ARD LG PR ADA LINDBERG LOUISIANA MARIA BL ACK MA X FACTOR MERCEDES MINI MOÈT & CHANDON MOROCCANOIL OLE LYNGGA ARD PATEK PHILIPPE PILGRIM ROYAL COPENHAGEN SHAMBALL A SPIES TAG HEUER YSL VICTOR & ROLF VICTORINOX WELL A ØRGREEN BY MALENE BIRGER BOT TEGA VENETA BRUUNS BA Z A AR BURBERRY CALVIN KLEIN CHANEL CHLOE DESIGNERS REMIX DIESEL DIOR EMPORIO ARMANI FILIPPA K G-STAR GANNI GANT GIVENCHY GUCCI H&M HAN KJØBENHAVN HÊRMES HUGO BOSS ISABEL MAR ANT J. LINDEBERG KENZO L ANVIN LOUIS VUIT TON MARC BY MARC JACOBS MARC JACOBS MA X MAR A MONCLER MULBERRY R ALPH L AUREN SALVATORE FERR AGAMO SAND COPENHAGEN TOMMY HILFIGER VALENTINO FLÂNEUR FOREVER 24/12/14 11:24 calvinklein.com calvinklein.com shop now LIFEST YLE 002.01.001 CKJ Dansk 480x315 S15.indd All Pages 06/01/15 08:42 NOTE IM_SS15 1DP DANSK SU 480x315-NM.indd 3 EDITORIAL ANNIE LEIBOVITZ 12/12/2014 15:20 THE NEW NEW LET THE RIGHT SOUND IN What s new? Well, who cares? New or old, seen before or invented yesterday who's concerned anymore? And who can keep track? Who can name themselves judge? And does it even matter? In our perpetual and tireless chase for the new the chase we've been reared to and which forms the core of the high-voltage power center of fashion we've discovered one thing: We're chasing a rabbit we'll never catch. Greyhounds may run fast and with blinkers, but even the fastest dog gives up the chase when the reward's never reached. It's become something of a tiresome race, and we're not even trying to keep up anymore. Is that not the new new? Or is it merely a sure path to normcore and thereby a cer tain stylistic doom..? We don't even try to keep up with the Kardashians that might even make us kinda cool, non? Those sisters (we've lost track of how many there are by now) will never appear on our cover, that we promise. For on that page, we've made space for the newest of the new, of course. A model so fresh, we can't even quite recall her name, but who will inspire readers with her sheer freshness. She'll be someone we're par t of launching. A look never seen before. And then every thing is as it should be. Florence Kosky, welcome to our cover you look amazing in your Prada! Maybe you're the new KateCara-Edie? Honestly, that's not really something we've pondered, we were just infatuated by your look. Sincerely. And it's been pretty long since we've felt that way. Usually, we have a look at the official top-50 char t of passable models and pick one from the list. Easy. Too easy. And not especially inventive. But not this time and not in the future. We'll only use models who inspire us and who define the current zeitgeist. Perhaps she'll be hot on the list. Perhaps the next model to grace the cover will be 60. Maybe 15. Maybe transgender. Or maybe not, so many others have already done that... We are so over any model with exotic sexual quirks. Jesus, we are Copenhageners, we simply can't give a damn. At least, we can't be bothered to hunt for whatever others think is new, because in that case it'll already be too old for our at tentive readers to whom we like to promise something new. So now it'll be the new new... Which might have been seen before. But we promise to give it a twist so that nobody notices. And what about fashion? How new does it need to be before it sparks our interest? We'll keep on showing the newest collections. That's probably for the best. Don't worry, adver tisers stay with us! We are not anarchists. That's simply too old school. Yet we won't select our styles based on the barometer of newness, but rather on what fascinates us, plain and simple. Whether it's been seen before or is a copy of something we may or may not have seen before, is not what's decisive. Because we have seen it before. Somehow. So who are we fooling? The new new is all about not being overly concerned with novelty, but rather engaged in what's excellent. What's original. What's inventive... Even if it's not really new per se. And normcore, we salute you. We understand you. And we kinda curse the day you were born. Anyway, you are no more. Thank God! EDITORS-IN-CHIEF UFFE BUCHARD & KIM GRENAA PAN_DANSK 480x315_DP1_FASHION_FEV15.indd Toutes les pages 30/12/2014 17:51 PHOTOGRAPHER CASPER SEJERSEN B&O PLAY by BANG & OLUFSEN For more features go to BEOPLAY.COM/H8 CARA DELEVINGNE BAG M U L B E R RY. C O M HUGO BOSS Nordic ApS Phone +45 33 188000 www.hugoboss.com H8 DANSK Magazine SS15 www.dior.com IM_SS15 1DP DANSK SU 480x315-NM.indd 2 P 58 DPS1 DANSK 480x315 F-S2 DP MIX 8 DENMARK - On sale date: 29 JANUARY Brow. Lining. Shadow. Roots touch-ups. Available in 5 shades. Oestergade 3-5 1100 Copenhagen K Tel. +45 33 11 60 64 Hermes.com 0205_480x315_Dansk_Danemark_UK.indd Toutes les pages 19/12/14 12:15 Gucci_Dansk_Denmark_30Jan.indd 1 Dansk_Mini Cara_DPS.indd 1-2 Sold exclusively at Magasin Kongens Nytorv and Magasin Webshop. ANNONCORER BROW & ROOTS TOUCH-UPS 23/12/2014 16:49 17/12/14 09:42
SWEATER DIESEL HEADPHONES B&O PLAY ALL CLOTHES DIESEL WATCH VICTORINOX ADVERTORIALS En advertorial i DANSK er en måde at kaste et nyt og/eller anderledes lys over en virksomhedens områder. Et af Skandinaviens stærkeste kreative teams, Uffe Buchard og Kim Grenaa skræddersyer en billedserie i DANSK til netop det pågældende brand. Billederne kan efterfølgende aktiveres i forhold til presse og/eller webbrug. CASES ARMANI COSMETICS BOSS ORANGE CARLSBERG CHANEL COLLAGE THE SHOP DIESEL GANNI GEORG JENSEN HUGO BOSS KOPENHAGEN FUR OLE LYNGGARD PANDORA RALPH LAUREN SAGA FURS SAND COPENHAGEN DE SENESTE PAR ÅR HAR VI ARBEJDET TÆT SAMMEN MED DANSK OG VORES SAMARBEJDE ER ALTID INSPIRERENDE OG PROFESSIONELT. DET BEDSTE VED DANSK ER DERES EVNE TIL KONSTANT AT UDFORDRE OS TILAT TÆNKE ANDERLEDES OGALTID MED EN INTERNATIONAL TILGANG. Ulrik Garde Due, CEO, Georg Jensen
GENTS DANSK har altid stort fokus på herremode med en skæv blanding af maskulinog avant garde mode DANSK bringer altid et interview med en kendt herretøjsdesigner DANSK stræber efter at ramme mænd i first moover segmentet også hvad angår grafik og udtryk DOLCE & GABBANA JUMPER JAMeS LoNG
dress S and top mark kenly domino Tan apron pants sandals d e S igners r emix Freya d als jø d e S igners r emix SKANDINAVISK MODE DANSK sætter dansk mode ind i en international kontekst som et af de eneste medier i Danmark DANSK bringer modeserier med alt lige fra undergrundsbrands til de mest etablerede brands DANSK er mindre kommercielt end andre gængse månedsmagasiner og kan derved vise andet end hvad der sælges i butikkerne J eans W rapped around body ACNE J eans MONKI DANSK HAR INDFANGET OG SYNLIGGJORT ESSENSEN AF DANSK MODE UDEN AT MISTE SIT INTERNATIONALE FOKUS OG KANT. GENNEM DANSK RAMMER BRUUNS BAZAAR NOGLE AF VORES VIGTIGSTE KUNDER. Bjørn Bruun, Bruuns Bazaar
INTERNATIONAL MODE DA N S K I N S P I R E R E R S I N E L Æ S E R E OG UDFORDRER GR ÆNSERNE FOR MODE I B Å D E DA N M A R K O G I N T E R N AT I O N A LT. VO R E S TÆ T T E S A M A R B E J D E M E D DA N S K T I L L A D E R O S E F F E K T I V T AT KO M M U N I K E R E H U G O S AVA N T- G A R D E T I LG A N G T I L M O D E T I L E N I N F O R M E R E T O G M E N I N G S DA N N E T GRUPPE AF NYE OG EKSISTERENDE F O R B R U G E R E. DANSK bringer store interviews og one-on-ones med internationale modepersonligheder DANSK bringer de trendsskabende designeres kreationer DANSK s modeserier har primært fokus på international mode GUCCI Gareth Incledon, HUGO BOSS Nordic TOp valentino TROUSERS SHOES valentino CélIne HEADpIECE whites of JaCket whitecross JACKET VeRSACe T- S H I R T DRESS BRA SHOES RUSKIe vivienne lanvin whiskers westwood ALexANDeR JEANS VeRSACe boots SAINT MCqUeeN LAUReNT VANESSA BRUNO
BouC heron ACCESSORIES D A N SK LOVES POM SKY DANSK sætter altid en lang række accessories ind i et unikt univers DANSK sætter særligt fokus på hver enkel toneangivende accessory DANSK har overraskende vinkler på accessories med stærkt visuelle billeder bar K i NG up th e right tree C O LLAR H ERM È S WorDS Moussa Mchangama P 76 Pomsky: AKA the cutest thing on the planet. It s a designer dog (a mix of a Pomeranian and a Siberian Husky), because apparently mankind can t help but play God. While that is of course ridiculous, just google pomsky and have a look yourself (they re way too cute for our pages). We re ardent dog people here at DANSK, Agnes and Bob are the canine parts of our little family, and the Pomsky is our newest obsession. What s not to love with that amazing fur? It might even make a cute hat. RINg TOp C o S D A N SK LOVES H ORN SPEC TACLES FrA ming it right DANSK ER ET SUPER LÆKKERT, EKSKLUSIVT OG INSPIRERENDE MEDIE, HVOR OPLEVELSEN AF DESIGN OG LUKSUS STEMMER OVERENS MED SHAMBALLA JEWELS ÅND. G L ASSES LINDBERG WorDS Moussa Mchangama When I went to high school, two of my classmates wanted better grades. In order to achieve that, they purchased glasses. They didn t really intensify their studies or anything common like that. No, they each bought a pair of designer glasses (without strength, mind you) in order to get better grades they were sure it would make them look clever and scholarly, or whatever. Little do I remember if they achieved their goal. This was years ago, after all. But they did try to make a statement. Now, to make a proper statement you should take a look at these stunners by Danish glassmaker Lindberg. Combining innovative technology with the aesthetics of Denmark s famed design tradition, these specs won t go unnoticed. The front is made in unique water buffalo horn that ensures each and every frame is one of a kind. The color shadings and markings are different from horn to horn. It s an exquisite and enticing look highlighted by the extravagant sides: They re solid 18-karat gold. How cool is that? If that s not a statement, we re not sure what is it s certainly not for your average basic. Mads Kornerup, Shamballa Jewels P 68 Lindberg has won an astonishing number of international awards (71 and counting!) for its minimalist and functionalist Scandinavian frames, and the downplayed design combined with the unique materials calls for a truly stunning look. That s understandable, seeing how Lindberg keeps sending desirable goodies our way. So whether or not you need better grades, want to make a good impression, or just look cool, look to Lindberg. That s what we would do.
Le bl anc de c hanel c hanel cc c ream in 20 beige illusion d ombre in Fantasme 81 i LLusion d ombre in e n V o L 847 Jardin de c hanel blush c amel ia r ose Le blush creme de c hanel in presage 62 Les 4 ombres in t isse Ventien 232 o mbre c ontraste in duo in KhaK i d iscret 17 o mbre e ssentielle in a dmiration 114 illusion d ombre in e patant Le crayon yeux in s weet s tar r ouge c oco in i na 450 r ouge c oco in Jean 454 Le Vernis in d esirio 643 WorDS Magnus Jorem Le bl anc de c hanel c hanel cc c ream in 20 beige illusion d ombre in Fantasme 81 illusion d ombre in e b L oui 86 illusion d ombre in i mpul ssion 93 i LLusion d ombre in Vision 89+92 illusion d ombre in a aparition in 91 Le styl o waterproof in bleu e xquis o mbre e ssentielle in a dmiration 114 s ubl ime de c hanel m ascara in n oir 10 r ouge c oco in t eheran 412 Le crayon LeV res in o range i ntense 56 r ouge c oco i s ari d ore 414 BEAUTY DANSK fortæller alternative historier om dufte og make-up i et unikt kreativt univers DANSK afsætter god plads til dufte og make-up både i forhold til omtale samt det visuelle udtryk DANSK har et særligt stort kunstnerisk fokus på designet af duftflakoner BLUSH EYES LIPS SKIN B R I G H T PHOTOGRAPHER Sascha Oda HAIR & MAKE-UP Mette Thorsgaard / Unique Creatives SKIN BLUSH EYES LIPS NAILS MODEL Caroline Brasch / Elite Model Management HAIR & MAKE-UP ASSISTANT Josephine Mai Johannesen RETOUCH: WeTouch Thanks to The Lab D A N SK LOVES M ASC U L INE SC ENTS For ALL i N tensive purpos e S NEIL BARRETT P 64 F RAGRANC E DOLC E & G ABB A N A - IN TEN SO Grammar nazis will cringe at the sight of the words in the headline, pull out their idiomatic insult books and write angry, grammatically correct replies to whatever YouTube-comments-section idiot got for all intents and purposes wrong. But they d be mistaken if the YouTube commenter in question were describing Dolce & Gabbana s new gents fragrance Intenso, whose launch also marks the 20-year anniversary of the company s classic Pour Hommes scent. It s a potion designed for all those thrills that concern love or intense explorations, as shown by the perfume campaign, featuring macho Irish heartthrob Colin Farrell gazing out into the distance from a dark volcanic landscape. Colin, with his recently salt-and-pepper hairlocks and mean eyebrow game, will leave you and just about anyone else longing for a whiff of him. While the campaign video may not let you smell Mr. Farrell, exactly, his impressive physique and fiery, impassioned eyes will leave no question about Intenso s deliciously manly notes and qualities. What we all need to realize is that the truly intensive purposes require not only concentration and preparation but a delightfully scented presentation. Colin s got it. What s preventing you from stepping it up? DANSK FORSTÅR AT EKSPONERE VORES PRODUKTER PÅ SKÆVE OG OVERRASKENDE MÅDER, OG TILFØJER DERIGENNEM EN EKSTRA DIMENSION TIL VORES PRODUKTLANCERINGER. MAGASINETS SERIØSE TILGANG TIL MODE GIVER OS EN UNIK MULIGHED FOR SAMARBEJDE MED ET TEAM, DER VIRKELIG FORSTÅR HVILKE VÆRDIER VORES BRANDS INDEHOLDER OG HVORDAN DE BEDST UNDERSTREGES. Anne Marie Tromholt-Qwist Marketing Director, L Oréal Luxe
DESIGN DANSK sætter fokus på den store fællesnævner mellem mode og design DANSK har fokus på nye og særlige design items DANSK er et alternativ til de gængse design medier og kan sætte et design i et alternativt lys WorDS Magnus Jorem M A G N US PETTERSEN D A N SK TALKS D A N SK TALKS P 80 up For SLAb S Magnus Pettersen If you sit on it, it s a chair. If you walk around it and look at it, it s a sculpture. So said American sculptor Richard Artschwager, yet the quote aptly describes the works of Magnus Pettersen, a Copenhagen-based Norwegian artist criss-crossing the boundaries between art and design. ALL ART B Y Art isn t something you re usually supposed to touch, much less sit on. But if that s a rule, it s one that sculptor Magnus Pettersen has thrown out the window. His works, built from concrete slabs tinted with diffuse pastels, invite you to have a seat and feel the material. And given concrete s solidity, there s no danger that the interaction will ruin the piece. I m obsessed with the permanence of the material. You see concrete ruins from buildings that were bombed during wartime. They still remain, even if they re damaged. That can also happen to these sculptures. But even if they re damaged through countless years of wear and tear, they ll still be there, he says when I meet him in his atelier in Southern Copenhagen. I love the idea of creating something that will endure. My sculptures in the US, for example, will probably remain in place. They re too heavy to be moved and too robust to disintegrate. Not that a painting can t endure. But the concrete sculptures will change only very gradually over time, also when exposed to harsh conditions. Even if actively used as a chair, say, it ll take many, many years to wear them down in a noticeable way. In fact, the gradual wear and tear has a playful visual effect on the pieces, many of which are placed outdoors, exposed to weather. When Magnus blends the concrete, he adds pigments to the mix of sand, cement, and rocks, making the entire material, and not just the surface, colored. As the concrete slowly gets worn over time, new hues emerge from within the piece, since the pigmentation is irregular through the different levels of the material. This of course wouldn t happen with a surface coat of paint, he explains. I N THE EYE OF THE B EHOLDER Magnus Pettersen s pieces have been described as postmodern explorations and sculptures that start off as paintings, but when I ask him about this, he chuckles. I m not accountable for what s written about my work, and haven t described my sculptures in those terms. The people who have interviewed me and written about postmodernism haven t quoted me, it s their own interpretation, which of course they re welcome to, he says. The thing about the sculptures starting off as paintings, though... That s just wrong. I ve painted maybe three paintings in my life, and one was in the first year of school. Not art school, primary school. The variation of interpretations is not only something Magnus tolerates, however. He welcomes it. The meaning of the works is up for grabs by the audience; it s one of its main themes. He enjoys that different people understand the sculptures differently, according to their own predispositions, and especially in relation to the contexts the pieces are placed in. My parents, for example, aren t interested in art, and won t see a concrete chair as a minimalist art piece. And perhaps many people won t... until it is placed in a gallery. CONCRETE AMBIGUITY Several of Magnus Pettersen s pieces, of course, are deliberately ambigious. His series titled Sculpture 1, P 81 DET ER EN STORGLÆDE AT SE, DEN MÅDE DANSK FORMÅR AT FORTOLKE UNIKKE OG EKSKLUSIVE BRANDS VIA FORSTÅELSE FOR OG INDLEVELSE I DE ENKELTE MÆRKER. Bente Fallinge, Rosendahl A/S
EVENTS DANSK er kendt for sine sofistikerede events og teamet bag DANSK finder altid nye spændende locations og samarbejdspartnerne indenfor mode og livsstil. Lige fra Camparis storslåede 150 års fødselsdagsfest på Hotel D Angleterre og modefester i samarbejde med By Malene Birger til det prestigefyldte og storslåede DANSK Fashion Awards, der blev afviklet fem år i træk. CASES AUDI BIRGER CHRISTENSEN BY MALENE BIRGER CAMPARI CHRISTIAN LOUBOUTIN COCA COL A LIGHT DIESEL EVE GEORG JENSEN GUCCIW HUGO BOSS ILLUM KR ANZ & ZIEGLER MAGASIN MARC BY MARC JACOBS MORROCAINOIL PANDOR A PILGRIM ROYAL COPENHAGEN SAGA FURS SAND
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