Martin Lohse. Passing. Three mobile for accordion. Composed

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1 Martin Lohse Passing Three mobile for accordion Composed

2 Passing Three mobile for accordion The score is in exact pitch, and the proposed registers can be changed according to room and instrument etc. The three pieces can be performed individually or as a suite. Passing is dedicated to Bjarke Mogensen and is in three movements: Passing I Allegro con passione sostenuto Quickly repeating notes, small motives and fast patterns. Different tempos in both hands and in the same register, all in a simple sequence of major thirds which represents all the harmonics in the piece. Passing II Andante con dolore sostenuto Slow movement with a theme that slowly moves around in different registers Passing III Moderato maestoso Fast movement based on the same simple sequence as in Passing I. Mobile A musical technique where different layers of music in individual tempos, metric and musical style are combined in a simple pattern of chords, which slowly modulate through all the keys in a newer ending sequence, creating a music with no or very few dissonances. I've developed the technique by combining different musical methods used in older works. Use of multiple layers of music, which have been a important part of my music since A simple repeating sequence of chords as the only harmonic material in the piece, which creates a music on the move, in a never ending modulation from the start to the end. Used in works like Haiku (1999), In liquid... (200) and Image balancantes (200). A 'rhythm across harmony' principle, where different together sounding motives are played in individual tempos across the rhythm of the chords. First used in Smoke (2000) and developed as a technique in Liebestraum (Liszt arrangement from 2005), and later used in 8 momenti mobile (2008) before it finally evolved to the technique used in this work and Concerto in tempi from Martin Lohse 2012

3 Passing Tre mobile for akkordion Partituret er ikke transponerende, og de noterede registre kan skiftes alt efter rum, instrument osv. De tre værker kan opføres individuelt eller som en suite. Passing er dedikeret til Bjarke Mogensen og er i tre satser: Passing I Allegro con passion sostenuto Hurtige gentagende noder, små motiver og hurtige mønstrer. Forskellige tempoer i begge hænder og i det samme register, alt i en simpel sekvens af store tertser som udgør hele harmonikken i værket. Passing II Andante con dolore sostenuto Langsom sats med et tema der langsomt bevæger sig rundt i forskellige registre Passing III Moderato maestoso Hurtig sats baseret på den samme simple sekvens som i Passing I. Mobile En teknik hvor forskellige lag af musik i hver deres tempo, metrik og musikalsk stil kombineres i et simpelt mønster af akkorder, som langsomt modulere igennem alle tonearter i en uendelig sekvens, skabende en musik med ingen eller ganske få dissonanser. Martin Lohse 2012

4 The score is notated in exact pitch Passing I Allegro con passione sostenuto e = 128 1) Martin Lohse 2011 dedicated to Bjarke Mogensen 10 8 Accordion 10 8 mf 2 5 A ossia 1) The tempo is not absolute. It is possible to make small changes in tempo between different parts of the piece and use ritardando when appropiate. Martin Lohse All rights reserved

5 B 10

6 poco rit. C A tempo 15

7 D ossia 20 21

8 poco rit. 25 E A tempo 26

9 F 0 1

10 10 2 poco rit. 5 G A tempo 6

12 12 poco rit Allegro meno mosso e = p rit. 5 diminuendo al niente 7 only noise from the buttons Fine :00

13 The score is notated in exact pitch Passing II 1 Accordion 2 2 Andante con dolore sostenuto h = 6 p Martin Lohse 2011 dedicated to Bjarke Mogensen A Poco più mosso mp 2 0

14 1 6 B mp mf C 65 ossia

15 rit. D A tempo p poco pensasomente rit. poco a poco dim. Fine 5:00-5:0

16 The score is notated in exact pitch Passing III 12 Moderato maestoso e. = 96, x. =192 Martin Lohse 2012 dedicated to Bjarke Mogensen Accordion 12 f A mp

17 15 B Moderato più mosso q = 8, x. = p

18 A tempo C e. = 96, x. = mp 1 5 D cresc. mf

19 Moderato più mosso E q = 8, x. = 22 p 5 7

20 poco rit Moderato maestoso F e. = 96, x. = f

21 6 5+ G mp poco rit H 10 Moderato meno mosso e. = 8, e = 126 accel. 10 S.B. p Bellowshake 1) ossia 2) crescendo et poco a poco con fuoco 76 1) Rhythm of the bellowshake is shown in the left hand, which hold the notes as chords. 2) Ossia: make bellowshake in double tempo (in y) and remove bar and bar 92-9.

22 I Vivace e. = poco rit. fff con fuoco 90 Allegro e. = 128 poco rit. 9 Andante q = 72 f p fff Fine :00

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